Barbarian: explorations of a western concept in theory, literature, and the arts Vol. 1 From the Enlightenment to the turn of the twentieth century
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| Main Author: | |
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| Other Authors: | |
| Format: | Book |
| Language: | English |
| Published: |
Heidelberg
J.B. Metzler Verlag
[2018]
|
| Series: | Schriften zur Weltliteratur
Band 7 |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029801718&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029801718&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | VII, 374 Seiten |
| ISBN: | 9783476044846 |
Staff View
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Record in the Search Index
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| adam_text | Contents
Acknowledgements...................................................... IX
1. Theoretical and Methodological Introduction ........................ l
Markus Winkler
1.1. Preliminary Remarks .......................................... 1
1.1.1. Towards the Critical History and Aesthetic Exploration of a
Fashionable Slogan and Enemy-Concept..................... 1
1.1.2. A Genealogical Approach................................. 4
1.2. Genealogical Premises........................................ 10
1.2.1. From bárbaros as Language- and Affect-Related
Onomatopoetic Word to barbarismus as Rhetorical Term___ 10
1.2.2. The Mythopoetic Invention of the Barbarian........... 14
1.2.3. The Conceptualization of Barbarism..................... 19
1.2.3.1. The Emergence of the Ethnocentric Enemy- and
Identity-Concept................................ 19
1.2.3.2. Scholarly Approaches to the Concept and Their
Shortcomings ................................. 23
1.2.4. The Aesthetic Exploration of Barbarism................. 32
1.3. Structure and Content of Volume I............................ 38
2. Eighteenth Century ................................................ 45
2.1. The Concept of Barbarism in Eighteenth-Century Theories
of Culture and Sociogenesis....................................... 45
Christian Moser
2.1.1. Concept-Historical Prerequisites. The Temporalization of the
Concept of the Barbarian and the Construction of a Relationship
between Savagery and Barbarism.............................. 45
2.1.1.1. The Changing Meaning of Barbarian in the Eighteenth
Century—as Illustrated by Dictionary Entries ........ 45
2.1.1.2. Savagery in Relation to Barbarism: Antiquity and the
Middle Ages ......................................... 48
2.1.1.3. Savagery in Relation to Barbarism: the Early Modern
Period............................................... 53
2.1.2. Montesquieu to Ferguson: Barbarism as a Stage of Cultural and
Social Evolution............................................ 61
2.1.2.1. Preliminary Remarks...................................... 61
2.1.2.2. Montesquieu: Barbarism as an Intermediate Social Force .. 64
2.1.2.3. Turgot: Barbarism as an Engine of Social Progress ....... 73
2.1.2.4. Rousseau: Barbarian Idylls............................. 80
2.1.2.5. Adam Smith: Barbarian Economies of Predation and Gifts 93
2.1.2.6. Adam Ferguson: Barbarism as Social Gambling............ 103
2.1.2.7. Barbarian Origins of Language and of Contractuality:
Smith and Rousseau....................................... 114
2.1.2.8. Barbarian Art: Herder and Goethe........................ 128
2.1.2.9. Conclusion and Prospect: Anthropology; Philosophy of
History................................................. 134
2.2. Case Study: Schiller s Die Räuber {The Robbers, 1781)............. 145
Christian Moser
2.3. Bemoaning the Loss of Vernunft and Tugend : On the Semantics
of Barbarism in Salomon Gessner s Der Tod Abels {The Death of Abel,
1758) and Maler Muller s Adams erstes Erwachen und seelige Nächte
{Adam9s First Awakening and Blissful Nights, 1777) ....... 166
Julian Reidy
3. Nineteenth Century..................................................... 189
3.1. The Relationship between Idyll and Barbarism in Schiller s
Wilhelm Tell {William Tell, 1804)........................... 189
Melanie Rohner
3.2. These are the mysteries of the barbarians, my dear : The Concept
of Barbarism in Polish Romanticism (Zygmunt Krasiriski, Adam
Micklewicz) .................................................. 198
Jens Herlth
3.2.1. Introduction.................................................... 198
3.2.2. The Imagined Barbarian: Zygmunt Krasihskis Letters to
Henry Reeve...................................................... 203
3.2.3. Krasihskis irydion: A Half-Barbarian’s Journey from Rome to
“the land of graves and crosses”............................... 212
3.2.4. “Let us not disdain the barbarians”: Adam Mickiewicz and the
Re-Evaluation of Barbarism..................................... 220
3.2.5. Conclusion...................................................... 234
3.3. interfering Semantics of Barbarism and Race in Flaubert’s
Salammbo (1862) ................................................... 236
Markus Winkler
3.3.1. Why Write a Historical Novel on a Remote War of Barbarians
against Barbarians?........................................... 236
3.3.2. ‘Barbarism and ‘Race in the Historiographical Tradition of the
Mercenaries War............................................. 238
3.3.3. The Narrative Staging of‘Barbarism and ‘Race in Flaubert s
Novel......................................................... 244
3.3.4. The Contribution of Flaubert’s Novel to the History of‘Barbarism’
and‘Race.................................................... 255
3.4. Nietzsche s Concept of Barbarism: From Rhetoric to Genealogy ______ 258
Markus Winkler
3.4.1. Preliminary Remarks.......................................... 258
3.4.2. Variations on the Opposition of Barbarism and ‘Culture’ (Bildung) 259
3.4.3. The Ambivalence of the Genealogical Approach to the Concept
of Barbarism.............................................. 270
4. On the Threshold of the Twentieth Century: History, Crisis, and
Intersecting Figures of Barbarians in C. P. Cavafy’s Waiting for the
Barbarians” ( nepipevovraq iou ; pappdpouq,” 1898/1904) ................ 285
Maria Boletsi
4.1. Introduction ................................................. 285
4.2. Between History, Myth, and Allegory: The Barbarians As Symbols . 292
4.3. The Intertextual Nexus of Cavafy s Barbarians ................ 296
4.3.1. Cavafy and Gibbon on Progress .......................... 296
4.3.2. Cavafy s and Renan s Barbarians......................... 303
4.3.3. The Barbarian in Decadent Literature and in the Intellectual
Climate of the Late Nineteenth Century................... 310
4.3.4. “Waiting for the Barbarians As an Anti-Decadent Poem__ 321
4.4. Barbarians, Crisis, and Historical Time....................... 328
References............................................................... 335
About the authors ....................................................... 364
Index ................................................................... 367
T1 his two-volume co-authored study explores the
history of the concept ‘barbarism’ from the 18th cen-
tury to the present and illuminates its foundational role
in modern European and Western identity. It consti-
tutes an original comparative, interdisciplinary explora-
tion of the concept’s modern European and Western
history, with emphasis on the role of literature in the
concept’s shifting functions. The study contributes to
a historically grounded understanding of this figure’s
past and contemporary uses. It combines overviews
with detailed analyses of representative works of litera-
ture, art, film, philosophy, political and cultural theory,
in which ‘barbarism’ figures prominently.
|
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| id | DE-604.BV044399642 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T18:02:03Z |
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| isbn | 9783476044846 |
| language | English |
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| series | Schriften zur Weltliteratur |
| series2 | Schriften zur Weltliteratur |
| spellingShingle | Winkler, Markus 1955- Barbarian explorations of a western concept in theory, literature, and the arts Schriften zur Weltliteratur |
| title | Barbarian explorations of a western concept in theory, literature, and the arts |
| title_auth | Barbarian explorations of a western concept in theory, literature, and the arts |
| title_exact_search | Barbarian explorations of a western concept in theory, literature, and the arts |
| title_full | Barbarian explorations of a western concept in theory, literature, and the arts Vol. 1 From the Enlightenment to the turn of the twentieth century Markus Winkler ; in collaboration with Maria Boletsi [und 4 weiteren] |
| title_fullStr | Barbarian explorations of a western concept in theory, literature, and the arts Vol. 1 From the Enlightenment to the turn of the twentieth century Markus Winkler ; in collaboration with Maria Boletsi [und 4 weiteren] |
| title_full_unstemmed | Barbarian explorations of a western concept in theory, literature, and the arts Vol. 1 From the Enlightenment to the turn of the twentieth century Markus Winkler ; in collaboration with Maria Boletsi [und 4 weiteren] |
| title_short | Barbarian |
| title_sort | barbarian explorations of a western concept in theory literature and the arts from the enlightenment to the turn of the twentieth century |
| title_sub | explorations of a western concept in theory, literature, and the arts |
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