The experience of poetry: from Homer's listeners to Shakespeare's readers
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Oxford
Oxford University Press
2019
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Ausgabe: | First edition |
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030851666&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030851666&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
Abstract: | Was the experience of poetry-or a cultural practice we now call poetry-continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? 0In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era.0Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture |
Umfang: | xiii, 445 Seiten Illustrationen 24 cm |
ISBN: | 0198833156 9780198833154 |
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520 | 3 | |a Was the experience of poetry-or a cultural practice we now call poetry-continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? 0In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era.0Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture | |
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Datensatz im Suchindex
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adam_text | Contents
List of Illustrations xi
Note xv
Introduction 1
PARTI. ANCIENT GREECE
1. Homeric Greece: Courts and Singers 11
2. Archaic to Classical Greece: Festivals and Rhapsodes 35
3. Classical Greece to Ptolemaic Alexandria: Writers and Readers 55
PART II. ANCIENT ROME AND LATE ANTIQUITY
4. Ancient Rome: The Republic and the Augustan Age 85
5. Ancient Rome: The Empire after Augustus 106
6. Late Antiquity: Latin and Greek, Private, Public, Popular 122
PART III. THE MIDDLE AGES
7. Early Medieval Poetry: Vernacular Versifying 147
8. The Twelfth and Thirteenth Centuries: Performing Genres 177
9. Lyric, Romance, and Alliterative Verse in Fourteenth-Century England 206
10. Chaucer, Gower, and Fifteenth-Century Poetry in English 228
PART IV. THE ENGLISH RENAISSANCE
11. Early Tudor Poetry: Courtliness and Print 257
12. Late Elizabethan and Early Jacobean Poetry: The Circulation of Verse 285
13. Late Elizabethan and Early Jacobean Poetry: The Idea of the Poet 311
Notes 337
Bibliography 395
Index 431
Was the experience of poetry—or a cultural practice we now call
poetry—continuously available across the two-and-a-half millennia from
the composition of the Homeric epics to the publication of Benjonsons Works and
the death of Shakespeare in 1616? How did the pleasure afforded by the crafting
of language into memorable and moving rhythmic forms play a part in the lives of
hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity
and the Middle Ages, and Britain during the Renaissance?
In tackling these questions, this book first examines the evidence for the
performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the
impact of the invention of writing on Alexandrian verse, the performances of poetry
that characterized Ancient Rome, and the private and public venues for poetic
experience in Late Antiquity. It moves on to deal with medieval verse, exploring
the oral traditions that spread across Europe in the vernacular languages, the place of
manuscript transmission, the shift from roll to codex and from papyrus to parchment,
and the changing audiences for poetry. A final part investigates the experience of
poetry in the English Renaissance, from the manuscript verse of Henry VIII s court
to the anthologies and collections of the late Elizabethan era. Among the topics
considered in this part are the importance of the printed page, the continuing
significance of manuscript circulation, the performance of poetry in pageants and
progresses, and the appearance of poets on the Elizabethan stage. In tracking both
continuity and change across these many centuries, the book throws fresh light on
the role and importance of poetry in Western culture.
|
any_adam_object | 1 |
author | Attridge, Derek 1945- |
author_GND | (DE-588)129566837 |
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author_sort | Attridge, Derek 1945- |
author_variant | d a da |
building | Verbundindex |
bvnumber | BV045466474 |
classification_rvk | HG 550 EC 6050 |
ctrlnum | (OCoLC)1090113087 (DE-599)BVBBV045466474 |
discipline | Anglistik / Amerikanistik Literaturwissenschaft |
edition | First edition |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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title | The experience of poetry from Homer's listeners to Shakespeare's readers |
title_auth | The experience of poetry from Homer's listeners to Shakespeare's readers |
title_exact_search | The experience of poetry from Homer's listeners to Shakespeare's readers |
title_full | The experience of poetry from Homer's listeners to Shakespeare's readers Derek Attridge |
title_fullStr | The experience of poetry from Homer's listeners to Shakespeare's readers Derek Attridge |
title_full_unstemmed | The experience of poetry from Homer's listeners to Shakespeare's readers Derek Attridge |
title_short | The experience of poetry |
title_sort | the experience of poetry from homer s listeners to shakespeare s readers |
title_sub | from Homer's listeners to Shakespeare's readers |
topic | Homerus ca. v8. Jh. (DE-588)11855333X gnd Shakespeare, William 1564-1616 (DE-588)118613723 gnd Versdichtung (DE-588)4318806-0 gnd Lyrik (DE-588)4036774-5 gnd Latein (DE-588)4114364-4 gnd Lesen (DE-588)4035439-8 gnd Griechisch (DE-588)4113791-7 gnd Publikum (DE-588)4047764-2 gnd |
topic_facet | Homerus ca. v8. Jh. Shakespeare, William 1564-1616 Versdichtung Lyrik Latein Lesen Griechisch Publikum |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030851666&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030851666&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT attridgederek theexperienceofpoetryfromhomerslistenerstoshakespearesreaders |