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Bibliographic Details
Main Author:	Leeder, Murray (Author)
Format:	Thesis/Dissertation Book
Language:	English
Published:	London Palgrave Macmillan [2017]
Subjects:	Geschichte 1800-1900 Geschichte 1896-1910 Film Geschichte Das Übernatürliche Supernatural in motion pictures Motion pictures / History Supernatural / History / 19th century Motion pictures Supernatural 1800-1899 History Hochschulschrift
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029686357&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029686357&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Item Description:	"This book builds on my dissertation, "Early cinema and the supernatural", defended at Carleton University in 2011." - Seite vii
Physical Description:	xii, 209 Seiten Illustrationen
ISBN:	9781137583703 9781349844562

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Record in the Search Index

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adam_text	Contents 1 Introduction 1 2 The Haunting of Film Theory 21 3 Light and Lies: Screen Practice and (Super-) Natural Magic 45 4 The Strange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema 67 5 Aesthetics of Co-registration: Spirit Photography, X-rays and Cinema 97 6 Méliès’s Skeleton: Gender, Cinema’s Danse Macabre and the Erotics of Bone 135 7 “Living Pictures at Will”: Projecting Haunted Minds 173 8 Conclusion: Lost Worlds, Ghost Worlds 191 Index 201 ix This study sees the 19th century supernatural as a significant context for cinema’s first years. The book takes up the familiar notion of cinema as a “ghostly”, “spectral or haunted medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating connections. Leeder locates film’s spectral affinities within a history stretching back to the beginning of screen practice and forward to the digital era. The book examines supernatural themes by pioneering filmmakers like Georges Méliès and George Albert Smith, while also engaging with recent representations of cinema’s ghostly past in Guy Maddin s online project Seances (2016). It is ideal for those interested in the history of cinema, the study of the supernatural and the pre-history of the horror film. Murray Leeder teaches Film Studies at the University of Calgary, Canada.
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language	English
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physical	xii, 209 Seiten Illustrationen
publishDate	2017
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publisher	Palgrave Macmillan
record_format	marc
spellingShingle	Leeder, Murray The modern supernatural and the beginnings of cinema Film Geschichte Film (DE-588)4017102-4 gnd Das Übernatürliche (DE-588)4148855-6 gnd
subject_GND	(DE-588)4017102-4 (DE-588)4148855-6 (DE-588)4113937-9
title	The modern supernatural and the beginnings of cinema
title_alt	Early cinema and the supernatural
title_auth	The modern supernatural and the beginnings of cinema
title_exact_search	The modern supernatural and the beginnings of cinema
title_full	The modern supernatural and the beginnings of cinema Murray Leeder
title_fullStr	The modern supernatural and the beginnings of cinema Murray Leeder
title_full_unstemmed	The modern supernatural and the beginnings of cinema Murray Leeder
title_short	The modern supernatural and the beginnings of cinema
title_sort	the modern supernatural and the beginnings of cinema
topic	Film Geschichte Film (DE-588)4017102-4 gnd Das Übernatürliche (DE-588)4148855-6 gnd
topic_facet	Film Geschichte Das Übernatürliche Hochschulschrift
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029686357&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029686357&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
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