Saved in:
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| Format: | Conference Proceedings Book |
| Language: | German English |
| Published: |
Budapest
Akadémiai Kaidó
[2011]
|
| Series: | Studia Musicologica
volume 52, nos. 1/4 (December 2011) |
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030121293&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | 513 Seiten Illustrationen, Notenbeispiele |
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Record in the Search Index
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| adam_text | Studia Musicologica
AN INTERNATIONAL JOURNAL OF MUSICOLOGY
OF THE HUNGARIAN ACADEMY OF SCIENCES
Volume 52, Nos. 1-4, December 2011
CONTENTS
OPERA AND NATION.
AN INTERNATIONAL CONFERENCE TO COMMEMORATE
THE BICENTENARY OF FERENC ERKEL’S BIRTH
Editorial by Tibor Talliän.....................................7
Conference Programme........................................... 9
Studies
Talliän, Tibor: Ein Genie des Ertragens.
Zur Zweihundertjahrfeier Ferenc Erkels.......................15
Kim-Szacsvai, Katalin: Die Erkel-Werkstatt.
Die Anfänge einer Arbeitsteilung in der Komposition..........27
Schneider, David E.: Mad for Her Country: Melinda’s Insanity,
the Puszta, and Nationalist Dramaturgy
in Ferenc Erkel’s Bank ban Act 3.............................47
Mikusi, Baläzs: Minerva’s Hat and the Emperor’s Tailcoat:
August Adelburg’s Cosmopolitan “National Opera” Zrinyi...65
Szerzö, Katalin: Ödön Mihalovich: Toldi szerelme (Toldis Liebe).
Eine ungarische Oper vom Ende des 19. Jahrhunderts...........85
Mesterhäzi, Mate: Die Umwertung der Idee der Nationaloper um 1900.95
Schmidl, Stefan: „Dort ist die ganze Welt noch rotweißgrün!“
Diskurse über Kollektive, Alteritäten und Nation
in der Operette Österreich-Ungarns......................109
Taruskin, Richard: Crowd, Mob, and Nation in Boris Godunov:
What Did Musorgsky Think, and Does it Matter?...................123
Ottomano, Vincenzina C.: Die erste Rezeption russischer Opern in Italien:
Ein Leben für den Zaren in Mailand..............................143
Gouanek, Ryszard Daniel: Politics, Music and Cosmopolitism:
the Operatic Output of Joseph Poniatowski (1816—1873)
in its Social and Political Contexts.............................157
Markovic, Tatjana: The Myth on the “First National Opera”:
The Cases of Serbia and Croatia..................................165
Tuksar, Stanislav: The Evolution of the Idea of ‘National’
as a Multi-Level Construct within 19th-Century Croatian
Musical Culture..................................................179
Katalinic, Vjera: Die Opem von Ivan Zajc
zwischen Nationalismus und Panslawismus..........................189
Ottlovä, Marta: Probleme mit einem Nationalheld.
Zu Bedfich Smetanas Oper Dalibor.................................201
Rentsch, Ivana: Nationale ,Zukunftsmusik6?
Bedfich Smetanas Dalibor und die Debatte
um eine tschechische Oper.......................................209
Zvara, Vladimir: Leos Janäcek und die „slawische Katharsis“...........219
Piperno, Franco: Music and Italian National Identity:
Mme de Stael’s Corinne ou l Ltalie..............................23 1
Gossett, Philip: Giuseppe Verdi and the Italian Risorgimento..........241
Tedesco, Anna: National Identity, National Music and Popular Music
in the Italian Music Press during the Long 19th Century.........259
Nikolaidis, Matthias: „Ricomincio a respirare Paria di quei paesi“.
Zu einem russischen6 Naturalismus und seiner ästhetischen
Entgrenzung in Opem von Umberto Giordano
und Franco Alfano (1898—1904)...................................271
Boder, Wolfram: Zwischen nationalem Anspruch und lokalpolitischen
Zwängen: Entstehungs- und Rezeptionsbedingungen
der Kasseler Opern Louis Spohrs.................................311
Fahrholz, Merle: „Ein unglückselig Doppelwesen“.
Heinrich August Marschners Hans Heiling
in der Debatte zur deutschen Oper...............................323
Döhring, Sieghart: Zwischen kosmopolitischer Ästhetik
und nationaler Verpflichtung: Giacomo Meyerbeer
und seine Preußenoper Ein Feldlager in Schlesien............341
Grempler, Martina: Deutsche Nationalidole
in der italienischen Oper des 19. Jahrhunderts..............351
Loos, Helmut: Die deutsche monumentale Oper nach Wagner............363
Colas, Damien: Questioning the Frenchness of Le comte Ory..........373
Pöttinger, Mark A.: Revolution and the Art of History in France:
Daniel Auber’s Gustave 111(1833)............................393
Christoforidis, Michael: Georges Bizet’s Carmen
and Fin-de-Siècle Spanish National Opera....................419
Di Profio, Alessandro: Aida’s French Premiere at the Opéra in 1880.429
Ander, Owe: „The Wealth of the Nations“. Die Stockholmer Oper
und die Entwicklung einer nationalen Identität in Schweden..443
Stollberg, Arne: „A work so truly English in its story and its music“.
Arthur Sullivans Ivanhoe und die Suche nach einer englischen
Nationaloper...............................................457
Kertesz, Elizabeth: Ethel Smyth’s The Wreckers:
a Cosmopolitan Voice for English Opera.....................485
Filler, Susan M.: Jewish Nationalism in Opera.....................499
Contributors to this Issue........................................507
Guidelines for Contributors
515
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| spellingShingle | Opera and Nation. An International Musicological Conference to Commemorate the Bicentenary of Ferenc Erkel's Birth Budapest, October 28-30, 2010 : organized by the Institute for Musicology of the Hungarian Academy of Sciences : selected proceedings Erkel, Ferenc 1810-1893 (DE-588)118530801 gnd Nationaloper (DE-588)4394464-4 gnd |
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| title | Opera and Nation. An International Musicological Conference to Commemorate the Bicentenary of Ferenc Erkel's Birth Budapest, October 28-30, 2010 : organized by the Institute for Musicology of the Hungarian Academy of Sciences : selected proceedings |
| title_auth | Opera and Nation. An International Musicological Conference to Commemorate the Bicentenary of Ferenc Erkel's Birth Budapest, October 28-30, 2010 : organized by the Institute for Musicology of the Hungarian Academy of Sciences : selected proceedings |
| title_exact_search | Opera and Nation. An International Musicological Conference to Commemorate the Bicentenary of Ferenc Erkel's Birth Budapest, October 28-30, 2010 : organized by the Institute for Musicology of the Hungarian Academy of Sciences : selected proceedings |
| title_full | Opera and Nation. An International Musicological Conference to Commemorate the Bicentenary of Ferenc Erkel's Birth Budapest, October 28-30, 2010 : organized by the Institute for Musicology of the Hungarian Academy of Sciences : selected proceedings edited by Tibor Tallián |
| title_fullStr | Opera and Nation. An International Musicological Conference to Commemorate the Bicentenary of Ferenc Erkel's Birth Budapest, October 28-30, 2010 : organized by the Institute for Musicology of the Hungarian Academy of Sciences : selected proceedings edited by Tibor Tallián |
| title_full_unstemmed | Opera and Nation. An International Musicological Conference to Commemorate the Bicentenary of Ferenc Erkel's Birth Budapest, October 28-30, 2010 : organized by the Institute for Musicology of the Hungarian Academy of Sciences : selected proceedings edited by Tibor Tallián |
| title_short | Opera and Nation. An International Musicological Conference to Commemorate the Bicentenary of Ferenc Erkel's Birth |
| title_sort | opera and nation an international musicological conference to commemorate the bicentenary of ferenc erkel s birth budapest october 28 30 2010 organized by the institute for musicology of the hungarian academy of sciences selected proceedings |
| title_sub | Budapest, October 28-30, 2010 : organized by the Institute for Musicology of the Hungarian Academy of Sciences : selected proceedings |
| topic | Erkel, Ferenc 1810-1893 (DE-588)118530801 gnd Nationaloper (DE-588)4394464-4 gnd |
| topic_facet | Erkel, Ferenc 1810-1893 Nationaloper Europa Konferenzschrift |
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