Wolfgang Rihm, a Chiffre: the 1980s and beyond
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Leuven
Leuven University Press
[2017]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030113542&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 339 Seiten Notenbeispiele |
| ISBN: | 9789462701236 |
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Datensatz im Suchindex
| _version_ | 1819266231488741376 |
|---|---|
| adam_text | Table of Contents
Foreword by Richard McGregor 11
Introduction 19
Analysed Compositions 27
Part I - Style 29
1 Between Classical and Individual 31
Individual Position 31
Specific Terminology and Tools 34
Generative Pole and Generated Elements 35
Generative Pole versus Rewriting and Overwriting 36
Fragmentation 37
Disturbance 38
Single Event 40
Focal Pitch and Focal Pitch Aggregate 40
Process and Planning 42
Form 43
Relationship between Form and Structure 45
Conclusion of the Composition 48
2 Between Modernism and Postmodernism 51
Position towards Postmodernism 52
Position towards Modernism 57
Musical Backgrounds in Modernism and Nineteenth Century 59
Philosophical Influences in Postmodernism 63
Philosophical Influences in Modernism 69
5
3 Musical Traces 73
Dealing with Allusion and Quotation 73
Verbal Allusions in the Chiffre Cycle 75
Allusion to a Style: Baroque 78
Allusion to a Composer: Varese 81
Allusion to a Composition: Schubert’s Octet 87
4 Fine Arts 93
The Music of Painting 94
Fine Arts Parallels: Different Viewpoints 96
Fine Arts Parallels: Rihms Viewpoints 97
Line Drawing 99
Colour 104
Layering and Overpainting 105
Large Drawing 110
Kurt Kocherscheidt 111
The Sound of Wood 113
5 Repetition 115
Create a State by (non-)Repetition 116
Repetition as Questioning 118
Repetition as Writer s Block 119
Repetition as Unique Event 120
Repetition versus Generating Elements 120
Repetition in the Context of Style 120
6 Nature and Proportions 123
Rhizome 123
Proportions in Nature 124
Symmetry and Balance 125
Proportions in Music 128
6
7 Studying Proportions 131
Dis-Kontur, Sub-Kontur and Klavierstück Nr. 4 132
Schwebende Begegnung 136
String Quartet no. 4 140
Proportion Typology 140
Part II - Analysis 143
8 Integrated Approach 145
Sound as a Whole 145
Some Examples 147
Integrated Analytical Tool 148
Moment Analysis of the Chiffre Cycle 149
9 Parameter Characteristics 157
Melody 157
Melodic Compositions 157
Melodic Element 158
Harmony 161
Metatonality 161
Micro-interval Dissonance 164
The Tritone-Triad 165
Chord Chain 166
Cluster 169
Informal Harmony and Texture 171
Tempo - Metre - Rhythm 171
Dynamics - Articulation - Timbre 173
Youth Experience 174
Timbre and Resonance 176
Resonance and Fine Arts 177
Silence 177
Texture 180
7
183
10 String Quartet in the 1980s: String Quartets nos. 5-8
Aesthetic viewpoints 184
Group Formation versus Individual Quartets 187
Common First Note ft 187
The Importance of Pitch ft 188
Transitions in String Quartet No. 5 188
Transitions in String Quartet No. 6 193
Transitions in String Quartet No. 7 193
Transitions in String Quartet No. 8 194
Closing Pitch 193
Two Pairs of String Quartets 196
Notebook Quartets: Hidden Structure 197
String Quartet no. 7: Arch Form 205
String Quartet no. 8: Structure based on Fibonacci Series 206
11 Group Formation: Chiffre Cycle 209
The Meaning of “Chiffre” 209
Chiffre: a Cycle 211
12 Chiffre Cycle: Harmony 213
The Tritone-Triad 213
Chromatic Cluster 219
Harmonic Rhythm and Chordal Density 221
Consonance versus Dissonance 223
Focal Pitch 225
13 Chiffre Cycle: Resonance 227
Chiffre I: Resonance Space versus Sound Space 227
Chiffre IV: Resonance Research 229
Chiffre VIII: Meta-resonance 231
Sound Space 232
8
235
14 Chiffre Cycle: Cyclic Elements
Cyclic Elements: Typology 235
Repeated Passage 236
Overwritten Passage 236
Repeated Single Instrumental Part 237
Cyclic Elements: Similar Event 239
Returning Concept 239
Cyclic Elements: Three Figures 243
Figure 1: Generated Elements 246
Figure 2: Generated Elements 249
Figure 3: Generative Poles and Generated Elements 253
15 Chiffre Cycle: Symmetry 259
Melodic Symmetry 259
Rhythmic Symmetry 261
Time Signature Symmetry 262
Harmonic Symmetry 262
Total Symmetry 263
Symmetrical Placing 264
16 Chiffre Cycle: Proportions 265
Tempo Indications 265
Tempo Changes 266
Time Signature 267
Proportions in the Chiffre Cycle 268
Proportions in Chiffre I 268
Proportions in Chiffre II 270
Proportions in Chiffre III 272
Proportions in Chiffre IV 275
Proportions in Bild 277
Proportions in Chiffre V 278
Proportions in Chiffre VI 279
Proportions in Chiffre VII 281
Proportions in Chiffre VIII 282
9
Proportions in Nach-Schrift 283
Proportions of Length in the Chiffre Pieces 283
Comparison: Chiffre II, V and VI 284
Comparison: Chiffre II and VII 285
Conclusions 287
Final Conclusions 289
Appendix - Division in Sections 297
Notes 301
Selected Bibliography 323
General Index 333
Index of Compositions by Wolfgang Rihm 337
|
| any_adam_object | 1 |
| author | Knockaert, Yves 1954- |
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| author_sort | Knockaert, Yves 1954- |
| author_variant | y k yk |
| building | Verbundindex |
| bvnumber | BV044717153 |
| classification_rvk | LP 94327 |
| ctrlnum | (OCoLC)1020000899 (DE-599)GBV898554993 |
| discipline | Musikwissenschaft |
| era | Geschichte 1980-1990 gnd |
| era_facet | Geschichte 1980-1990 |
| format | Book |
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| id | DE-604.BV044717153 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:09:48Z |
| institution | BVB |
| isbn | 9789462701236 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030113542 |
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| owner_facet | DE-12 DE-11 DE-19 DE-BY-UBM |
| physical | 339 Seiten Notenbeispiele |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Leuven University Press |
| record_format | marc |
| spellingShingle | Knockaert, Yves 1954- Wolfgang Rihm, a Chiffre the 1980s and beyond Rihm, Wolfgang 1952-2024 Chiffre-Zyklus (DE-588)300386087 gnd Rihm, Wolfgang 1952-2024 Quartette Nr. 1 (DE-588)300811454 gnd Rihm, Wolfgang 1952-2024 (DE-588)118803409 gnd Musikästhetik (DE-588)4040808-5 gnd Musiktheorie (DE-588)4040876-0 gnd Komposition Musik (DE-588)4133320-2 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)300386087 (DE-588)300811454 (DE-588)118803409 (DE-588)4040808-5 (DE-588)4040876-0 (DE-588)4133320-2 (DE-588)4040814-0 |
| title | Wolfgang Rihm, a Chiffre the 1980s and beyond |
| title_auth | Wolfgang Rihm, a Chiffre the 1980s and beyond |
| title_exact_search | Wolfgang Rihm, a Chiffre the 1980s and beyond |
| title_full | Wolfgang Rihm, a Chiffre the 1980s and beyond Yves Knockaert ; with a foreword by Richard McGregor |
| title_fullStr | Wolfgang Rihm, a Chiffre the 1980s and beyond Yves Knockaert ; with a foreword by Richard McGregor |
| title_full_unstemmed | Wolfgang Rihm, a Chiffre the 1980s and beyond Yves Knockaert ; with a foreword by Richard McGregor |
| title_short | Wolfgang Rihm, a Chiffre |
| title_sort | wolfgang rihm a chiffre the 1980s and beyond |
| title_sub | the 1980s and beyond |
| topic | Rihm, Wolfgang 1952-2024 Chiffre-Zyklus (DE-588)300386087 gnd Rihm, Wolfgang 1952-2024 Quartette Nr. 1 (DE-588)300811454 gnd Rihm, Wolfgang 1952-2024 (DE-588)118803409 gnd Musikästhetik (DE-588)4040808-5 gnd Musiktheorie (DE-588)4040876-0 gnd Komposition Musik (DE-588)4133320-2 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Rihm, Wolfgang 1952-2024 Chiffre-Zyklus Rihm, Wolfgang 1952-2024 Quartette Nr. 1 Rihm, Wolfgang 1952-2024 Musikästhetik Musiktheorie Komposition Musik Musikalische Analyse |
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