Jérôme Bel: dance, theatre, and the subject
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London, United Kingdom
Palgrave Macmillan
[2017]
|
| Schriftenreihe: | New world choreographies
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030100939&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xii, 286 Seiten Illustrationen 22 cm |
| ISBN: | 9781137552716 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819283921306648576 |
|---|---|
| adam_text | Contents
“I Write for the Black Box of the Stage”: Jérôme Bel
and Theatre 1
Notes 13
References 14
Modern Subjects 15
The Medium Specificity of Dance: Objectifying Dance Modernism 15
Moving from the Inside Out: The Creation of An Inner Scene 18
Moving from the Outside In: The Objectivation of Movement 24
The Seeing Problem: New Modes of Reception for Dance 28
The Time Problem: Transcendence and Duration 31
Between Imagination and Memory: Repetition 36
Between Institutionalisation and Emancipation: The New Dance 40
Notes 52
References 53
Subjects of Discourse 55
Theatricality and Dance 55
Nom donné par l’auteur (1994): Establishing the Discourse
‘Jérôme BeV 56
Between Art and Aesthetics: Conceptual Dance 65
Between Site and Non-site: The Empty Stage 68
Xavier Le Roy (2000): The Author-Function 73
Between Materiality and Signification: Theatricality 82
vii
viii CONTENTS
Notes 98
References 99
Subjects of Knowledge 103
Absence as a Critical Category 103
Jérôme Bel (1995): Absence and Phenomenology 105
Shirtology (1997): Absence and Semiotics 116
The Last Performance (1998): Absence and Deconstruction 124
The Show Must Go On (2000/2001): Absence and Psychoanalysis 138
The Show Must Go On 2 (2004): Absence and Comedy 158
Notes 166
References 168
Critical Subjects 173
Dispositifs of Power: From Group to Solo Work 173
Véronique Doisneau (2004) and Cédric Andrieux
(2009): Speaking Subjects 177
Staying in One’s Place: Technologies of Subjectivation 180
Critical Strategies of Desubjugation with Butler and
Foucault’s Virtue 186
Critical Strategies of Desubjugation with Freud’s Fantasy 191
Critical Strategies by Acknowledgement, or: The Emptiness
Looks Back 197
Lutz Forster (2009): The Joys of Being a Dancing Subject 200
Pichet Klunchun and Myself (2004): Post-colonial Contact Zones 204
Notes 220
References 221
Subjects at Risk 225
Risking the Performance: From Solo to Group Work 225
Cour d’honneur (2013): Risking the Many 228
3Abschied (2010): Risking Death 237
Disabled Theater (2012): Risking In-difference 244
Tombe (2016): Risking the Institution 263
Notes 266
References 267
|
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| language | English |
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| spellingShingle | Siegmund, Gerald 1963- Jérôme Bel dance, theatre, and the subject Bel, Jérôme 1964- (DE-588)124221149 gnd Choreografie (DE-588)4069977-8 gnd Theatralik (DE-588)4375533-1 gnd Tanz (DE-588)4059028-8 gnd |
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| title | Jérôme Bel dance, theatre, and the subject |
| title_auth | Jérôme Bel dance, theatre, and the subject |
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| title_full | Jérôme Bel dance, theatre, and the subject Gerald Siegmund |
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| title_full_unstemmed | Jérôme Bel dance, theatre, and the subject Gerald Siegmund |
| title_short | Jérôme Bel |
| title_sort | jerome bel dance theatre and the subject |
| title_sub | dance, theatre, and the subject |
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