Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Woodbridge, Suffolk, UK
The Boydell Press
2018
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030482734&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas |
| Umfang: | xi, 346 Seiten Illustrationen |
| ISBN: | 9781783272518 |
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| 245 | 1 | 0 | |a Music criticism in France, 1918-1939 |b authority, advocacy, legacy |c edited by Barbara L. Kelly and Christopher Moore |
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| 505 | 8 | |a Introduction: The Role of Criticism in Interwar Musical Culture / Christopher Moore and Barbara L. Kelly -- Music Criticism and Aesthetics during the Interwar Period: Fewer Crimes and More Punishments / Michel Duchesneau -- Nostalgia and Violence in the Music Criticism of L'Action française / Christopher Moore -- Charles Koechlin: The Figure of the Expert / Philippe Cathé -- Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) / Jann Pasler -- Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France / Barbara L. Kelly -- Arthur Honegger: Music Critic for Musique et Théâtre (1925-1926) / Pascal Lécroart -- A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919-1923 / Kimberly Francis -- From a Foreign Correspondent: the Parisian Chronicles of Alejo Carpentier / Caroline Rae -- Debussy's 'Reputational Entrepreneurs': Vuillermoz, Koechlin, Laloy, and Vallas / Marianne Wheeldon -- The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919-1920 / Rachel Moore -- Satie, Relâche and the Press: Controversies and Legacy / Jacinthe Harbec -- Creating a Canon: Émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity / Danick Trottier | |
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Datensatz im Suchindex
| DE-BY-UBR_call_number | 73/LR 57157 K29 |
|---|---|
| DE-BY-UBR_katkey | 6049849 |
| DE-BY-UBR_location | UB Lesesaal Philosophicum 2: Musikwissenschaft |
| DE-BY-UBR_media_number | 069041927052 |
| _version_ | 1835108190980669440 |
| adam_text | Contents
List of Figures vii
List of Tables viii
List of Contributors ix
Acknowledgements xii
Introduction: The Role of Criticism in Interwar Musical Culture 1
Barbara L. Kelly and Christopher Moore
1. Music Criticism and Aesthetics During the Interwar Period:
Fewer Crimes and More Punishments 17
Michel Duchesneau
2. Nostalgia and Violence in the Music Criticism of LAction française 43
Christopher Moore
3. Charles Koechlin: The Figure of the Expert 63
Philippe Cathé
4. Bleu-horizon Politics and Music for Radio listeners:
LTnitiation à la musique (1935) 91
Jann Pas 1er
5. Common Canon, Conflicting Ideologies:
Music Criticism in Performance in Interwar France 121
Barbara L Kelly
6. Arthur Honegger: Music Critic for Musique et Théâtre (1925-1926) 151
Pascal Lécroart
1. A Woman’s Critical Voice: Nadia Boulanger and Le Monde musical,
1919-1923 169
Kimberly Francis
VI
Contents
8. From a Foreign Correspondent: The Parisian Chronicles of Alejo
Carpentier 193
Caroline Rae
9. Debussy’s ‘Reputational Entrepreneurs’: Vuillermoz, Koechlin,
Laloy and Valias 219
Marianne Wheeldon
10. The Legacy of War: Conceptualising Wartime Musical Life in
the Post-War Musical Press, 1919-1920 245
Rachel Moore
1 L Satie, Relâche and the Critics: Controversies and Legacy 267
Jacinthe Harbec
12. Creating a Canon: Émile Vuillermoz’s Musiques d’aujourd’hui and
French Musical Modernity 293
Danick Trottier
Selected Bibliography 317
Index 339
|
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| author2 | Kelly, Barbara ca. 20./21. Jh Moore, Christopher ca. 20./21. Jh |
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| contents | Introduction: The Role of Criticism in Interwar Musical Culture / Christopher Moore and Barbara L. Kelly -- Music Criticism and Aesthetics during the Interwar Period: Fewer Crimes and More Punishments / Michel Duchesneau -- Nostalgia and Violence in the Music Criticism of L'Action française / Christopher Moore -- Charles Koechlin: The Figure of the Expert / Philippe Cathé -- Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) / Jann Pasler -- Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France / Barbara L. Kelly -- Arthur Honegger: Music Critic for Musique et Théâtre (1925-1926) / Pascal Lécroart -- A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919-1923 / Kimberly Francis -- From a Foreign Correspondent: the Parisian Chronicles of Alejo Carpentier / Caroline Rae -- Debussy's 'Reputational Entrepreneurs': Vuillermoz, Koechlin, Laloy, and Vallas / Marianne Wheeldon -- The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919-1920 / Rachel Moore -- Satie, Relâche and the Press: Controversies and Legacy / Jacinthe Harbec -- Creating a Canon: Émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity / Danick Trottier |
| ctrlnum | (OCoLC)1042153757 (DE-599)BVBBV045091983 |
| discipline | Musikwissenschaft |
| era | Geschichte 1918-1939 gnd |
| era_facet | Geschichte 1918-1939 |
| format | Book |
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| isbn | 9781783272518 |
| language | English |
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| publishDate | 2018 |
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| publisher | The Boydell Press |
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| spellingShingle | Music criticism in France, 1918-1939 authority, advocacy, legacy Introduction: The Role of Criticism in Interwar Musical Culture / Christopher Moore and Barbara L. Kelly -- Music Criticism and Aesthetics during the Interwar Period: Fewer Crimes and More Punishments / Michel Duchesneau -- Nostalgia and Violence in the Music Criticism of L'Action française / Christopher Moore -- Charles Koechlin: The Figure of the Expert / Philippe Cathé -- Bleu-horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) / Jann Pasler -- Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France / Barbara L. Kelly -- Arthur Honegger: Music Critic for Musique et Théâtre (1925-1926) / Pascal Lécroart -- A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919-1923 / Kimberly Francis -- From a Foreign Correspondent: the Parisian Chronicles of Alejo Carpentier / Caroline Rae -- Debussy's 'Reputational Entrepreneurs': Vuillermoz, Koechlin, Laloy, and Vallas / Marianne Wheeldon -- The Legacy of War: Conceptualising Wartime Musical Life in the Post-War Musical Press, 1919-1920 / Rachel Moore -- Satie, Relâche and the Press: Controversies and Legacy / Jacinthe Harbec -- Creating a Canon: Émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity / Danick Trottier Musikkritik (DE-588)4139777-0 gnd |
| subject_GND | (DE-588)4139777-0 (DE-588)4018145-5 (DE-588)4143413-4 |
| title | Music criticism in France, 1918-1939 authority, advocacy, legacy |
| title_auth | Music criticism in France, 1918-1939 authority, advocacy, legacy |
| title_exact_search | Music criticism in France, 1918-1939 authority, advocacy, legacy |
| title_full | Music criticism in France, 1918-1939 authority, advocacy, legacy edited by Barbara L. Kelly and Christopher Moore |
| title_fullStr | Music criticism in France, 1918-1939 authority, advocacy, legacy edited by Barbara L. Kelly and Christopher Moore |
| title_full_unstemmed | Music criticism in France, 1918-1939 authority, advocacy, legacy edited by Barbara L. Kelly and Christopher Moore |
| title_short | Music criticism in France, 1918-1939 |
| title_sort | music criticism in france 1918 1939 authority advocacy legacy |
| title_sub | authority, advocacy, legacy |
| topic | Musikkritik (DE-588)4139777-0 gnd |
| topic_facet | Musikkritik Frankreich Aufsatzsammlung |
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