Shakespeare seen: image, performance and society
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2019
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030674357&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030674357&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "This wide-ranging study traces the forces that drove the production and interpretation of visual images of Shakespeare's plays. Covering a rich chronological terrain, from the beginning of the eighteenth century to the midpoint of the nineteenth, Stuart Sillars offers a multidisciplinary, nuanced approach to reading Shakespeare in relation to image, history, text, book history, print culture and performance" - Umschlagtext |
| Umfang: | xix, 277 Seiten, 16 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781107193246 |
Internformat
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| 505 | 8 | |a Frames and circumstances -- Mechanism and meaning in illustrated editions -- Performance reading in practice -- Shakespeare painting and aesthetic identity -- The visual identities of the Comedy of Errors -- Text, image and temper in King Lear -- Rhythms of action and feeling : the Roman plays -- Rank and race in imaging Othello -- The merchant of Venice and English visual culture -- Shakespeare painting 1800-1848 -- Conclusions and departures | |
| 520 | 3 | |a "This wide-ranging study traces the forces that drove the production and interpretation of visual images of Shakespeare's plays. Covering a rich chronological terrain, from the beginning of the eighteenth century to the midpoint of the nineteenth, Stuart Sillars offers a multidisciplinary, nuanced approach to reading Shakespeare in relation to image, history, text, book history, print culture and performance" - Umschlagtext | |
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Datensatz im Suchindex
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|---|---|
| adam_text | 1 his wide-ranging studv traces the forces that drove the production and
interpretation of visual images of Shakespeare’s plays. Covering a rich
chronological terrain, from the beginning of the eighteenth century to the
midpoint of the nineteenth. Stuart Sillars offers a multidisciplinary, nuanced
approach to reading Shakespeare in relation to image, history, text, book
history, print culture and performance. The volume begins by relating the
production imagery of Shakespeare s plays to other visual forms and their
social frames, before discussing the design and operation of illustrated
ed itions and the performance readings they offer, and analysing the
practical and theoretical foundations of easel paintings. Close readings of
] he Comedy of Errors, King Lear, the Roman plays. The Merchant of enicc and
Othello provide detailed insight into how the plays have been represented
isuallv, and are accompanied b numerous illustrations and a beautiful
colour plate section.
CONTENTS List of colour plates page ix List ojillustrations Acknowledgments xii xviii 1 Frames and circumstances i Part One: Structures and concepts in Shakespeare imaging 19 2 Mechanism and meaning in illustrated editions 21 3 Performance reading in practice 48 4 Shakespeare painting and aesthetic identity 67 Part Two: Image, stage and beyond; instances and movement 87 5 The visual identities of The Comedy of Errors 6 Text, image and temper in King Lear 117 7 Rhythms of action and feeling: the Roman plays 137 8 Rank and race in Othello 171 9 The Merchant ofVenice and English visual culture 197 89
CONTENTS 10 Shakespeare painting 1800-1848 217 ii Conclusions and departures 234 Notes 239 Select bibliography 258 Index 264 The plate section can be Jound between pp 148 and 14g
|
| any_adam_object | 1 |
| author | Sillars, Stuart 1951- |
| author_GND | (DE-588)138659788 |
| author_facet | Sillars, Stuart 1951- |
| author_role | aut |
| author_sort | Sillars, Stuart 1951- |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV045286921 |
| classification_rvk | HI 3385 HI 3330 |
| contents | Frames and circumstances -- Mechanism and meaning in illustrated editions -- Performance reading in practice -- Shakespeare painting and aesthetic identity -- The visual identities of the Comedy of Errors -- Text, image and temper in King Lear -- Rhythms of action and feeling : the Roman plays -- Rank and race in imaging Othello -- The merchant of Venice and English visual culture -- Shakespeare painting 1800-1848 -- Conclusions and departures |
| ctrlnum | (OCoLC)1083273733 (DE-599)BVBBV045286921 |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1700-1850 gnd |
| era_facet | Geschichte 1700-1850 |
| format | Book |
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| indexdate | 2024-12-20T18:23:04Z |
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| isbn | 9781107193246 |
| language | English |
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| physical | xix, 277 Seiten, 16 ungezählte Seiten Tafeln Illustrationen |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Cambridge University Press |
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| spellingShingle | Sillars, Stuart 1951- Shakespeare seen image, performance and society Frames and circumstances -- Mechanism and meaning in illustrated editions -- Performance reading in practice -- Shakespeare painting and aesthetic identity -- The visual identities of the Comedy of Errors -- Text, image and temper in King Lear -- Rhythms of action and feeling : the Roman plays -- Rank and race in imaging Othello -- The merchant of Venice and English visual culture -- Shakespeare painting 1800-1848 -- Conclusions and departures Shakespeare, William 1564-1616 (DE-588)118613723 gnd Werk (DE-588)4117633-9 gnd Malerei (DE-588)4037220-0 gnd Illustration (DE-588)4123412-1 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4117633-9 (DE-588)4037220-0 (DE-588)4123412-1 (DE-588)4012899-4 |
| title | Shakespeare seen image, performance and society |
| title_auth | Shakespeare seen image, performance and society |
| title_exact_search | Shakespeare seen image, performance and society |
| title_full | Shakespeare seen image, performance and society Stuart Sillars, University of Bergen, emeritus |
| title_fullStr | Shakespeare seen image, performance and society Stuart Sillars, University of Bergen, emeritus |
| title_full_unstemmed | Shakespeare seen image, performance and society Stuart Sillars, University of Bergen, emeritus |
| title_short | Shakespeare seen |
| title_sort | shakespeare seen image performance and society |
| title_sub | image, performance and society |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Werk (DE-588)4117633-9 gnd Malerei (DE-588)4037220-0 gnd Illustration (DE-588)4123412-1 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Werk Malerei Illustration Drama |
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