Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cham
Palgrave Macmillan
[2018]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030529439&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030529439&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xiv, 217 Seiten Illustrationen, Diagramme |
| ISBN: | 9783319727417 |
Internformat
MARC
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Datensatz im Suchindex
| DE-BY-UBR_call_number | 69/AP 48500 L783 |
|---|---|
| DE-BY-UBR_katkey | 6128562 |
| DE-BY-UBR_location | UB Lesesaal Philosophicum 1: Medienwissenschaft |
| DE-BY-UBR_media_number | 069043185296 |
| _version_ | 1835112798865063936 |
| adam_text | Contents 1 Introduction: Stereoscopic Narrative, Spectacle, and 3D Ontology 1 2 From ‘Dimensional Effects’ to Digital 3D Cinema 11 3 From ‘Redemption of Physical Reality’ to ‘Recreation of Perceptual (Hyper)reality’ 43 4 Stereoscopic Timespaces: Directionality, Dimensionality and Temporality 77 5 Volumetric Dramaturgy: Staging Drama in Depth 113 6 Within and Without: Trans-Subjective Narrative Perspectives in Digital 3D Cinema 141 7 Between Depth and Flatness: Shaping Stereoscopic Ontologies 173 xi
xii CONTENTS 8 Conclusion 205 Index 209
3D Cinematic Aesthetics and Storytelling represents a significant addition to the burgeoning field of digital 3D cinema scholarship. Exploring the wide variety of 3D aesthetic effects, Yong Liu demonstrates how these change cinema’s representational possibilities, and rigorously and rightly argues for a detailed consideration of 3D s hyperreal, artificial authenticity.” —Nick Jones, University of York, UK Yong s insightful analysis and close attention to contemporary 3D films provide new and fruitful ways of understanding the way stereoscopic technology can interact with narrative storytelling. His work provides an excellent articulation of why we need to consider 3D cinema s various forms and developments within a framework that goes beyond the presumption that 3D cinema operates as a gimmick. This book is a must-read for anyone who wishes to have a deeper understanding of the way narrative in 3D cinema can function as well as anyone who is interested in the way different cinematic technologies can provide a lens with which to visualize stories in complex ways.” —Miriam Ross, Victoria University of Wellington, New Zealand This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D s spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective
narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions. Yong Liu is Assistant Professor in Design Creative Industry at Universiti Brunei Darussalam, Brunei.
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| institution | BVB |
| isbn | 9783319727417 |
| language | English |
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| title | 3D cinematic aesthetics and storytelling |
| title_auth | 3D cinematic aesthetics and storytelling |
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| title_full | 3D cinematic aesthetics and storytelling Yong Liu |
| title_fullStr | 3D cinematic aesthetics and storytelling Yong Liu |
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| title_short | 3D cinematic aesthetics and storytelling |
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