How the essay film thinks:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2017]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029847345&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029847345&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | ix, 210 Seiten Illustrationen |
| ISBN: | 9780190238254 9780190238247 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819288778393518080 |
|---|---|
| adam_text | CONTENTS
Acknowledgments vii
Introduction—Openings: Thinking Cinema I
1. Medium: Liquid Image, Fluid Cinema 23
2. Montage: Essayistic Thinking at the Juncture of Images 47
3. Genre: The Speck of Irony and the Ethnolandscape in Ruins
4. Temporality: The Palimpsestic Road and Diachronic Thinking
5. Sound: The Politics of the Sonic Interstice and
the Dissonance of the Neutral IIS
6. Narration: Epistolarity and Lyricism as Argumentation 143
7. Framing: Looking for an Object, or The Essay Film as
Theoretical Practice 165
Conclusion—Reframing 187
Bibliography 191
Index 201
Laura Rascaíoii confirms her position as a leading scholar on the history and crit-
ical expression of the essay film. The originality of her argument and the insights
provided by case studies also mirror the energy and elegance of the essayistic
approach. The antisystematic resistance exemplified by the essay film brings forth v
the political and engaging function of a thinking image.
—MA.LIN WAHLBERG, Stockholm University
This book offers a novel understanding of the epistemological strategies that are mobi-
lized by the essay film, and of where and how such strategies operate. Against the
backdrop of Adorno s discussion of the essay form s anachronistic, anti-systematic and
disjunctive mode of resistance, and capitalizing on the centrality of the interstice in
Deleuze s understanding of the cinema as image of thought, the hook discusses the
essay film as future philosophy—as a contrarian, political cinema whose argumentation
engages with us in a space beyond the verbal: A diverse range of case studies discloses.
how the essay film can be a medium of thought on the basis of its dialectic use of audio-
visual interstitiality. The book shows how the essay film s disjunctive method comes to
be realized at the level of medium, montage, genre, temporality; sound, narration, and
framing—all of these emerging as interstitial spaces of intelligence that illustrate how
essayistic meaning can be sustained, often in contexts of political, historical or cultural
extremity. The essayistic urge is not to be identified with a fixed generic form, but is
rather situated within processes of filmic thinking that thrive in gaps.
LAURA RASCAROLI is Professor of Film and Screen Media at University College
Cork, Ireland. She is the author and editor of several volumes, including Personal
Camera: Subjective Cinema and the Essay Film (2009), Ñew Europe: Post-
modern Travel and the European Road Movie (2006), co-written with Ewa Mazierska,
and Antonioni: Centenary Essays (2011), co-edited with John David Rhodes. She is the
General Editor of Alphaville: Journal of Film and Screen Media-.
(
|
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| discipline | Allgemeines |
| format | Book |
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| isbn | 9780190238254 9780190238247 |
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