The Palgrave handbook of musical theatre producers:
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY, U.S.A.
Palgrave Macmillan
[2017]
|
| Schriftenreihe: | Palgrave handbooks
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029722792&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | "The genesis of this volume began with a roundtable session, "'The most fabulous producers' : a re-evaluation of producers' innovations and achievements in American theatre", which took place at the annual meeting of the Association for Theatre in Higher Education (ATHE) on 2 August 2012, in Washington, DC."--Page v |
| Umfang: | xviii, 559 Seiten |
| ISBN: | 9781137440297 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819284726222946304 |
|---|---|
| adam_text | Contents
Overture 1
1 A Ballyhoo for Producers 3
Laura MacDonald, William A. Everett
2 Actors Act. Directors Direct. Producers ... Produce? Mel
Brooks’s The Producers and the Creation of an Archetype 11
Kathryn Edney
Act 1. To the 1940s 19
3 Tony Pastor: The Father of Vaudeville 21
Gillian M. Rodger
4 Adolf Philipp and the German American Musical Comedy 29
John Koegel
5 George Edwardes: The Guv’nor of Late Victorian Musical
Theatre 39
William A. Everett
6 Charles Frohman: King of the Star-Makers 47
Brian D. Valencia
vii
viii CONTENTS
7 Aggressive, Beleaguered, Commercial, Defiant: Marc Klaw
and Abraham Erlanger 59
Marlis Schweitzer
8 Did the Shuberts Save Broadway? The Corporate Producers 69
Anthony Vickery
9 Sam Harris: A Producing Patron of Innovation 83
Alisa Roost
10 Florenz Ziegfeld Jr.’s ‘Simple Idea’: Girls and Music in
Tastefully Extravagant Settings 95
Todd Decker
11 Feather-Footed Impresario: The Scandals of George White 107
Maya Cantu
12 Alexander A. Aarons and Vinton Freedley: The Smart
Sophisticates 119
Jennifer Ashley Tepper, William A. Everett
13 Coherency: Lew Fields, the Performer-Producer and
Experimenter in Integration 127
Dominic Symonds
14 Firm Foundations: James Cassius Williamson and ‘The Firm’ 137
Frank Van Straten
15 Japanese Women’s Popular Musicals: The Takarazuka Revue 145
Nobuko Anan
Act 2. From the 1940s through the 1970s 151
16 Refining the Tastes of Broadway Audiences: The Theatre
Guild and American Musical Theatre 153
Claudia Wilsch Case
17 More than a Producer: ‘George Abbott Presents’ 163
Paul R. Laird
18
19
20
21
22
23
24
25
26
27
28
Rodgers and Hammerstein: The Sound of Money
Valerie M. Joyce
CONTENTS ix
The Nice One: The Productions of Robert Griffith
Michael Schwartz
The Sparkplug and the Engineer: Balancing Art and
Business in the Collaboration of Cy Feuer and
Ernest Martin
Dominic McHugh
Roger L. Stevens: The Great Facilitator
Karen Patricia Heath
‘He Could Get It for You Wholesale*: The Producing
Genius of David Merrick
Ryan McKinney
Stuart Ostrów: Experiments in Independence
Elissa Harbert
Hal Prince: Artistry in Producing
Paul R. Laird
Korean Musical Theatre’s Past: Yegrin and the Politics of
1960s Musical Theatre
Ji Hyon (Kayla) Yuh
Joseph Papp and the Public Theater
Elizabeth L. Wollman
Giora Godik: The ‘Showporter* Turned Artistic Producer
Shiraz Biggie
The West End (and Broadway) Head East: Tõhõ
International and Gekidan Shiki
Kevin J. Wetmore Jr.
173
191
199
207
217
231
239
253
261
267
277
X CONTENTS
Act 3. Since the 1970s 289
29 The Shubert Organization: One Singular Sensation,
Now and Forever 291
Mark E. Swartz
30 Emanuel Azenberg’s Life in Theatre: ‘Happiness Is
Equilibrium. Shift Your Weight’ 303
Sarah Taylor Ellis
31 Cameron Mackintosh: Modern Global Impresario 311
Jessica Sternfeld
32 Laying Down the RUG: Andrew Lloyd Webber, the Really
Useful Group, and Musical Theatre in a Global Economy 325
Kyle A. Thomas
33 ‘My American Dream’: Dreaming of Broadway and the
West End in the Philippines 333
Sir Anril Pineda Tiatco
34 Trading Globally in Austrian History: Vereinigte
Buhnen Wien 343
Laura MacDonald
35 From Amsterdam With Love: Stage Entertainment’s
Global Success 351
Sanne Thierens
36 West Side Story: The Journey to Lincoln Center Theater 359
Doug Reside
37 Making Musicals that Matter: George C. Wolfe and
Oskar Eustis at the Public Theater 369
Donatella Galella
38 Broadway-Bound: La Jolla Playhouse as a Laboratory
for New American Musical Theatre 377
Claudia Wilsch Case
39
40
41
42
43
44
45
46
47
48
CONTENTS xi
Our Brand Is Revival: The Roundabout Theatre Company
Bryan M. Vandevender
Reclaiming, Restoring, and Reviving the American Musical:
City Center Encores!
Bryan M. Vandevender
Garth Drabinsky’s ‘Grand Moves’: Artistic Ambition and
Commercial Illusions in the 1990s
Todd Decker
Disney Theatrical Productions: Anything Can Happen
If You Let It
Amy S. Osatinski
Against All Odds: Kevin McCollum, Creating Communities
Through Theatre
Chris McCoy
‘I Am Them’: Tyler Perry’s Black Musical Theatre for
the Masses
Rashida Z. Shaw
Between Broadway and the Local: Arts Communication
International (ACOM), Seol 8c Company, and the
South Korean Musical Industry
Hyunjung Lee
Performing Like a Concert King or a Queen: Producing
Original Filipino Musicals
Sir Anril Pineda Tiatco
Producing Musicals in Russia at the Turn of the
Twenty-First Century: Navigating Across Socialism,
Capitalism, Occidentalism, and Nostalgia
Art Babayants
385
393
405
413
427
433
441
449
459
David Stone: Defying the Gravity of Expectations
David Carlyon
467
CONTENTS
xii
49 ART for ART’s Sake: The American Repertory Theatre 479
Stuart J. Hecht
50 Roth and Son: Daryl Roth and Jordan Roth on Broadway 487
Laura MacDonald
Curtain Call 497
51 New Paradigms for Broadway Producers in Popular Culture
and Beyond: Smash and the Rise of the Passion Project 499
Mary Jo Lodge
Selected Bibliography 511
Index
517
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| genre | (DE-588)1071861417 Konferenzschrift 2012 Washington, DC gnd-content |
| genre_facet | Konferenzschrift 2012 Washington, DC |
| id | DE-604.BV044319286 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:59:46Z |
| institution | BVB |
| isbn | 9781137440297 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029722792 |
| oclc_num | 986518771 |
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| physical | xviii, 559 Seiten |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| series2 | Palgrave handbooks |
| spellingShingle | The Palgrave handbook of musical theatre producers Musiktheater (DE-588)4040874-7 gnd Produzent (DE-588)4175820-1 gnd |
| subject_GND | (DE-588)4040874-7 (DE-588)4175820-1 (DE-588)1071861417 |
| title | The Palgrave handbook of musical theatre producers |
| title_alt | Palgrave handbook of musical theater producers Handbook of musical theatre producers |
| title_auth | The Palgrave handbook of musical theatre producers |
| title_exact_search | The Palgrave handbook of musical theatre producers |
| title_full | The Palgrave handbook of musical theatre producers Laura MacDonald, William A. Everett, editors |
| title_fullStr | The Palgrave handbook of musical theatre producers Laura MacDonald, William A. Everett, editors |
| title_full_unstemmed | The Palgrave handbook of musical theatre producers Laura MacDonald, William A. Everett, editors |
| title_short | The Palgrave handbook of musical theatre producers |
| title_sort | the palgrave handbook of musical theatre producers |
| topic | Musiktheater (DE-588)4040874-7 gnd Produzent (DE-588)4175820-1 gnd |
| topic_facet | Musiktheater Produzent Konferenzschrift 2012 Washington, DC |
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