Black post-blackness: the Black Arts Movement and twenty-first-century aesthetics
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2017]
|
| Series: | The new black studies series
|
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029796415&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029796415&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic |
| Physical Description: | xi, 264 Seiten Illustrationen 23 cm |
| ISBN: | 9780252041006 9780252082498 |
Staff View
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| 520 | 3 | |a A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic | |
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Record in the Search Index
| DE-BY-TUM_call_number | 0002 KUN 395f 2019 A 5109 |
|---|---|
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| _version_ | 1821934045952475137 |
| adam_text | CONTENTS
ACKNOWLEDGMENTS IX
INTRODUCTION 1
1. THE AESTHETICS OF ANTICIPATION 18
2. THE POLITICS OF ABSTRACTION 42
3. THE COUNTER-LITERACY OF BLACK MIXED MEDIA 82
4. THE LOCAL AND THE GLOBAL: BLKARTSOUTH AND CALLALOO 107
5. THE SATIRE OF BLACK POST-BLACKNESS 137
6. BLACK INSIDE/OUT: PUBLIC INTERIORITY AND BLACK AESTHETICS 167
7. WHO S AFRAID OF THE BLACK FANTASTIC? THE SUBSTANCE
OF SURFACE 192
EPILOGUE: FEELING BLACK POST-BLACK 217
NOTES 229
INDEX 255
A 2008 cover of the New Yorker featured a much-
discussed Black Power parody of Michelle and
Barack Obama. The image put a spotlight on how
easy it is to flatten the Black Power Movement as we
imagine new types of blackness.
Margo Natalie Crawford argues that we have
misread the Black Arts Movement s call for blackness.
We have failed to see the movement s anticipation
of the new black and post-black.
Black Post-Blackness compares the black avant-
garde of the 1960s and 1970s Black Arts Movement
with the most innovative spins of twenty-first-
century black aesthetics. Crawford zooms in on
the BAM s second wave in the 1970s and shows
the connections between this final wave of the
movement and the early years of twenty-first-
century black aesthetics. She uncovers the circle of
black post-blackness that pivots on the power of
anticipation, abstraction, mixed media, the global
South, satire, public interiority, and the fantastic.
|
| any_adam_object | 1 |
| author | Crawford, Margo Natalie 1969- |
| author_GND | (DE-588)132308983 |
| author_facet | Crawford, Margo Natalie 1969- |
| author_role | aut |
| author_sort | Crawford, Margo Natalie 1969- |
| author_variant | m n c mn mnc |
| building | Verbundindex |
| bvnumber | BV044394242 |
| classification_rvk | HU 1728 |
| classification_tum | KUN 395f |
| contents | Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black |
| ctrlnum | (OCoLC)1001518180 (DE-599)BVBBV044394242 |
| discipline | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte 2000-2016 gnd |
| era_facet | Geschichte 2000-2016 |
| format | Book |
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| id | DE-604.BV044394242 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:01:53Z |
| institution | BVB |
| isbn | 9780252041006 9780252082498 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029796415 |
| oclc_num | 1001518180 |
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| physical | xi, 264 Seiten Illustrationen 23 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | University of Illinois Press |
| record_format | marc |
| series2 | The new black studies series |
| spellingShingle | Crawford, Margo Natalie 1969- Black post-blackness the Black Arts Movement and twenty-first-century aesthetics Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black Visuelle Kunst (DE-588)1064742459 gnd Black arts movement (DE-588)4997095-1 gnd Schwarze (DE-588)4116433-7 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)1064742459 (DE-588)4997095-1 (DE-588)4116433-7 (DE-588)4035964-5 (DE-588)4078704-7 |
| title | Black post-blackness the Black Arts Movement and twenty-first-century aesthetics |
| title_auth | Black post-blackness the Black Arts Movement and twenty-first-century aesthetics |
| title_exact_search | Black post-blackness the Black Arts Movement and twenty-first-century aesthetics |
| title_full | Black post-blackness the Black Arts Movement and twenty-first-century aesthetics Margo Natalie Crawford |
| title_fullStr | Black post-blackness the Black Arts Movement and twenty-first-century aesthetics Margo Natalie Crawford |
| title_full_unstemmed | Black post-blackness the Black Arts Movement and twenty-first-century aesthetics Margo Natalie Crawford |
| title_short | Black post-blackness |
| title_sort | black post blackness the black arts movement and twenty first century aesthetics |
| title_sub | the Black Arts Movement and twenty-first-century aesthetics |
| topic | Visuelle Kunst (DE-588)1064742459 gnd Black arts movement (DE-588)4997095-1 gnd Schwarze (DE-588)4116433-7 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Visuelle Kunst Black arts movement Schwarze Literatur USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029796415&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029796415&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT crawfordmargonatalie blackpostblacknesstheblackartsmovementandtwentyfirstcenturyaesthetics |
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