Making the Americas modern: hemispheric art, 1910-1960
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
London
Laurence King Publishing
[2018]
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Schriftenreihe: | Global perspectives series
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Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030295339&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Abstract: | This book presents an audacious account of the ways in which the arts in the Americas were modernized during the first half of the twentieth century. Rather than viewing modernization as a steady progression from one "ism" to another, Edward J. Sullivan adopts a comparative approach, drawing his examples from North America, the Caribbean, Central and South America. By considering the Americas in this hemispheric sense he is able to tease out many stories of art and focus on the ways in which artists from different regions not only adapted and experimented with visual expression, but also absorbed trans-national as well as international influences. He shows how this rich diversity is most evident in the various forms of abstract art that emerged throughout the Americas and which in turn had an impact on art throughout the world |
Umfang: | 336 Seiten Illustrationen 25 cm |
ISBN: | 9781786271556 1786271559 |
Internformat
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Datensatz im Suchindex
_version_ | 1819321718003466240 |
---|---|
adam_text | CONTENTS
PROLOGUE FRAGMENTARY HISTORIES OF HEMISPHERIC ART, 1910-1960
EXHIBITING MODERN ART, 1910-1960
TIME FRAMES
DIVISIONS OF THE STORY
END OF THE STORY
11
13
16
CHAPTER 1 THE EXPANDING MIND: SYMBOLIST IMAGERY IN THE AMERICAS
AMERICAN DECADENCE AND REDEMPTION, C.1910-1930
NORTH AMERICAN VISIONARIES
CANNIBALS IN THE SOUTHERN CONE: ALEJANDRO XUL SOLAR
AND TARSILA DO AMARAL
19
20
34
41
CHAPTER 2 A SENSE OF PLACE: LANDSCAPES, CITYSCAPES,
AND TOPOGRAPHIES OF THE SELF
THE YEAR 1916
LANDSCAPES OF THE MIND
SOUTHWEST REVERIES
CANADIAN WILDERNESS
MEXICAN VOLCANOES
CITYSCAPES
SOUTH OF THE U.S. BORDER
CHAPTER 3 VISUALIZING BLACKNESS IN THE AMERICAS
BLACKNESS IN THE MODERNIST IMAGINATION
BLACKNESS, DANCE, MUSIC, AND RITUAL
BLACK FACES, BLACK BODIES
LABOR AND STRUGGLE
BLACK ABSTRACTIONS
CHAPTER 4 CROSS-BORDER DIALOGUES
REVOLUTIONARY ART: BETWEEN EXALTATION AND DESPAIR
PUBLIC ARTS ON BOTH SIDES OF THE BORDER
MURALISM, TEACHING, AND LEARNING
CHAPTER 5 LABOR, ANXIETY, AND A NEW SOCIAL ORDER
ANXIETY
49
50
61
64
69
73
. 74
84
89
90
96
103
110
118
125
126
137
143
153
156
LYNCHINGS
UNIVERSITATS
BBUOTHEK
159
CHAPTER 6
CLOUDS OF WAR
EYE WITNESS
LABOR AND EXILE
EXILE AND MIGRATIONS
THE LIBERATED LINE: TOWARD ABSTRACTED FORM
ALTERNATIVE HISTORIES
ABSTRACTED NATURE
SURREALISM INTO ABSTRACTION
165
169
174
183
187
192
200
207
SITE-SPECIFIC ABSTRACTION 214
CHAPTER 7
CHAPTER 8
EPILOGUE
THE CUBE, SPHERE, AND CONE: CONSTRUCTED
ABSTRACTIONS IN THE AMERICAS
AMERICAN RESPONSES TO GEOMETRIC FORM, C. 1910-1920
JOAQUFN TORRES-GARCIA, THE TORRES-GARCIA WORKSHOP,
AND ARITHMETICAL PROPORTION
GEOMETRIC MANHATTAN
RIO DE LA PLATA: BEYOND TORRES*EXPERIMENTATION
IN THE 1940S
BRAZIL BUILDS
HAVANA*PARIS*NEW YORK*MONTREAL
MODERN VISIONARIES AND THE INTUITIVE IMAGINATION
TRANS-AMERICAN SURREALISM
THE 1940S AND 50S IN LATIN AMERICA: SURREALIST AFFINITIES
FROM MEXICO TO MANHATTAN AND BEYOND
DANCE, VISUAL ART, AND VISIONARY MODERNITY
POPULAR ARTS, THE INTUITIVE EYE, AND MODERNITY
INTO THE FUTURE
POP ART AND REVOLUTION
ART FOR ALL
ENVIROMPENTS AND TOTAL PARTICIPATION
ART AND TERROR
ENDNOTES
FURTHER READING
INDEX
223
225
229
234
237
244
250
265
268
270
285
289
292
301
301
307
310
312
316
327
329
PICTURE CREDITS 335
|
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era | Geschichte 1910-1960 gnd |
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geographic | Amerika (DE-588)4001670-5 gnd |
geographic_facet | Amerika |
id | DE-604.BV044901551 |
illustrated | Illustrated |
indexdate | 2024-12-20T18:13:45Z |
institution | BVB |
isbn | 9781786271556 1786271559 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030295339 |
oclc_num | 1030531626 |
open_access_boolean | |
owner | DE-12 DE-255 DE-19 DE-BY-UBM |
owner_facet | DE-12 DE-255 DE-19 DE-BY-UBM |
physical | 336 Seiten Illustrationen 25 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Laurence King Publishing |
record_format | marc |
series2 | Global perspectives series |
spellingShingle | Sullivan, Edward J. 1949- Making the Americas modern hemispheric art, 1910-1960 Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4001670-5 |
title | Making the Americas modern hemispheric art, 1910-1960 |
title_auth | Making the Americas modern hemispheric art, 1910-1960 |
title_exact_search | Making the Americas modern hemispheric art, 1910-1960 |
title_full | Making the Americas modern hemispheric art, 1910-1960 Edward J. Sullivan |
title_fullStr | Making the Americas modern hemispheric art, 1910-1960 Edward J. Sullivan |
title_full_unstemmed | Making the Americas modern hemispheric art, 1910-1960 Edward J. Sullivan |
title_short | Making the Americas modern |
title_sort | making the americas modern hemispheric art 1910 1960 |
title_sub | hemispheric art, 1910-1960 |
topic | Kunst (DE-588)4114333-4 gnd |
topic_facet | Kunst Amerika |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030295339&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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