Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2016
|
| Schriftenreihe: | Other Becketts
|
| Schlagwörter: | |
| Links: | https://www.cambridge.org/core/product/identifier/9781474415736/type/BOOK https://www.cambridge.org/core/product/identifier/9781474415736/type/BOOK |
| Zusammenfassung: | Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.</p>Key Features<ul><li>Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts</li><li>The first book to examine the paintings that Beckett would have known and on which he based his critical remarks</li><li>Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium</li><li>Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan</li></ul> |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Jun 2017) |
| Umfang: | 1 online resource (xiii, 253 pages) |
| ISBN: | 9781474415736 |
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| 505 | 8 | |a Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing | |
| 520 | |a Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.</p>Key Features<ul><li>Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts</li><li>The first book to examine the paintings that Beckett would have known and on which he based his critical remarks</li><li>Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium</li><li>Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan</li></ul> | ||
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Datensatz im Suchindex
| _version_ | 1835728678870319104 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Lloyd, David |
| author_facet | Lloyd, David |
| author_role | aut |
| author_sort | Lloyd, David |
| author_variant | d l dl |
| building | Verbundindex |
| bvnumber | BV044448517 |
| classification_rvk | HN 9990 IH 15721 |
| collection | ZDB-20-CBO |
| contents | Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing |
| ctrlnum | (ZDB-20-CBO)CR9781474415736 (OCoLC)993875277 (DE-599)BVBBV044448517 |
| dewey-full | 848.91409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 848 - French miscellaneous writings |
| dewey-raw | 848.91409 |
| dewey-search | 848.91409 |
| dewey-sort | 3848.91409 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Anglistik / Amerikanistik Romanistik |
| format | Electronic eBook |
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| id | DE-604.BV044448517 |
| illustrated | Not Illustrated |
| indexdate | 2025-06-23T14:01:32Z |
| institution | BVB |
| isbn | 9781474415736 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029849502 |
| oclc_num | 993875277 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 online resource (xiii, 253 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Other Becketts |
| spelling | Lloyd, David Verfasser aut Beckett's thing painting and theatre David Lloyd Edinburgh Edinburgh University Press 2016 1 online resource (xiii, 253 pages) txt rdacontent c rdamedia cr rdacarrier Other Becketts Title from publisher's bibliographic system (viewed on 02 Jun 2017) Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.</p>Key Features<ul><li>Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts</li><li>The first book to examine the paintings that Beckett would have known and on which he based his critical remarks</li><li>Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium</li><li>Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan</li></ul> Beckett, Samuel / 1906-1989 / Criticism and interpretation Beckett, Samuel 1906-1989 (DE-588)118508172 gnd rswk-swf Velde, Bram van 1895-1981 (DE-588)118626434 gnd rswk-swf Yeats, Jack Butler 1871-1957 (DE-588)118771590 gnd rswk-swf Arikha, Avigdor 1929-2010 (DE-588)119223937 gnd rswk-swf Einfluss (DE-588)4151276-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Beckett, Samuel 1906-1989 (DE-588)118508172 p Kunst (DE-588)4114333-4 s Einfluss (DE-588)4151276-5 s Yeats, Jack Butler 1871-1957 (DE-588)118771590 p Velde, Bram van 1895-1981 (DE-588)118626434 p Arikha, Avigdor 1929-2010 (DE-588)119223937 p 1\p DE-604 Erscheint auch als Druck-Ausgabe, hardback 978-1-474-41572-9 https://www.cambridge.org/core/product/identifier/9781474415736/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lloyd, David Beckett's thing painting and theatre Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing Beckett, Samuel / 1906-1989 / Criticism and interpretation Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Velde, Bram van 1895-1981 (DE-588)118626434 gnd Yeats, Jack Butler 1871-1957 (DE-588)118771590 gnd Arikha, Avigdor 1929-2010 (DE-588)119223937 gnd Einfluss (DE-588)4151276-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118508172 (DE-588)118626434 (DE-588)118771590 (DE-588)119223937 (DE-588)4151276-5 (DE-588)4114333-4 |
| title | Beckett's thing painting and theatre |
| title_auth | Beckett's thing painting and theatre |
| title_exact_search | Beckett's thing painting and theatre |
| title_full | Beckett's thing painting and theatre David Lloyd |
| title_fullStr | Beckett's thing painting and theatre David Lloyd |
| title_full_unstemmed | Beckett's thing painting and theatre David Lloyd |
| title_short | Beckett's thing |
| title_sort | beckett s thing painting and theatre |
| title_sub | painting and theatre |
| topic | Beckett, Samuel / 1906-1989 / Criticism and interpretation Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Velde, Bram van 1895-1981 (DE-588)118626434 gnd Yeats, Jack Butler 1871-1957 (DE-588)118771590 gnd Arikha, Avigdor 1929-2010 (DE-588)119223937 gnd Einfluss (DE-588)4151276-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Beckett, Samuel / 1906-1989 / Criticism and interpretation Beckett, Samuel 1906-1989 Velde, Bram van 1895-1981 Yeats, Jack Butler 1871-1957 Arikha, Avigdor 1929-2010 Einfluss Kunst |
| url | https://www.cambridge.org/core/product/identifier/9781474415736/type/BOOK |
| work_keys_str_mv | AT lloyddavid beckettsthingpaintingandtheatre |
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