Discovering medieval song: Latin poetry and music in the conductus
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2018
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030267208&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030267208&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xxiv, 385 Seiten Notenbeispiele, Faksimiles |
| ISBN: | 9781107010390 |
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Datensatz im Suchindex
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| adam_text | Contents
List of Illustrations page [viii]
List of Tables [x]
List of Music Examples [xi]
Acknowledgements [xv]
Note to the Text [xvii]
Introduction: Repositioning the Conductus [xix]
1 Repertories, Chronology and Style [ 1 ]
2 Poetic and Lyric Types: Words and Music [48]
3 Rhythm and Metre: Editing and Performance [91]
4 Cadential Functions: Gesture and Closure [127]
5 The Mixed Form: Architecture and Structure [151]
6 The Conductus and the Liturgy [181]
7 The Conductus and Motet [214]
8 The Conductus: Intratexts and Intertexts [241]
9 Towards 1300 [280]
Conclusion [309]
Appendices [312]
List of Compositions [312]
2.1 List of Topical and Datable Compositions [325]
4.1 Distribution and Function of Punctus Organi Within Conducti
cum Caudis in I-Fl Plut. 29.1, Fascicle Seven [327]
5.1 Transcription of ‘Floret hortus virginalis’. I-Fl Plut. 29.1
371r-371v [331]
5.2 Transcription of‘Luget Rachel iterunT I-Fl Plut. 29.1, 359v-360r [335]
Bibliography [338]
Index [375]
The conductus repertory is the body of monophonic and polyphonic non-
liturgical Latin song that dominated European culture from the middle of
the twelfth century to the beginning of the fourteenth. In this book, Mark
Everist demonstrates how the poetry and music interact, explores how musical
structures are created and discusses the geographical and temporal reach of
the genre, including its significance for performance today. The volume studies
what medieval society thought of the conduct, its function in medieval society
- whether paraliturgical or in other contexts - and how it fitted into patristic
and secular Latin cultures. The conductus emerges as a genre of great poetic
and musical sophistication that brought the skills of poets and musicians into
alignment. This book provides an all-encompassing view of an important but
unexplored repertory of medieval music, engaging with both poetry and music
even-handedly to present new and up-to-date perspectives on the genre.
Mark Everist is Professor of Music at the University of Southampton, and is the
author of books including French Motets in the Thirteenth Century (Cambridge,
1994) and Mozart’s Ghosts: Haunting the Halls of Musical Culture (2013). Lie is
co-editor of Analytical Strategies and Musical Interpretation (Cambridge, 1996)
and of The Cambridge History of Medieval Music (Cambridge, 2018) as well as
editor of The Cambridge Companion to Medieval Music (Cambridge, 2011). His
recent collected:essays on music in the French nineteenth-century theatre will
be published in 2018. His current project is a monograph on Gluck reception in
nineteenth-century Paris. He was President of the Royal Musical Association from
2011 to 2017.
|
| any_adam_object | 1 |
| author | Everist, Mark 1956- |
| author_GND | (DE-588)131421085 |
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| author_role | aut |
| author_sort | Everist, Mark 1956- |
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| classification_rvk | LR 53972 |
| ctrlnum | (OCoLC)1053798219 (DE-599)BVBBV044872810 |
| discipline | Musikwissenschaft |
| era | Geschichte 1100-1300 gnd Geschichte #1100-1300 gnd |
| era_facet | Geschichte 1100-1300 Geschichte #1100-1300 |
| format | Book |
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| isbn | 9781107010390 |
| language | English |
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| spellingShingle | Everist, Mark 1956- Discovering medieval song Latin poetry and music in the conductus Lied (DE-588)4035669-3 gnd Conductus (DE-588)4148271-2 gnd Aufführungspraxis (DE-588)4141464-0 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd Latein (DE-588)4114364-4 gnd Liturgie (DE-588)4036050-7 gnd Lyrik (DE-588)4036774-5 gnd Musikalische Form (DE-588)4040821-8 gnd |
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| title | Discovering medieval song Latin poetry and music in the conductus |
| title_auth | Discovering medieval song Latin poetry and music in the conductus |
| title_exact_search | Discovering medieval song Latin poetry and music in the conductus |
| title_full | Discovering medieval song Latin poetry and music in the conductus Mark Everist (University of Southampton) |
| title_fullStr | Discovering medieval song Latin poetry and music in the conductus Mark Everist (University of Southampton) |
| title_full_unstemmed | Discovering medieval song Latin poetry and music in the conductus Mark Everist (University of Southampton) |
| title_short | Discovering medieval song |
| title_sort | discovering medieval song latin poetry and music in the conductus |
| title_sub | Latin poetry and music in the conductus |
| topic | Lied (DE-588)4035669-3 gnd Conductus (DE-588)4148271-2 gnd Aufführungspraxis (DE-588)4141464-0 gnd Wort-Ton-Verhältnis (DE-588)7504909-0 gnd Latein (DE-588)4114364-4 gnd Liturgie (DE-588)4036050-7 gnd Lyrik (DE-588)4036774-5 gnd Musikalische Form (DE-588)4040821-8 gnd |
| topic_facet | Lied Conductus Aufführungspraxis Wort-Ton-Verhältnis Latein Liturgie Lyrik Musikalische Form |
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