Geoffrey Clarke: a sculptor's materials
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Bristol
Sansom & Company
2017
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| Schlagwörter: | |
| Abstract: | Geoffrey Clarke: a sculptor's materials' is the first monograph to address the full range of this artist's work, from stained glass to sculpture, jewellery to textiles, land art to medals. Initially trained in stained glass, Geoffrey Clarke (1924-2014) came to international recognition in 1952, as one of the young British sculptors who exhibited at the Venice Biennale. He rapidly became one of the most frequently commissioned architectural sculptors of the mid-twentieth century, developing an innovative casting technique using aluminium and establishing his own foundry at his home in Suffolk. Clarke's versatility secured him commissions from banks, offices, universities and cathedrals (most notably, Coventry), which he approached with characteristic verve. Many of these works, sadly neglected, are now finding new audiences: Spirit of Electricity (1958/61) and Spiral Nebula (1962) were both listed Grade II by Historic England in 2016 |
| Umfang: | 248 Seiten Illustrationen |
| ISBN: | 9781911408116 1911408119 |
Internformat
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| 520 | 3 | |a Geoffrey Clarke: a sculptor's materials' is the first monograph to address the full range of this artist's work, from stained glass to sculpture, jewellery to textiles, land art to medals. Initially trained in stained glass, Geoffrey Clarke (1924-2014) came to international recognition in 1952, as one of the young British sculptors who exhibited at the Venice Biennale. He rapidly became one of the most frequently commissioned architectural sculptors of the mid-twentieth century, developing an innovative casting technique using aluminium and establishing his own foundry at his home in Suffolk. Clarke's versatility secured him commissions from banks, offices, universities and cathedrals (most notably, Coventry), which he approached with characteristic verve. Many of these works, sadly neglected, are now finding new audiences: Spirit of Electricity (1958/61) and Spiral Nebula (1962) were both listed Grade II by Historic England in 2016 | |
| 600 | 1 | 7 | |a Clarke, Geoffrey |d 1924- |0 (DE-588)119242079 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1818983568338059264 |
|---|---|
| any_adam_object | |
| author | LeGrove, Judith |
| author2 | Clarke, Geoffrey 1924- |
| author2_role | ctb |
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| author_GND | (DE-588)103769189X (DE-588)119242079 |
| author_facet | LeGrove, Judith Clarke, Geoffrey 1924- |
| author_role | aut |
| author_sort | LeGrove, Judith |
| author_variant | j l jl |
| building | Verbundindex |
| bvnumber | BV044526541 |
| ctrlnum | (OCoLC)1007806220 (DE-599)BVBBV044526541 |
| format | Book |
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| id | DE-604.BV044526541 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:05:11Z |
| institution | BVB |
| isbn | 9781911408116 1911408119 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029925921 |
| oclc_num | 1007806220 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 248 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Sansom & Company |
| record_format | marc |
| spelling | LeGrove, Judith Verfasser (DE-588)103769189X aut Geoffrey Clarke a sculptor's materials Judith LeGrove Bristol Sansom & Company 2017 248 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Geoffrey Clarke: a sculptor's materials' is the first monograph to address the full range of this artist's work, from stained glass to sculpture, jewellery to textiles, land art to medals. Initially trained in stained glass, Geoffrey Clarke (1924-2014) came to international recognition in 1952, as one of the young British sculptors who exhibited at the Venice Biennale. He rapidly became one of the most frequently commissioned architectural sculptors of the mid-twentieth century, developing an innovative casting technique using aluminium and establishing his own foundry at his home in Suffolk. Clarke's versatility secured him commissions from banks, offices, universities and cathedrals (most notably, Coventry), which he approached with characteristic verve. Many of these works, sadly neglected, are now finding new audiences: Spirit of Electricity (1958/61) and Spiral Nebula (1962) were both listed Grade II by Historic England in 2016 Clarke, Geoffrey 1924- (DE-588)119242079 gnd rswk-swf Clarke, Geoffrey 1924- (DE-588)119242079 p DE-604 Clarke, Geoffrey 1924- (DE-588)119242079 ctb |
| spellingShingle | LeGrove, Judith Geoffrey Clarke a sculptor's materials Clarke, Geoffrey 1924- (DE-588)119242079 gnd |
| subject_GND | (DE-588)119242079 |
| title | Geoffrey Clarke a sculptor's materials |
| title_auth | Geoffrey Clarke a sculptor's materials |
| title_exact_search | Geoffrey Clarke a sculptor's materials |
| title_full | Geoffrey Clarke a sculptor's materials Judith LeGrove |
| title_fullStr | Geoffrey Clarke a sculptor's materials Judith LeGrove |
| title_full_unstemmed | Geoffrey Clarke a sculptor's materials Judith LeGrove |
| title_short | Geoffrey Clarke |
| title_sort | geoffrey clarke a sculptor s materials |
| title_sub | a sculptor's materials |
| topic | Clarke, Geoffrey 1924- (DE-588)119242079 gnd |
| topic_facet | Clarke, Geoffrey 1924- |
| work_keys_str_mv | AT legrovejudith geoffreyclarkeasculptorsmaterials AT clarkegeoffrey geoffreyclarkeasculptorsmaterials |