Verfügbarkeit: Faking, forging, counterfeiting | Technische Universität München

Faking, forging, counterfeiting: discredited practices at the margins of mimesis

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Bibliographische Detailangaben
Weitere beteiligte Personen:	Becker, Daniel 1975- (HerausgeberIn), Fischer, Annalisa (HerausgeberIn), Schmitz, Yola 1985- (HerausgeberIn), Niehoff, Simone 1986- (HerausgeberIn), Sannders, Florencia (HerausgeberIn)
Format:	Tagungsbericht Buch
Sprache:	Englisch
Veröffentlicht:	Bielefeld transcript [2018]
Schriftenreihe:	Culture & theory
Schlagwörter:	Plagiat Kopie Kunstfälschung Fälschung Konferenzschrift > Conference of the Munich Doctoral Program for Literature and the Arts MIMESIS, CAS – Centre for Advanced Studies, LMU Munich > 29.10.2015-31.10.2015 > München
Links:	https://doi.org/10.14361/9783839437629 https://doi.org/10.1515/9783839437629 https://www.doabooks.org/doab?func=fulltext&uiLanguage=en&rid=26162 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029742192&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	International conference "Faking, forging, conterfeiting: discredited practices at the margins of mimesis", held in Autumn 2015 at the Ludwig Maximilian University of Munich
Umfang:	245 Seiten Illustrationen
ISBN:	9783837637625
DOI:	10.14361/9783839437629

Internformat

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Datensatz im Suchindex

DE-BY-TUM_katkey	2318163
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adam_text	Table of Contents Preface Annalisa Fischer I 7 Six Degrees of Separation The Foax as More Henry Keazor I 11 Forgery: The Art of Deception Friedrich Teja Bach I 41 The Artist and the Mountebank Rochester's Alexander Benda and the Dynamics of Forgery and Illusion in 17th-Century Art Jacqueline Hylkema I 59 Aping the Master 19111-Century Voltaire Pastiches and the Anxieties of Modern Authorship Manuel MOhlbacher I 77 Fracture, Facture and the Collecting of Islamic Art Margaret S Graves I 91 Shape-shifters of Transculturation Giovanni Bastianini's Forgeries as Embodiment of an Aesthetic Patriotism Tina Ocat I 111 Fake Supreme William Gaddis and the Art of Recognition Klaus Benesch I 127 Reflections on Plagiarism in Borges's Works The Case of Pablo Katchadjian's El Aleph engordado Florencia Sannders I 139 I have chosen to write notes on imaginary books On the Forgery of Textual Sources Laura Kohlrausch I 153 Faked Translations James Macpherson's Ossianic Poetry Yola Schmitz I 167 Creating a Cult, Faking Relics The Case of St Dominic of Soriano Laura Fenelli I 181 Desiring Fakes Al, Avatars, and the Body of Fake Information in Digital Art Daniel Becker I 199 Unmasking the Fake Theatrical Hoaxes from the Dreadnought Hoax to Contemporary Artivist Practice Simone Niehoff I 223 Contributors I 239 Illustration Credits I 243
any_adam_object	1
author2	Becker, Daniel 1975- Fischer, Annalisa Schmitz, Yola 1985- Niehoff, Simone 1986- Sannders, Florencia
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author_facet	Becker, Daniel 1975- Fischer, Annalisa Schmitz, Yola 1985- Niehoff, Simone 1986- Sannders, Florencia
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dewey-ones	900 - History & geography
dewey-raw	900
dewey-search	900
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dewey-tens	900 - History & geography
discipline	Geschichte Literaturwissenschaft
doi_str_mv	10.14361/9783839437629 10.1515/9783839437629
format	Conference Proceeding Book
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series2	Culture & theory
spellingShingle	Faking, forging, counterfeiting discredited practices at the margins of mimesis Plagiat (DE-588)4046196-8 gnd Kopie (DE-588)4032423-0 gnd Kunstfälschung (DE-588)4166027-4 gnd Fälschung (DE-588)4016247-3 gnd
subject_GND	(DE-588)4046196-8 (DE-588)4032423-0 (DE-588)4166027-4 (DE-588)4016247-3 (DE-588)1071861417
title	Faking, forging, counterfeiting discredited practices at the margins of mimesis
title_auth	Faking, forging, counterfeiting discredited practices at the margins of mimesis
title_exact_search	Faking, forging, counterfeiting discredited practices at the margins of mimesis
title_full	Faking, forging, counterfeiting discredited practices at the margins of mimesis Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) ; in collaboration with Simone Niehoff and Florencia Sannders
title_fullStr	Faking, forging, counterfeiting discredited practices at the margins of mimesis Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) ; in collaboration with Simone Niehoff and Florencia Sannders
title_full_unstemmed	Faking, forging, counterfeiting discredited practices at the margins of mimesis Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) ; in collaboration with Simone Niehoff and Florencia Sannders
title_short	Faking, forging, counterfeiting
title_sort	faking forging counterfeiting discredited practices at the margins of mimesis
title_sub	discredited practices at the margins of mimesis
topic	Plagiat (DE-588)4046196-8 gnd Kopie (DE-588)4032423-0 gnd Kunstfälschung (DE-588)4166027-4 gnd Fälschung (DE-588)4016247-3 gnd
topic_facet	Plagiat Kopie Kunstfälschung Fälschung Konferenzschrift Conference of the Munich Doctoral Program for Literature and the Arts MIMESIS, CAS – Centre for Advanced Studies, LMU Munich 29.10.2015-31.10.2015 München
url	https://doi.org/10.14361/9783839437629 https://doi.org/10.1515/9783839437629 https://www.doabooks.org/doab?func=fulltext&uiLanguage=en&rid=26162 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029742192&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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