The techniques of trombone playing: = Die Spieltechnik der Posaune
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| Main Authors: | , |
|---|---|
| Other Authors: | |
| Format: | Book |
| Language: | English German |
| Published: |
Kassel
Bärenreiter
[2017]
|
| Edition: | 1., Auflage 2017 |
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029778765&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | 146 Seiten Illustrationen, Notenbeispiele 29 cm x 21 cm, 496 g |
| ISBN: | 9783761823675 3761823673 |
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MARC
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| 245 | 1 | 0 | |a The techniques of trombone playing |b = Die Spieltechnik der Posaune |c Mike Svoboda, Michel Roth |
| 246 | 1 | 1 | |a Die Spieltechnik der Posaune |
| 250 | |a 1., Auflage 2017 | ||
| 263 | |a 201706 | ||
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Record in the Search Index
| _version_ | 1819310306165260288 |
|---|---|
| adam_text | Inhalt
Geleitwort..................................... 9
I Einleitung
LI Vorwort..................................... 10
1.2 Zum Gebrauch dieses Buches ............... 12
1.3 Begriffsklärungen und Abkürzungen......... 14
II Das Instrument
2.1 Die Tenorposaune............................ 16
2.2 Variantinstrumente........................ 20
2.2.1 Einführung.......................... 20
2.2.2 Die Altposaune.................... 22
2.2.3 Die Bassposaune................... 23
2.2.4 Die Kontrabassposaune............. 24
2.2.5 Weitere hohe Posaunen............. 25
2.2.6 Weitere Ventilinstrumente........... 26
2.2.7 Wechseln zwischen Instrumenten.... 27
2.3 Tonumfang der Tenorposaune ................. 28
III Spieltechnische Grundlagen
3.1 Tondauer und Atmung......................... 32
3.1.1 Zirkuläratmung...................... 33
3.2 Der Zug..................................... 34
3.2.1 Einführung.......................... 34
3.2.2 Notation der Zugpositionen.......... 36
3.2.3 Zugführung.......................... 37
3.2.4 Bisbigliando........................ 38
3.2.5 Glissandi mit dem Zug............. 38
3.2.6 Naturtonglissando................... 39
3.3 Das Ventil.................................. 41
3.3.1 Einführung.......................... 41
3.3.2 Halbventil.......................... 42
3.4 Intonation.................................. 43
3.4.1 Einführung.......................... 43
3.4.2 Just Intonation..................... 44
3.4.3 Andere Mikrointervalle.............. 49
Contents
Preface......................................... 9
I Introduction
1.1 Foreword................................... 10
1.2 On using this book......................... 12
1.3 Explanation of terms and abbreviations. ... 14
II The instrument
2.1 The tenor trombone......................... 16
2.2 Varieties of trombones..................... 20
2.2.1 Introduction....................... 20
2.2.2 The alto trombone.................. 22
2.2.3 The bass trombone.................. 23
2.2.4 The contrabass trombone............ 24
2.2.5 Other high trombones.................. 25
2.2.6 Other valve-instruments.............. 26
2.2.7 Doubling on several instruments...... 27
2.3 Range of the tenor trombone ................. 28
III Basic techniques
3.1 Duration and breathing..................... 32
3.1.1 Circular breathing................... 33
3.2 The slide.................................... 34
3.2.1 Introduction......................... 34
3.2.2 Notating slide positions............. 36
3.2.3 Slide movement...................... 37
3.2.4 Bisbigliando......................... 38
3.2.5 Glissandi with the slide............. 38
3.2.6 Glissando through harmonics.......... 39
3.3 The valve.................................... 41
3.3.1 Introduction......................... 41
3.3.2 Half-valve......................... 42
3.4 Intonation................................... 43
3.4.1 Introduction......................... 43
3.4.2 Just-Intonation...................... 44
3.4.3 Other microintervals................. 49
3.5 Artikulation................................. 51
3.5.1 Einführung........................... 51
3.5.2 Doppel- und Dreifachzungenstoß..... 53
3.5.3 Doodle-tongue........................ 54
3.5.4 Legato............................... 54
3.5.5 Portamento, legatissimo.............. 55
3.5.6 Flatterzunge......................... 55
3.6 Dynamik...................................... 57
3.7 Das Mundstück................................ 58
3.7.1 Einführung........................... 58
3.7.2 Spiel nur auf dem Mundstück und »Free
Buzzing«.............................. 59
3.7.3 Alternative Mundstücke............... 60
3.8 Manipulation am Instrument................... 62
3.8.1 Spiel auf dem Zug ohne Schallstück. 62
3.8.2 Spiel bei offenem Quartventilstimmbogen 62
3.8.3 Das Quartventil als Interface........ 65
3.8.4 Duplexinstrumente.................... 66
3.9 Triller und Tremoli.......................... 68
3.9.1 Triller mit dem Quartventil.......... 70
IV Klangmodulation
4.1 Vibrato...................................... 71
4.1.1 Lippenvibrato........................ 71
4.1.2 Zugvibrato........................... 72
4.1.3 Vibrato mit Luftdruck................ 73
4.2 Klangmodulation mit Ansatz und
Zungenstellung.............................. 73
4.2.1 Einführung........................... 73
4.2.2 Kompression der Lippen............... 74
4.2.3 Zungenstellung....................... 75
4.2.4 Zungentriller........................ 76
4.2.5 Treiben.............................. 77
4.3 Klangmodulation mit Dämpfern................. 80
4.3.1 Einführung........................... 80
4.3.2 Straight Mute........................ 84
4.3.3 Cup Mute............................. 85
4.3.4 Wawa Mute............................ 85
4.3.5 Harmon Mute.......................... 89
4.3.6 Plunger Mute......................... 90
4.3.7 Practice Mute........................ 93
4.3.8 Small Straight Mute.................. 94
4.3.9 Bücket Mute.......................... 95
4.4 Weitere Dämpfer.............................. 96
4.4.1 Hat (Derby oder Melon).............. . 96
4.4.2 BuzzWbw Mute......................... 96
4.4.3 Mega-mutes: Mel-o-wah und Solotone .. 97
4.5 Sprachähnliche Klangformung.................. 98
V Multiphonische Klänge
5.1 Klangmodulation mit der Stimme.............. 101
5.1.1 Einführung.......................... 101
5.1.2 Problematik der Stimmlagen.......... 102
5.1.3 Balance von Posaune und Stimme..... 103
5.1.4 Intervalle und Schwebungen.......... 105
3.5 Articulation............................... 51
3.5.1 Introduction....................... 51
3.5.2 Double and triple tonguing................. 53
3.5.3 Doodle-tongue.............................. 54
3.5.4 Legato..................................... 54
3.5.5 Portamento, legatissimo.................... 55
3.5.6 Flutter-tongue............................. 55
3.6 Dynamics................................... 57
3.7 The mouthpiece............................. 58
3.7.1 Introduction............................... 58
3.7.2 Playing using only the mouthpiece,
and “free buzzing”......................... 59
3.7.3 Alternative mouthpieces.................... 60
3.8 Manipulation of the Instrument..................... 62
3.8.1 Playing on the slide without the bell .... 62
3.8.2 Playing with an open F-attachment tuning
slide...................................... 62
3.8.3 The F-attachment as an interface... 65
3.8.4 Duplex instruments......................... 66
3.9 Trills and tremoli................................. 68
3.9.1 Trills using the F valve................... 70
IV Sound modulation
4.1 Vibrato............................................ 71
4.1.1 Lip/Jaw vibrato.................... 71
4.1.2 Slide vibrato.............................. 72
4.1.3 Vibrato with air pressure ................. 73
4.2 Sound modulation with the embouchure and
tongue position................................... 73
4.2.1 Introduction............................... 73
4.2.2 Compressing the lips....................... 74
4.2.3 Tongue position............................ 75
4.2.4 Tongue trill............................... 76
4.2.5 Bending.................................... 77
4.3 Sound modulation with mutes........................ 80
4.3.1 Introduction............................... 80
4.3.2 Straight Mute.............................. 84
4.3.3 Cup Mute................................... 85
4.3.4 Wawa Mute.................................. 85
4.3.5 Harmon Mute................................ 89
4.3.6 Plunger Mute............................... 90
4.3.7 Practice Mute.............................. 93
4.3.8 Small Straight Mute........................ 94
4.3.9 Bucket Mute................................ 95
4.4 Other mutes....................................... 96
4.4.1 Hat (Derby oder Melon)..................... 96
4.4.2 Buzz Wow Mute.............................. 96
4.4.3 Mega-mutes: Mel-o-wah and Solotone . . 97
4.5 Speech-like sound production...................... 98
V Multiphonics
5.1 Modulating the sound with the voice........ 101
5.1.1 Introduction.............................. 101
5.1.2 Problems with the vocal range............. 102
5.1.3 Balance trombone and voice................ 103
5.1.4 Intervals and beatings.................... 105
JZ
5.1.5 Praktische Hinweise für Komponisten .. 106
5. i .6 Praktische Hinweise für Interpreten .... 107
5.1.7 Ins Instrument singen, sprechen,
flüstern............................ 107
5.2 Üppenmultiphonics........................... 108
5.2.1 Einführung.......................... 108
5.2.2 üppenmultiphonics auf dem Halbventil.. 113
5.2.3 Verfügbarer Tonraum für
Lippenmulti-phonics................. 114
5.2.4 Notation............................ 114
5.2.5 Alternativen und Ossia-Versionen.... 116
5.2.6 Praktische Hinweise für Komponisten .. 117
5.2.7 Praktische Hinweise für Interpreten .... 117
VI Spezielle Klangerzeugungen
6.1 Einwärtsspielen........................... 119
6.2 Luftgeräusche............................... 120
6.2.1 Einführung.......................... 120
6.2.2 Gemisch von Luft und Ton............ 122
6.2.3 Luftgeräusche durch minimalen Kontakt
zum Instrument...................... 123
6.3 Perkussive Effekte.......................... 124
6.3.1 Slaps............................... 124
6.3.2 Konsonantenähnliche Klangformung.... 125
6.3.3 Slaps mit Lippen, Spuccato
(Lachenmann)........................ 126
6.3.4 Schlagen mit der Handfläche aufs
Mundstück........................... 127
6.3.5 Vakuum-Spezialeffekt................ 128
6.3.6 Luftballon-Adapter.................. 128
6.4 Weitere Manipulationen am Instrument. .. 129
VII Klangbewegung mit dem Instrument
131
VIII Anhang
8.1 Internationales Phonetisches Alphabet.... 133
8.2 Bibliographie............................... 134
8.2.1 Posaunenspezifische Literatur........ 134
8.2.2 Bläserspezifische Literatur.......... 135
8.2.3 Akustik.............................. 135
8.2.4 Vergleichsliteratur.................. 136
8.3 Repertoireempfehlungen mit Erwähnung der
Interpreten der Uraufführung................ 136
8.4 Klangbeispiele.............................. 141
IX Etüden als Download
144
5.1.5 Practical advice for composers......... 106
5.1.6 Practical advice for players........... 107
5.1.7 Singing, speaking and whispering into the
Instrument............................. 107
5.2 Lip-multiphonics............................... 108
5.2.1 Introduction.......................... 108
5.2.2 Lip-multiphonics on the half-valve.... 113
5.2.3 Possible range for lip-multiphonics... 114
5.2.4 Notation.............................. 114
5.2.5 Alternatives and ossia versions........ 116
5.2.6 Practical advice for composers......... 117
5.2.7 Practical advice for players........... 117
VI Special sound effects
6.1 Ingressive playing.............................. 119
6.2 Air sounds...................................... 120
6.2.1 Introduction........................... 120
6.2.2 Mixing air and pitch................... 122
6.2.3 Mixing air into the sound through minimal
contact with the instrument............ 123
6.3 Percussive effects.............................. 124
6.3.1 Slaps.................................. 124
6.3.2 Forming consonant-iike sounds.......... 125
6.3.3 Slaps with the lips, spuccato
(Lachenmann)........................... 126
6.3.4 Hitting the mouthpiece with the
palm................................... 127
6.3.5 Vacuum special effect.................. 128
6.3.6 Balloon adapter........................ 128
6.4 Further manipulation of the instrument... 129
VII Moving the sound with the instrument
131
VIII Appendix
8.1 The International Phonetic Alphabet........ 133
8.2 Bibliography................................ 134
8.2.1 Literature specific to the trombone .... 134
8.2.2 Literature specific to
wind instrumentalists............... 135
8.2.3 On Acoustics........................ 135
8.2.4 Comparative literature.............. 136
8.3 List of suggested repertoire, including
trombonists who premiered works........... 136
8.4 Audio Examples.............................. 141
IX Etudes download
144
X Über die Autoren
145
X About the Authors
145
|
| any_adam_object | 1 |
| author | Svoboda, Michael 1960- Roth, Michel 1976- |
| author2 | Globokar, Vinko 1934- |
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| author_sort | Svoboda, Michael 1960- |
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| bvnumber | BV044376469 |
| ctrlnum | (OCoLC)990781310 (DE-599)DNB1135225109 |
| dewey-full | 780 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780 |
| dewey-search | 780 |
| dewey-sort | 3780 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1., Auflage 2017 |
| format | Book |
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| genre_facet | Lehrbuch |
| id | DE-604.BV044376469 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T18:01:21Z |
| institution | BVB |
| institution_GND | (DE-588)2005573-0 |
| isbn | 9783761823675 3761823673 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029778765 |
| oclc_num | 990781310 |
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| owner | DE-M29 DE-W89 DE-12 DE-1259 |
| owner_facet | DE-M29 DE-W89 DE-12 DE-1259 |
| physical | 146 Seiten Illustrationen, Notenbeispiele 29 cm x 21 cm, 496 g |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Bärenreiter |
| record_format | marc |
| spellingShingle | Svoboda, Michael 1960- Roth, Michel 1976- The techniques of trombone playing = Die Spieltechnik der Posaune Posaunenspiel (DE-588)4334942-0 gnd |
| subject_GND | (DE-588)4334942-0 (DE-588)4123623-3 |
| title | The techniques of trombone playing = Die Spieltechnik der Posaune |
| title_alt | Die Spieltechnik der Posaune |
| title_auth | The techniques of trombone playing = Die Spieltechnik der Posaune |
| title_exact_search | The techniques of trombone playing = Die Spieltechnik der Posaune |
| title_full | The techniques of trombone playing = Die Spieltechnik der Posaune Mike Svoboda, Michel Roth |
| title_fullStr | The techniques of trombone playing = Die Spieltechnik der Posaune Mike Svoboda, Michel Roth |
| title_full_unstemmed | The techniques of trombone playing = Die Spieltechnik der Posaune Mike Svoboda, Michel Roth |
| title_short | The techniques of trombone playing |
| title_sort | the techniques of trombone playing die spieltechnik der posaune |
| title_sub | = Die Spieltechnik der Posaune |
| topic | Posaunenspiel (DE-588)4334942-0 gnd |
| topic_facet | Posaunenspiel Lehrbuch |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029778765&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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