Significant Other: Staging the American in China
Chinese views of the United States have shifted dramatically since the 1980s, with changes in foreign relations, increased travel of Chinese citizens to the U.S., and wide circulation of American popular culture in China. Significant Other explores representations of Americans that emerged onstage i...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Honolulu
University of Hawaii Press
[2004]
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| Subjects: | |
| Links: | https://www.degruyter.com/doi/book/10.21313/9780824864316 https://www.degruyter.com/doi/book/10.21313/9780824864316 https://www.degruyter.com/doi/book/10.21313/9780824864316 https://www.degruyter.com/doi/book/10.21313/9780824864316 https://www.degruyter.com/doi/book/10.21313/9780824864316 https://www.degruyter.com/doi/book/10.21313/9780824864316 https://www.degruyter.com/doi/book/10.21313/9780824864316 https://www.degruyter.com/doi/book/10.21313/9780824864316 |
| Summary: | Chinese views of the United States have shifted dramatically since the 1980s, with changes in foreign relations, increased travel of Chinese citizens to the U.S., and wide circulation of American popular culture in China. Significant Other explores representations of Americans that emerged onstage in China between 1987 and 2002 and considers how they function as racial and cultural stereotypes, political strategy, and artistic innovation. Based on fieldwork in Beijing and Shanghai, it offers a unique view of contemporary Mainland Chinese spoken drama from the perspective of a Western academic who is both a Chinese studies scholar and a theatre practitioner. Claire Conceison’s close readings of recent plays take into account not only the texts of the plays themselves and other primary sources, but also production contexts, creative origins, artistic collaboration, and audience reception. Identifying the American as China’s "significant Other," Conceison introduces the complex cultural relationship between China and the United States, situating it in both the long history of Sino-Western relations and the present dynamics of post-colonialism. She then examines the emergent discourse of Occidentalism, tracing its origins and recent circulation and repositioning it as a discursive strategy to analyze appearances of Americans on the Chinese stage. Conceison maintains that Chinese staging of American characters—often played by local actors made up and costumed as Americans, and more recently played by foreigners themselves—reveals cultural norms and attitudes regarding the United States, reflects Sino-American political relations, articulates Chinese national and cultural identity, and signifies innovation in spoken drama as an art form |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) |
| Physical Description: | 1 online resource illus |
| ISBN: | 9780824864316 |
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| 520 | |a Chinese views of the United States have shifted dramatically since the 1980s, with changes in foreign relations, increased travel of Chinese citizens to the U.S., and wide circulation of American popular culture in China. Significant Other explores representations of Americans that emerged onstage in China between 1987 and 2002 and considers how they function as racial and cultural stereotypes, political strategy, and artistic innovation. Based on fieldwork in Beijing and Shanghai, it offers a unique view of contemporary Mainland Chinese spoken drama from the perspective of a Western academic who is both a Chinese studies scholar and a theatre practitioner. Claire Conceison’s close readings of recent plays take into account not only the texts of the plays themselves and other primary sources, but also production contexts, creative origins, artistic collaboration, and audience reception. Identifying the American as China’s "significant Other," Conceison introduces the complex cultural relationship between China and the United States, situating it in both the long history of Sino-Western relations and the present dynamics of post-colonialism. She then examines the emergent discourse of Occidentalism, tracing its origins and recent circulation and repositioning it as a discursive strategy to analyze appearances of Americans on the Chinese stage. Conceison maintains that Chinese staging of American characters—often played by local actors made up and costumed as Americans, and more recently played by foreigners themselves—reveals cultural norms and attitudes regarding the United States, reflects Sino-American political relations, articulates Chinese national and cultural identity, and signifies innovation in spoken drama as an art form | ||
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| era | Geschichte 1987-2002 gnd |
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| format | Electronic eBook |
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| spelling | Conceison, Claire aut Significant Other Staging the American in China Claire Conceison Honolulu University of Hawaii Press [2004] © 2004 1 online resource illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Jan 2018) Chinese views of the United States have shifted dramatically since the 1980s, with changes in foreign relations, increased travel of Chinese citizens to the U.S., and wide circulation of American popular culture in China. Significant Other explores representations of Americans that emerged onstage in China between 1987 and 2002 and considers how they function as racial and cultural stereotypes, political strategy, and artistic innovation. Based on fieldwork in Beijing and Shanghai, it offers a unique view of contemporary Mainland Chinese spoken drama from the perspective of a Western academic who is both a Chinese studies scholar and a theatre practitioner. Claire Conceison’s close readings of recent plays take into account not only the texts of the plays themselves and other primary sources, but also production contexts, creative origins, artistic collaboration, and audience reception. Identifying the American as China’s "significant Other," Conceison introduces the complex cultural relationship between China and the United States, situating it in both the long history of Sino-Western relations and the present dynamics of post-colonialism. She then examines the emergent discourse of Occidentalism, tracing its origins and recent circulation and repositioning it as a discursive strategy to analyze appearances of Americans on the Chinese stage. Conceison maintains that Chinese staging of American characters—often played by local actors made up and costumed as Americans, and more recently played by foreigners themselves—reveals cultural norms and attitudes regarding the United States, reflects Sino-American political relations, articulates Chinese national and cultural identity, and signifies innovation in spoken drama as an art form In English Geschichte 1987-2002 gnd rswk-swf Americans China Chinese drama 20th century History and criticism Theater (DE-588)4059702-7 gnd rswk-swf Amerikaner (DE-588)4212950-3 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Amerikaner (DE-588)4212950-3 s China (DE-588)4009937-4 g Theater (DE-588)4059702-7 s Geschichte 1987-2002 z 1\p DE-604 https://www.degruyter.com/doi/book/10.21313/9780824864316 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Conceison, Claire Significant Other Staging the American in China Americans China Chinese drama 20th century History and criticism Theater (DE-588)4059702-7 gnd Amerikaner (DE-588)4212950-3 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4212950-3 (DE-588)4009937-4 |
| title | Significant Other Staging the American in China |
| title_auth | Significant Other Staging the American in China |
| title_exact_search | Significant Other Staging the American in China |
| title_full | Significant Other Staging the American in China Claire Conceison |
| title_fullStr | Significant Other Staging the American in China Claire Conceison |
| title_full_unstemmed | Significant Other Staging the American in China Claire Conceison |
| title_short | Significant Other |
| title_sort | significant other staging the american in china |
| title_sub | Staging the American in China |
| topic | Americans China Chinese drama 20th century History and criticism Theater (DE-588)4059702-7 gnd Amerikaner (DE-588)4212950-3 gnd |
| topic_facet | Americans China Chinese drama 20th century History and criticism Theater Amerikaner China |
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