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Surpassing modernity: ambivalence in art, politics and society

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Bibliographic Details
Main Author:	McNamara, Andrew (Author)
Format:	Book
Language:	English
Published:	London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2019
Subjects:	Polke, Sigmar > 1941-2010 Ästhetik Begriff Moderne Ambivalenz Kunst
Links:	http://digitale-objekte.hbz-nrw.de/storage2/2018/11/25/file%5F16/8204170.pdf http://swbplus.bsz-bw.de/bsz514658649inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030773616&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	x, 249 Seiten Illustrationen
ISBN:	9781350008342 9781350008335

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Record in the Search Index

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adam_text	image credits vii Acknowledgements ix Introduction: The surpassing urge 1 1 What are we talking about? Narratives of modernity and beyond 17 A landscape in which nothing was the same except the clouds 17 Narratives of modern art and life 26 The antinomies of a culture of modernity 34 The ambivalence of surpassing and paradigm shifts: The anti-aesthetic 42 The affirmation of surpassing and paradigm shifts: Contemporaneity 54 Conclusion 61 2 We petty-bourgeois radicals: Reflections on Polke’s Wir Kleinbiirger! (We Petty Bourgeois!) 63 The puzzle of the ‘we’ in Polke’s iWe Petty BourgeoisP exhibition, Hamburg, 2009—10 64 The irresistibility of the Petty Bourgeoisie and its cloak of invisibility 68 Marxism and the petty bourgeoisie 73 Comrades and contemporaries, the 1970s, from the vanguard to intermediaries 77 VI CONTENTS From supermarkets to supernatural: Vision, magic, and the mediated 89 Conclusions: Petty-bourgeois revolutionaries? 100 3 What is art supposed to do? The modernist legacy, the Arab Spring, a censorship case in Sharjah, and artist arrests in the Year of the Protester 105 30 December 2010, Qatar: Mathaf: Arab Museum of Modern Art, Doha 105 17 December 2010, Tunisia; A protest leads to uprisings 110 April 2011, Sharjah: A censorship controversy 112 What is art supposed to do? Art, civil action, doing one’s job, and the enduring assertion of aesthetic autonomy 121 The legacy of testing cultural limits 126 The limits of critical determinism 133 Eurocentrism, cultural universalism, or cultural relativism? 140 Conclusion 154 4 Inversions and aberrations: Visual acuity and the erratic chemistry of art-historical exchange in a transcultural situation 159 The problem of centres and peripheries 162 Is standpoint aesthetics new and how would we know? 166 Aberrations and inversions as alternative art-historical models 169 Ian Burn on visual acuity 175 Malevich’s organic model and a chemical art history 184 Conclusion 193 Notes 199 Select Bibliography 234 Index 246
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isbn	9781350008342 9781350008335
language	English
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physical	x, 249 Seiten Illustrationen
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spellingShingle	McNamara, Andrew Surpassing modernity ambivalence in art, politics and society Polke, Sigmar 1941-2010 (DE-588)118741381 gnd Ästhetik (DE-588)4000626-8 gnd Begriff (DE-588)4005248-5 gnd Moderne (DE-588)4039827-4 gnd Ambivalenz (DE-588)4196468-8 gnd Kunst (DE-588)4114333-4 gnd
subject_GND	(DE-588)118741381 (DE-588)4000626-8 (DE-588)4005248-5 (DE-588)4039827-4 (DE-588)4196468-8 (DE-588)4114333-4
title	Surpassing modernity ambivalence in art, politics and society
title_auth	Surpassing modernity ambivalence in art, politics and society
title_exact_search	Surpassing modernity ambivalence in art, politics and society
title_full	Surpassing modernity ambivalence in art, politics and society Andrew McNamara
title_fullStr	Surpassing modernity ambivalence in art, politics and society Andrew McNamara
title_full_unstemmed	Surpassing modernity ambivalence in art, politics and society Andrew McNamara
title_short	Surpassing modernity
title_sort	surpassing modernity ambivalence in art politics and society
title_sub	ambivalence in art, politics and society
topic	Polke, Sigmar 1941-2010 (DE-588)118741381 gnd Ästhetik (DE-588)4000626-8 gnd Begriff (DE-588)4005248-5 gnd Moderne (DE-588)4039827-4 gnd Ambivalenz (DE-588)4196468-8 gnd Kunst (DE-588)4114333-4 gnd
topic_facet	Polke, Sigmar 1941-2010 Ästhetik Begriff Moderne Ambivalenz Kunst
url	http://digitale-objekte.hbz-nrw.de/storage2/2018/11/25/file%5F16/8204170.pdf http://swbplus.bsz-bw.de/bsz514658649inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030773616&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT mcnamaraandrew surpassingmodernityambivalenceinartpoliticsandsociety

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