Dějiny uměleckého spolku Metznerbund 1920-1945: = Die Geschichte des Kunstvereins Metznerbund 1920-1945
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| Format: | Buch |
| Sprache: | Tschechisch Deutsch |
| Veröffentlicht: |
Liberec
Technická univerzita v Liberci
[2016]
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| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029670517&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029670517&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029670517&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029670517&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 366 Seiten Portäts, Faksimiles |
| ISBN: | 9788074943225 |
Internformat
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| 246 | 1 | 1 | |a Die Geschichte des Kunstvereins Metznerbund 1920-1945 |
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Datensatz im Suchindex
| _version_ | 1819348862475698176 |
|---|---|
| adam_text | OB/AH
INHALT
U/LECHTILÄ JOUTÉZ
OBOU NÁRODÚ.
DÉJINY
UMELECKÉHO
IPOLKU
METZNERBUND
Y CECHÄCH
1920-1945
EDIER WETTITREIT
DER BEIDEN VÖLKER.
DIE GEICHICHTE
DEI KUNITVEREINI
METZNERBUND
IN BÖHMEN
1920-1945
8-21
IPOLKY NEMECKY
HOYORÍCÍCH
VYTVARNYCH UMÉLCÚ
- OD CONCORDIE
K METZNERBUNDU
VEREINE
DEUTICHIPRACHIGER
BILDENDER
KÜNITLER - VON
DER CONCORDIA
ZUM METZNERBUND
22-45
MIMO
CENTRUM
1ENJEITJ
DEI ZENTRUMI
46-59
ZPlT Y PRAZE,
NA CEITl
K PROMÉNÍ
ZURÜCK IN PRACv
AUF DEM WEG ZUR
VERÄNDERUNG
60-77
DEUTICH-
BÖHMIICHER
KÜNITLERBUND
YI. VEREIN
DEUTICHER BILDENDER
KÜNITLER
78-105
PRAHA
BRNO
PRAG
BRÜNN
106-119
DRÄZDANY
ÚITÍ NAD
LABEM
PRAHA
DREIDEN
AUIIIG
PRAG
120-133
METZNERBUND
A JEHO NEJEN
TEPLICKE ZACÄTKY
DER METZNERBUND
UND IEINE NICHT NUR
AUF TEPLITZ
BEICHRÄNKTEN
ANFÄNGE
134-143
ITANOYY
A REGULACE
CINNOITI
IATZUNG UND
TÄTIGKEITI-
REGULATION
144-149
LIBERECKÄ
METZNERBUNDHALLE
A DAL/I yy/TAYNI
PRO/TORY IPOIKU
DIE
REICHENBERCER
METZNERBUNDHALLE
UND ANDERE
AU//TELLUNG/RÄUME
DE/ VEREIN/
150-159
UMlLECKA
CINNO/T /POLKU
NAPRiC CA/EM
A MI /TEM
DIE KÜN/TLERI/CHE
TÄTICKEIT DE/
METZNERBUNDE/
QUER DURCH ZEIT
UND RAUM
160-203
HO/PODAR/KE
AKTIVITY
METZNERBUNDU
DIE WIRT/CHAITLICHEN
AKTIVITÄTEN DE/
METZNERBUNDE/
204-209
CELOREPUBLIKOVE
PREHLIDKY
METZNERBUNDU
V MEZIVÄLECNEM
OBDOBf
REPUBLIKWEITE
AU//TELLUNGEN
DE/ METZNERBUNDE/
IN DER ZWI/CHEN-
KRIEG/ZEIT
210-245
TRICÄTÄ
A VÄLECNÄ LETA
1930ER 1AHRE
UND KRIEG/IAHRE
246-281
KONEC
DA/ ENDE
282-287
ANTOLOGIE
289-310
ANTHOLOGIE
311-337
BIBLIOGRAFIE
BIBLIOGRAPHIE
339-350
/EZNAMY CLENÜ
/POLKU
MITGLIEDER-
VERZEICHNI//E
351-356
1MENNY REJ/TRI K
PER/ONENREGI/TER
357-361
EDICNi
POZNÄMKA
EDITION/NOTIZ
362
/UMMARY
363-366
LITERATUR*
LITERATURVERZEICHNIS
A
141 Ausstellung des Mährischen Kunstvereines
vom 27. März bis 24. April 1921. Sudetendeutsche
Künstler (kat. vyst. / Ausst.-Kat.), Mährischer
Kunstvercin, Brünn 1921
2. Ausstellung deutscher Künstler aus Böhmen,
Prager Tagblatt33,1909, c. / Nr. 86,27.3., s. / S. 10
F. A. (Friedrich Adler], Weihnachtsausstellung der
Concordia, Prager Tagblatt 16,1892, c. / Nr. 341,
11.12., s./S. 4
F. A. [Friedrich Adler], Weihnachtsausstellung
der Concordia, Prager Tagblatt 17,1893, c. / Nr. 344,
12.12.. 5,/S.6-7
F. A. [Friedrich Adler], Weihnachtsausstellung der
Concordia, Prager Tagblatt 18,1894, c. / Nr. 349,
18.12., s./S. 5
F. A. [Friedrich Adler), Weihnachtsausstellung
des Vereines deutscher bildender Künstler,
Prager Tagblatt 19,1895, c. / Nr. 339,8.12, s. / S. 5
F. A. [Friedrich Adler], Weihnachtsausstellung des
Vereines bildender Künstler, Prager Tagblatt 22,
1898, c. / Nr. 348,18.12., s. / S. 7
Paul Adler, Deutschböhmische Künstler (Zur
Ausstellung im Sächsischen Kunstverein), Dresdner
Neueste Nachrichten 22,1914, c. / Nr. 13,15.1,, s. / S. 1
Wladimir Aichelburg, Das Wiener Künstlerhaus
1861-1986.125 Jahre in Bilddokumenten, Wien 1986,
s./S. 50-53
Heine von Alemann, Kunstvereine als
gesellschaftliches Ereignis. Einige Überlegungen
zum Prozeß der Ausdifferenzierung von sozialen
Institutionen der Kunstvermittlung (5 Diagramme),
v: / in: Peter Gerlach, Vom realen Nutzen idealer
Bilder: Kunstmarkt und Kunstvereine, Aachen 1994
Aufruf! Deutschböhmische
Künstlcrgenosscnschaft„Metzner“.
Neuorganisation der deutschen Künstlcrschaft in
Böhmen, Deutsche Zeitung Bohemia 92,1919, c./
Nr. 89, 12.7.,s./S.6
Ein Aufruf, Deutsche Arbeit 8,1909, c. / Nr. 4., s. /
S. 400-401
Ausgestaltung der Reichenberger
Gemäldesammlung, Reichenberger Zeitung 67,
pri loha k c. 1/1927,31.12., s. / S. 6-7
B
Jitka Balcarovä, „Jeden za vsechny, vsichni zajednoho!“
Bund der Deutschen a jehopredchüdcivprocesu
utväreni„sudetonemeckeidentity“, Praha 2013
[aro Beran, Liberecky kraj ve vytvamem umeni,
cästprvni-Krajina (kat. vyst.), Liberec 1954
Marie Bergmanovä, Sbirka 12 3. Stopy historie
vakvizicich, Galerie Stfedoceskeho kraje,
Praha 2010
Beschränkung von Vereinsausstellungen im
Rudollinum, Prager Tagblatt 37,1912, c. / Nr. 65,
6.3.,s./S.6
Max Brod, Prazsky kruh, Praha 1993
Max Brod, Zivotplny bojü, Praha 1994
C
Josef Capek, Vystava spolku Deutsch-böhmischer
Künstlerbund, pofädanä Krasoumnou jednotou
pro Cechy v Praze (Rudollinum), v: / in: Josef Capek,
publicistika 2, vytvame eseje a kritiky 1905-1920,
Praha 2012, s./S. 42-43
Josef Capek, II, vystava Skupiny vytvamych umelcü,
Josef Capek, publicistika 2, vytvame eseje a kritiky
1905-1920, Praha 2012, s. / S. 53-59
Zdcnka Cepeläkovä, Vytvame umeni na
Karlovarsku mezi dvema välkami, v: Anna Habänovä
(ed.), MladiIvi v kleci. Umelecke skupiny nemecky
hovoricich vytmmikü z Cech, Moravy a Slezska
v mezivälecnem obdobi (kat. vyst.), Oblastni galerie
v Liberci, Liberec - Revnice 2013, s. 202 219 /
Zdcnka Cepeläkovä, Die bildende Kunst in der
Region Karlsbad zwischen den beiden Weltkriegen,
in: Anna Habänovä (ed.), Junge Löwen im Käfig.
Künstlergruppen der deutschsprachigen bildenden
Künstler aus Böhmen, Mähren und Schlesien in der
Zwischenkriegszeit (Ausst.-Kat), Oblastni galerie
v Liberci, Liberec - Revnice 2013, S. 202-219
D
Deutschböhmen im Bilde, Prager Tagblatt 33,1909,
c./Nr. 143,30.5., s./S. 18
Deutschböhmische Kunstausstellung 1912 in der
Aussiger Volksbücherei, Prager Tagblatt 37,1912,
c./Nr. 268,28.9., s./S. 5
Die deutschböhmische Kunstausstellung in Aussig,
Prager Tagblatt 37,1912, c. / Nr. 306,5.11., s. / S. 5
Die dcutschböhmische Kunstausstellung in
Karlsbad, Prager Tagblatt 37,1912, c. / Nr. 206,28.7.,
s./S. 8
Deutschböhmische Künstlertage, Prager Tagblatt
39,1914, c./Nr. 191,14.7., s./S. 5
Deutschböhmischer Künstlcrbund, Prager Tagblatt
33 19°9 c. / Nr. 28,28.1., s. / S. 9
E
Eröffnung der Ausstellung in Bodenbach,
Prager Abendblatt 1897, c. / Nr. 160,16.7., s. / S. 2
Eröffnung des neuen Handelskammergebäudes
und der Kunstausstellung in Eger, Prager Tagblatt
24.1900.0. /Nr. 185,7.7., s./S. 5
I
E. F, Kunst, Sport und Salon 7,1904, c./ Nr. 52,
24.12., s./S. 13
J. F, Kunstausstellung, Mährisches Tagblatt42,
1922, c. / Nr. 115,20.5., s. / S. 5
Ales Filip - Roman Musil (edd.), Gabriel von Max
(kat. vyst. / Ausst.-Kat.), Zäpadoceskä galerie
v Plzni, Plzen Revnice 2011
Karl Fischer, Frühjahrsausstellung des
Metznerbundes, Olmütz II, Mährisches Tagblatt 52,
1932, c./ Nr, 199,24.5., s./S. 2-3
Fünfzig Jahre Concordia 1871-1921, Prag 1921
C
Peter Gerlach, Vom realen Nutzen idealer Bilder:
Kunstmark und Kunstvereine, Aachen 1994
Gesellschaft zur Förderung deutscher Wissenschaft,
Kunst und Literatur in Böhmen, Prager Abendblatt
1902, c./ Nr. 65,19.3., s./S. 2
Gönnertage der Kreisgruppe Reichenberg des
„Metznerbundes“, Reichenberger Zeitung 61, 1920,
c./Nr. 143,20.6., s./S. 6
Grillparzerfeier, Prager Abendblatt 1870, c. / Nr. 292,
10.12., s./S. 2
Grosse Kunstausstellung 1927.48. Jahresausstellung
der Genossenschaft der bildenden Künstler Wiens (kat.
vyst. / Ausst.-Kat.), Künstlerhaus Wien, Wien 1927
H
1. h., Deutsche Künstler aus Böhmen in den Wiener
Frühjahrausstellungen, Deutsche Arbeit 2,1903,
c./Nr.8, s./S. 654-655
Ivo Habän, Brncnsky Düm umelcü jako vystavni
centrum, v: / in: Jana Vränovä - Lubomir Slavicek
(eds.), wo letDomu umeni mesta Brna (kat. vyst. /
Ausst.-Kat.), Düm umeni mesta Bma, Brno 2010,
s./S. 71-95
Ivo Habän, Praha - Dräzdäny. Skupina Die Pilger
a spirituälni tendence poeätku dvacätych let,
v: Anna Habänovä (ed.), Mladi Iri vkleci. Umelecke
skupiny nemecky hovoricich vytvarnikü z Cech, Moravy
a Slezska vmezivälecnem obdobi (kat. vyst.), Oblastni
galerie v Liberci, Liberec - Revnice 2013, s. 40-59 /
Ivo Habän, Prag - Dresden. Die Pilger und die
spirituellen Tendenzen der frühen zwanziger Jahre,
in: Anna Habänovä (ed.), Junge Löwen im Käfig.
Künstlergmppen der deutschsprachigen bildenden
Künstler aus Böhmen, Mähren und Schlesien in der
Zwischenkriegszeil (Ausst.-Kat.), Oblastni galerie
v Liberci, Liberec - Revnice 2013, S. 40-59
Ivo Habän, Na dohled Vidne, ve stinu Prahy?
Mährischer Kunstverein a Vereinigung deutscher
bildender Künstler Mährens und Schlesiens
„Scholle“, v: Anna Habänovä (ed.), Mladi Ivi v kleci.
Umelecke skupiny nemecky hovoricich vytvarnikü
z Cech, Moravy a Slezska v mezivälecnem obdobi (kat.
vyst.), Oblastni galerie v Liberci, Revnice - Liberec
2013, s. 60-79/ Ivo Habän, In Sichtweite von Wien,
im Schatten von Prag? Die Vereinigung deutscher
bildender Künstler Mährens und Schlesiens
„Scholle“, in: Anna Habänovä (ed.), Junge Löwen
im Käfig. Künstlergruppen der deutschsprachigen
bildenden Künstler aus Böhmen, Mähren und Schlesien
347
Prameny a literatura Quellen- und Literaturverzeichnis
in der Zwischenkriegszeit (Ausst.-Kat.) Oblastni
galerie v Libcrci, Revnice - Libérée 2013, S. 60-79
Ivo Habän, Junge Kunst: mezi Francü a némeckou
novou vécnosti, v: Anna Habänovä (ed.), Mladi Ivi
v kleä. Uméleckéskupiny nèmecky hovoricich
vÿtvamikù z Cech, Moravy a Slezska v mezivdlecném
obdobi (kat. vyst.), Oblastni galerie v Liberci, Revnice
- Libérée 2013, s. 104-117 / Ivo Habän, Junge Kunst:
Zwischen Frankreich und der deutschen Neuen
Sachlichkeit, in: Anna Habânovâ (ed.),junge Löwen
im Käfig. Künstlergruppen der deutschsprachigen
bildenden Künstler aus Böhmen, Mähren und Schlesien
inder Zwischenkriegszeit (Ausst.-Kat.), Oblastni
galerie v Liberci, Revnice - Libérée 2013, S. 104-117
Ivo Habän, Prager Secession: nèmecky sen
v multikultumi Praze, v: Anna Habânovâ (ed.),
Mladi Ivi v kleä. Umélecké skupiny nèmecky hovoriäch
vÿtvamikù z Cech, Moravy a Slezska v mezivdlecném
obdobi (kat. vÿst.), Oblastni galerie v Liberci,
Revnice - Libérée 2013, s. 118-151 / Ivo Habän, Prager
Secession: Ein deutscher Traum im multikulturellen
Prag, in: Anna Habânovâ (ed.), Junge Löwen im Käfig.
Künstlergruppen der deutschsprachigen bildenden
Künstler aus Böhmen, Mähren und Schlesien in der
Zwischenkriegszeit (Ausst.-Kat.), Oblastni galerie
vLiberci, Revnice - Libérée 2013, S. 118-151
Anna Habânovâ, Historie liberecké vystavni haly
Metznerbundu v Schückerstrasse 21, dnesni Prazské
ulici, Fontes Nissae 10,2009, s. / S. 59-68
Anna I labânovâ, Plânovanâ novostavba galerijni
budovy v Liberci v prvni polovinë 20. stoleti,
Fontes Nissae 11,2010, s. / S. 75-107
Anna Habânovâ, „Edler Wettstreit der beiden
Völker“. Die Anfänge der Tätigkeit der
Reichenberger Kreisgruppe des Metznerbundes,
die Oktobergruppe und Erwin Müller, Umeni 59,
20ii, c./Nr. 5, s./S. 415 426
Anna Habânovâ (ed.), Mladi Ivi vkleci. Umélecké
skupiny nèmecky hovoricich vÿtvamikù z Cech,
Moravy a Slezska v mezivdlecném obdobi (kat. vÿst.),
Oblastni galerie v Liberci, Revnice - Libérée 2013 /
Anna Habânovâ (ed.), Junge Löwen im Käfig.
Künstlergruppen der deutschsprachigen bildenden
Künstler aus Böhmen, Mähren und Schlesien in der
Zwischenkriegszeit (Ausst.-Kat.) Oblastni galerie
v Liberci, Revnice - Libérée 2013
Anna Habânovâ, Metznerbund - dlouho ocekâvanÿ
ideâl? V: Anna Habânovâ (ed.), Mladi Ivi v kleä.
Umélecké skupiny nèmecky hovoricich vÿtvamikù
z Cech, Moravy a Slezska v mezmlecném obdobi (kat.
vÿst.), Oblastni galerie v Liberci, Revnice - Libérée
2013, s. 20-39 / Anna Habânovâ, Der Metznerbund -
das längstersehnte Ideal? In: Anna Habânovâ (ed.),
Junge Löwen im Käfig. Künstlergruppen der
deutschsprachigen bildenden Künstler aus Böhmen,
Mähren und Schlesien in derZwischenkriegszät
(Ausst.-Kat.), Oblastni galerie v Liberci,
Revnice - Libérée 2013, S. 20-39
Anna Habânovâ, Oktobergruppe, v: Anna Habânovâ
(ed), Mladi Ivi v kleä. Umélecké skupiny nèmecky
hovoricich vytwmikü z Cech, Moravy a Slezska
v mezivdlecném obdobi (kat. vÿst.), Oblastni galerie
v Liberci, Revnice - Liberec 2013, s. 80 -93 / Anna
Habänovä, Die Oktobergruppe, in: Junge Löwen im
Käfig. Künstlergmppen der deutschsprachigen
bildenden Künstler aus Böhmen, Mähren und Schlesien
in derZwischenkriegszät (Ausst.-Kat.), Oblastni
galerie v Liberci, Revnice - Liberec 2013, S. 80-93
Anna Habänovä, Erwin Müller (kat. vyst. / Ausst.-
Kat.), Oblastni galerie Liberec, Liberec 2014
Hugo Haberfeld, Deutschböhmische Kunst auf
der Reichenberger Ausstellung Mai Oktober 1906,
Deutsche Kunst und Dekoration 19,1906-1907, s./
S. 139-160
Die Hauptversammlung des Metzner-Bundes,
Prager Tagblatt 46,1921, c. / Nr. 96,25.4., s. / S. 5
Hauptversammlung des Metznerbundes, Verband
deutscher Kunstschaffender in der tschl. Republik,
Kreis Nordmähren und Olmütz, Mährisches Tagblatt
48,1928, c./Nr. 134,12.6., s./S. 5
Hauptversammlung des Metznerbundes, Verbandes
deutscher Kunstschaffender in der Tschl. Republik,
Gablonzer Tagblatt39,1930, c./Nr. 12,12.1., s./ S. 2
Hauptversammlung des Reichsverbandes deutscher
bildender Künstler, Deutsche ZeitungBohemia 106,
1933, c./Nr. 74,28.3., s./S. 7-8
Oskar Heller, Die künstlerische Entwicklung und
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350
JMENNŸ
REJITRÎK
PERIONEN-
RECHTER
Jmennÿ rejstfik zahmuje jména z hlavni stati,
antologie textù a popisek. Odpovidâ rozlozeni
ceskémutacetextu.
Das Personenregister enthält die Namen, die
im Text der Abhandlung, in der Anthologie und
den Bildunterschriften genannt werden. Angeführt
ist die Seitenzahl der tschechischen Fassung.
A
Adamek, Alfred 299
Adler, Egon 110,176,176
Adler, Friedrich 26,40,88
Adler, Paul 122
Alemann, Heine von 10
Ameseder, Eduard 50,55
Ascher, Emst 110,122,122
B
Baar, Hugo 54,108,110,114,116
Baar, Lona 114
Bach, Alexandr 10
Barlach, Emst 294,298,308,309
Bartel, Harry 299
Barvitius, Viktor 34
Barwig, Franz 114,192
Saudisch, Heinrich 162-170,170,250,299
Bauer, Leopold 300
Baucmfreund, Jakub 230
Baum, Fritz 290
Beckert, Adolf 300
Beckert-Schider, Marey 298
Bendel, Rudolf 294
Bencsch, Josef 295
Bcnesovä, Katefina 18
Beran, Bruno 308
Beranjaro 16
Berger 290
Berger, Arnold 194
Berger-Bergner, Paul 241
Berti, Otto 272,308
Bibus, Felix 194,198,299,308
Birke, Emst 198
Bitzan, Rudolf 64,291
Bloch, Ferdinand 172
357
Bock,Jiri 18
Böhm, Alfred 290
Böhm, Gustav 110,111,294
Bondy, Walter 125,297
Böttger, Rudolf 308
Brentano, Franz 28
Brod, Max 28,68,96
Brömsc, August 60,82,82,86,93,94,120,142,
173,174,176,180,198,212,289,290,291,292,
293,294,295,296,297,300,302,307,309
Brozik, Vaclav 28
Bruder, Anton 194,295,299,308
C
Croy, Gustav 20,294
Czech, Emil 194
Czcrmak 301
Czcschka, Karl Otto 64,84
e
Capek, Josef 96
D
Dalbajewa, Birgit 18
Daumier, Honoré 96
Decker, Karl 234,298,299
Dietel, Franz 124,128,218,290,292,293
Dietrich, Eva 293
Dietrich, Hartwig 299
Ditz, Walter 119
Dix, Otto 294,308,309
Döblinger 290
Dobrowsky, Josef 220,222,297,298,308
Dom, Alfred 179,290,294,295,297,299,308
Dressier, Roman 227,243,298,301
Duras, Mary 296,297,299,308
i
Eckhardt, von Eckhardsburg Viktor 56
Egger-Lienz, Albin 308,309
Ehlen, Ottilie 24
Ehlen, Otto 24
Ehrenhaft, Ludwig 114
Eichhoff, Karl 194,294
Eichler, Viktor 16,134135- 225.254» 275,299
Eisner, Pavel 96
Elbogen, Elvira 171
Enzmann, Eduard 239
Erben, Gottfried 249
I
Faistauer, Anton 293
Fauconnier, Henri Le 296
Feigl, Friedrich 69,70,76,82,96,106 107,118,
122.127.291.296.297.298
Felgenhauer, Richard 16,143,232,233,236,271,
290.295.299
Filla, Emil 120
Fischei, Alfred von 114
Fischer, Karl 194,198,202
Fischer, Karl Richard 156,301
Fischer-Geising, Heribert 289,290
Fitz, Leo 202,298
Fleischmann, Gustav 290
Fleissner, Richard 182,254,270,294,295,296,
297,299»3o8
Fleissner-Plischke, Edith
viz / siehe Plischke-Flcissner, Edith
Foehr, Adolf 142,152,300
Frantisek Josef I.54,94
Frass, Wilhelm 297
Fuchs, Rosa 289
Fürth, Jacob 86
C
Gärtner, Fritz 54,90,96,291
Gassler, Josef 213, 214,220,222,222,235,236,
256.296.297.298
Gebauer, Paul 198,200,308
Géricault, Théodore 96
Gerstncr, Wilhelm 290
Geyer-Plavec, Elisabeth 250,308
Ginzkey, Hermine 102
Gödl, Carl 117
Gödl-Brandhubcr, Lilli 88,95,103,114,120,
194.206.289.294.299
Goebbels, Joseph 304,306
Göhsl, Michael 292,293,298,299
Görlach, Erwin 208,261,296,298,299,308
Görlach-Niemetz, Hede 298
Götzl, Adolf 299
Graf, Franz 289,293,298
Griepenkerl, Christian 54
Groag, Jacques 291
Gröger, Kurt 190,198
Grohmann, Franz 216,296
Gröschl, Albert 138
Gruss, Franz 16,237,298,308
Günter, Rudolf 299
Jmennÿ rejstrik Personenregister
Haas, Leo 299
Habän, Ivo 18
Hablik, Wenzel 88,90,110,116,122,291,296
Hadwiger, Viktor 28
Hallegger, Kurt 299,308
Hallegger-Bunzel, Amai 299
Hanak, Anton 192,296,297,300,302,303
Hansen, Hans 30
Harrer, Karl 308
Harta, Felix Albrecht 297
Hartig, Fred 252,270,299
Hartl, Franz 206,301,302
Hartl, Grete 291
Haupt, Eva 18
Hauptmann-Sommer, Eugenie 97,212
Hayduk, Olga 298
Hegenbart, Fritz 48,50,54,58,120
Hegenbarth, Emanuel 50,56,120,297,300
Hegenbarth, Josef 212,291,296,297,302,303,
308.309
Heide-Paudler, Franz 208,294,301
Heidrich, Reinhard 190
Heinzl,Jan 18
Helle, Franz 299
Heller, Oskar 190,192,193,194
Hellmessen, Anton 30,34,30
Hellmessen, Gustave 30,31
Helzel, Emil 177,289,291
Henke, Adolf 302
Henlein, Konrad 254
Herr, Artur 190
Herschel, Otto 130
Hindenburg, Paul von 286
Hodiener (tez / auch Hodina), Hugo 194,309
Hofer, Karl 296,297,309
Hoffmann, Josef 192,297,300
Hotmann, Oswald 16,286
Hochsierdcr, Norbert 212,291,292,293,299
Hojda, Zdcnck 12
Holan, Karel 297
Holy, Miroslav 296,297
Holzel, Adolf 110,192,300,308
Hönigschmid, Rudolf 172,300
Hönich, Heinrich 129,130,198,250,272,289,
291.299.308.309
Horb, Max 64,82
Hoyer, Paul Josef 289,290,295
Hribova, Sarka 204
Hruby, Karl 194,299
Hübel, Hermine 266
Huber, Ernst 296,297
Hühncl, Gustav 290
Hujer, Ludwig 50
Hulickovä, Viera 18
Humplik, Josef 297
CH
Charlcmont, Eduard 110
Charlemont, Hugo 100,110
Charlemont, Theodor 114
Chleborädovä, Bohuslava 18
Chodejovskyjan 18
Chocholousek, Jiri 18
Chocholouskovä, Alice 18
J
Jäger, Hans 301
Jäger, Josef 170,282
Jäger, Wenzel Franz 16,50,50,54,58,64,84,8j,
124,130,142,212,290,291,294,308,309
Jakesch, Alexander 28,29,33,34,294
Jakesch, Heinrich 28,30,30
Jaksch-Wartenhorst, Franziska 289,291
Jakubck, Rudolf 289
Janas, Robert 12,202
Jantsch, Edgar 212, 230,292,293,297,302
Jaronek, Bohumir 114
Jelinek, Rudolf 194
Jcttmar, Rudolf 50
Jilowsky, Georg 88,120-121,123,289,291,294,
299.302
Johne, Karl 239,265,298,301
Jordan, Olaf 295
Jordan, Wolfgang 295
Just, Oskar 243,245
Justitz, Alfred 86,92,96,124,127,172,176,212,
289.291.293.297.302
K
Kahl, Rudolf 162 170,170
Kahler, Eugen von 54,122,296,302
Kalvach, Rudolf 84
Karasek, Rudolf 179,180,180,183,184,212,271,
277,290,291,294,295,298,299
Karger, Josef Eberhard 295
Karkanovä, Hana 12
Kars, Georg 54,64,66,70,72,82,96,116,122,
172,222,297,302,303
Kaschak, Karl 14,183,212,242,254,294,295,
299,306
Kastil, Alfred 28,58
Kauders, Gertrude 294
Kausek, Fritz 124,138,172,176,180,291,293,
294.295.297.299.308
Kautsch, Heinrich 50
Kerl, Karl 250
Kiesewetter, Berta 84
Kimig, Alois 24,30,34
Kitt, Ferdinand 297
Klee, Paul 304
Klein, Karl 295
Klein, Wilhelm 28
Klemm, Walther 16,54,84,289,291,292,293,
294.296.297.299.302.308
Kletzl, Otto 14,296,302,303,304,308
Klier, Wilhelm 16,212, 216,222,250,254,292,
293.296.297.298.299.308
Klimt, Gustav 65,82,124,293,295,302
Klinkovä, Hana 18
Kloubek-Schnitz, Anna 291,294
Kobza-Zahn, Ilona 267
Köhler, Arthur 299
Kohn, Franz 290
Koch, Wilhelm 160,239,265,289,290,298
Kokoschka, Oskar 198,298,299,304,309,310
Kolaczek, Karl 16,299
Kolig, Anton 296,297,303,308
Kollwitz, Käthe 298
Kopetzky, Paul Albert 290,294
Kopf, Maxim 172,172,175,180,206,212,290,
291.295.296.297.298.302.308
Koppe, Georg Gustav 114,115,299,302
Koppe-Szegfy, Erzsi
viz / siehe Szegfy-Koppe, Erzsi
Korzendörfer, Konstantin 294
Kostial, Karl 64,294,299
Köstler, Anton 290
Kotera, Jan 301
Kotik, Pravoslav 296
Kraft, Adam 263,293,299
Krapf, Anton 152,301
Kratschmer, Josef 190
Krattner, Karl st. / d. Ä. 14,28,32,34,40,46,
50,54,58,64,82,84,86,88,94,120,124,138,
142,158,176,206,212,289,290,291,295,300,
301,302,303,304,307
Krattner, Karl ml. / d. J. 289,290
Jmenny rejstrik Personenregister
358
Kraus, Fritz 291
Krauss, Rudolf 297
Kreibich, Oskar 279
Krick, Johann Wilhelm 258,260,261,298,299
Kriz, Heinrich 290
Krobshofer, Oswald 289,294
Krombholz, Heinfried 259
Kruspersky, Fritz 299
Kubin, Alfred 297,298,203,308
Kubin (téz / auch Coubine), Otakar 77,293,
296,297
Kühmayer, Gerda 18
Kühnei, Hans 244,308
Kullil, Otto 190
Kunft, Alfred 8-9,180,181,187,188,189,
209,248,294,295,296,297,301
Kuschel, Ferdinand 299
I
Lang, Otto 120
Lang, Willi 295,299,308
Langenberger, Alois 27$
Langer, Otto 190,192,194,196,197
Lastovkova, Vëra 18
Lauffer, Emil 32
Laukota, Hermine 34,40,96,289
Lazanskÿ, Josef 150
Lebiedzki, Eduard 50,55
Lederer, Fritz 82,84,289
Lederer, Hugo 114,293,297,300,302,303,308
Lehmann, Fritz 12,22,24,138,212,220,222,297
Leisching, Julius 54
Leppin, Paul 28,30,64,68
Leretz, Otto 290
Lhote, André 296
Lifka, Hans 309
Lindner, Hermine 34,96,294
Linsert, Carl 309
Lode, Eduard 45,290
Löffler, Berthold 64,308
Löffitz, Ludwig von 96
Loos, Adolf 304
Lorenz, Hans 295
Löw,Dorotte 289
Löwenstamm, Emanuela 294,298
Löwith, Wilhelm 50
Lumnitzer,PauI 83
M
Mahler, Gustav 297
Mallcner, Theodor 16
Mann, Heinrich 297
Masereel, Frans 296
Mar, Carl von 96
Maschauer, Karl Heinrich 298
Mather, Rudolf 190,192,194,240,296,299
Max, Emanuclvon 24,54
May, Karl 171, 215,223,234,291,296,297,299
Mayerl, Adolf 62,225,289,291
Mayr-Harting, Robert 184,206
Medelsky, Josef 286
Meier-Michel, Johanna 96
Meinhard, Fritz 299
Meisel, Wilma 97,291
Meister, Otto 296
Melzer, Moriz 82,126,303,308
Menzel, Otto 25
Meseck, Felin 296
Metzner, Franz 42,50,58,84,86,86,96,120,
122,124,140,142,158,192,286,289,291,
293,295,296,297,300,302,303
Meyrink, Gustav 28,30,212
Micovä, Marie 18
Michalcovä, Daniela 190
Michalik, Rudolf 194,198,202,202,203
Michel, Wilhelm 54
Michl, Ferdinand 30,38,294,297
Mikeska, Riko 295,299,308
Mikulova, Sofia 204
Millet, Jean-Françoise 96
Milrad, Richard 20
Minder, Rudolf 158
Mirsky, Eugen 289
Mlcoch-Kraigher, Otto 276,308
Moissi, Alexander 30
Moser, PaquitaL. 293
Mosler, Raimund 196
Müller, Erwin 16,180,186,220,294,295,
296,297,298,299
Müller, Josef 302
Müller, Richard 297,308,309
Myslbek, Josef Vaclav 30
N
Nemes.Endre 250
Nester-Laux, Marie 294
Neudek, Helli 194
Neunteufel, Ignaz 190,192
Neuschul Ernst 172,292,293
Nietzsche, Friedrich 110
Nipperdey, Thomas 10
Nolde, Emil 304,308,309
Nowak, Willi 60-61,68,71,73,74,76,82,96,
106,110,122,172,176,250,296,297,298,
299,303,308,309
0
Ohmann, Friedrich 295
Olbrich, Emst 290
Opitz, Ferdinand 87,88,88,116,118,120
Opitzjosef 308
Oppenheimer, Max 64,75,124,133,172,297,302
Oppitz, Wilhelm 291
Orlik, Emil 22,24,25,26,28,30,46-47,50,52,
54,84,96,109,120,124,291,293,294,296,
297,300,302,303
Ozenfant, Amédée 222
P
Palmejosef 298,299
Pascin, Jules 222,296
Passer, Grete 295
Paupie, Willi 194,276,308
Pauser, Sergius 297
Payer, Artur 134,142,289,291,297
Pazdemikovä, Petra 18
Pazoutoväjana 18
Perlsee, Ignaz 24
Perst, Heinrich 301
Peters, Ursula 250
Petricek, 299
Pezellen, Tina 291,295,297,298
Pfeiffer Julius 212,302
Pfeiffer-Fried Josef 298,299
Pfohl, Alexander 273,299
Picasso, Pablo 295
Pietschjosef 291,296
Pichler, Sidonie 294
Pillhatsch, Oswald 299
Pittermann, Emil Artur 82,93,115,119,126
Planckh, Viktor 194,297
Pleyer, Wilhelm 290
Plischke, Franz 16
Plischke-Fleissner, Edith 185,250,290,294,
29J,299J08
359
Jmenny rejstrik Personenregister
Poliak, Grete 291
Poliak, Max 122,124,291
Pompe, Ilse 298,299
Pontini, Fritz 50,69
Posselt, Alfred 300
Pötzl, Engelbert 290
Powolny, Michael 64
Prade, Rudolf 212,281,290,298,299,308
Prahl, Roman 10,12,54
Preisler, Jan 120
Prinke, Josef 177
Proksch, Erwin 299
Pulz, Eduard 289,291
Piischel, Ludwig 206,298,308
R
Rada, Vlastiniil 296
Raida, Fritz 192,194
Raida, Luß 194
Rakusanovä, Marie 110
Ramisch, Karl 231,295,299
Randacek, Jan 18
Reichel, Fritz 190
Reichel, Franz Ernst
Reiss, Karl 124
Rcjhonova, Marta 18
Ressel, Artur 238,290,291,294
Reynier, Emil 24
Rieber, Alois 42,43,60,124,172,291
Riedel, Ernst 292,293,296,297,298
Riedel, Wilhelm 172,308
Richter, Ernst 296
Rilke, Rainer Maria 28,30,54
Rödl-Ostermann, Mary 291
Roller, Alfred 300
Rollin, B. 290
Rosenberger, Oskar 152
Roth, August 44,50,54
Roubalik, Bohumir 28
Rousovä, Hana 18
Rumpler, Franz 50,300,302
Russ, Willi 289,292,293,298
Ruzicka-Lautcnschlager, Hans 291
Rehäkovä, Nad a 16
I
Saliger, Ivo 191,194,212
Samz, Anton 124
Sawicld, Nicolas 12,68
Sedlárová, Jitka 12,110,114
Seemann, Herbert 213,214,244,298
Sechert, Heinrich 106
Seiboth, Ernst 290,291,297,299
Seidl, Hermann 246-247
Seitz, Friedrich 158
Schaffner, Katharine 40,105
Schäfer, Emst 301
Scheibenhof, Arthur von 290,298,302
Schickei, Eduard 298
Schiele, Egon 293
Schieschneck, Ernst 34
Schicht, Georg 301
Schiketanz, Hugo 290
Schinzel, Walter 198
Schiein 290
Schiindenbuch, Rudolf Herbert 277,298,299
Schmid, Heinrich Alfred 82
Schmid, Rudolf 224,290,296,301
Schmied, Grete 299
Schmiedl, Julius 172,289
Schneider, Otty 104,290,294,299,302
Schneider, Wilhelm 16,298
Schober, Peter Jacob 222
Schober, Oskar 106
Schober, Peter Jakob 296
Schönecker, Toni 298
Schopenhauer, Arthur 110
Schrötter, Richard 194,198,198,222,293,297
Schrötter-Radnitz, Charlotta 294,297,299
Schück, Anton 117
Schubert, Fritz 270
Schumann, Paul 120
Schürer, Oskar 222
Schustala, Julius 120
Schuster, Franz 251
Schusterjulie 264
Schwcdler, Max 299
Schweigt, Otto 282
Schweriner, Franz 289
Sicburger, Frieda 289,291
Siegmüller, Hugo 298,299
Siegmund, Franz 298
Singer, Julius 124,289,291,294
Sitte, Willi 254
Slevogt,Kurt 292,297
Sobotka, Franz 34
Sokol, Rudolf 194
Sovovä, Ilona 18
Sperl, Lothar 260,164,299
Spiethoff, Erich 301
Spina, Franz 184,206
Springer, Sidonie 226
Srb-Schlossbauer, Wilhelm 187,224,292,
293,294,296,297,298
Staeger, Ferdinand 64,84,106,291,297,302,
308.309
Steidl, Emst 219,289,298,308
Steiger, Anton 190
Stein, Hilde 110,116,122
Stein, Otto Th. W. 116,116
Steiner-Prag, Hugo 28,30,34,45,84,94,212,
291,294,297,299
Stern, Friedrich 50
Sternhell, Theodor 172,212,291,302
Stifter, Adalbert 212
Stigger, Josef 298
Stolte, Halgard 18
Stornier, Fritz 257,262,297,298,299
Strahl, Gustav 290
Stratil, Karl 195,200
Strehblow, Heinrich 156
Streit, Anton 298
Streit, Robert 16,278,280
Strobel, August 14,134,206,302
Struppe, Max 290,296,298,299
Stubner, Robert 299
Svobodovä, Katerina 12
Szegfy-Koppe, Erzsi 94,299
i
Späla, Vaclav 297
Stursajan 291
Svehla, Antonin 184
T
Tampe, Friedrich 295
Temple, Hans 116
Teschner, Richard 28,30,49,58,64,65,86,
94,123,291,302,303,308
Teweles, Heinrich 294
Theiner, Marianne 289
Thiele, Franz 39,44,51,54,58,64,96,124,
131,133,141,212,228,250, 254,272,290,
291.296.299.308.309
Thiele-Peschka, Inge 253,255,296,298,299,308
Jmenny rejstrik Personenregister
360
Thicmann, Carl 100, 289,291,292,293
Thuma, Carl Maria 110,112-113,295
Thuma, Hans 180,186,294,295,295,298,299
Tischler, Viktor 297
TrÖtscher, Albert 289
Tschakert Robert 295
Turnwald, Anne 291
Tursch, Eduard 246
U
Uher, Hugo 80,81,116,289
Uhl, Emil 32,50,54
Unger.Otto 299
Uprka,Joza 54,114
Urban, Franz 229,256,296,298
Utitz, Emil 96
Utrillo, Maurice 222,296
Y
Veit, Rudolf 298
Veleehovska, Jana 18
Vietze, Josef 250, 276,278,309
Vichrova,Marcela 18
Vlnas,Vit 12
Vogel, Karl 297,299
Voh, Oswald 16,220,265,295,308
Vondruskovä, Lada 18
Vysohlidovä, Zdcnka 18
Vytiskova, Eva 18
W
Wagler, Paul 150
Wagner, Karl 134,136,137,172,206,290,291,
293,294,296,299,300,301,302,308
Wahlert, Gabriele 296
Walter-Bogner, Lisbeth 290
Walter-Cocl, Rudolf 30,118,150,290
Watzal, Johannes 250,275,290,294,301,306
Watzlik, Hans 290
Watznauer, Rudolf Adolf 194,293,295
Weber, E.A. 290
Weber, Heinrich 190
Weirich, Ignaz 43
Wenzel, Alfred 299
Werner, Franz 65,82
Westheim, Paul 250,306
Wiechowski, Friedrich Wilhelm 28
Wien-Claudi, Franz 138
Wiener, Oskar 28,30,54,64,68,86
Wierer, Alois 64,78-79,84
Wiese, Raimund 299
Wildt, Thilde 16
Wilfert, Karl ml. / d. J. 22 23,28,30,42,43,
60,63,64,65,86,116,120,289
Wilfert, Karl st./d.Ä. 289
Wilfert-Waltl, Maria 98,99,289
Wirkner, Wenzel 36-37,291
Wolf-Zdekauer,Karl 138
Z
Zaborsky, Oskar 294
Zadkine, Ossip 296
Zasche, Josef 58,64,82,142,158
Zdrasila, Adolf 308
Zeschitz, Max 308
Zettlitzer, Hermann 274
Ziemann, Paul 301,302
Zoff, Alfred 120
Zügel, Heinrich von 297
Zülow, Franz von 296
361
Jmenny rejstrik
Personenregister
SUMMARY
It is 2016 today, and writing a monograph
of an art association which ceased to exist
seventy years ago and whose membership
base comprised German-speaking
population living in Bohemia, iMoravia
and Silesia, is not an easy task. While the
19th century source materials regarding
(among others) the history of art and
culture that are available to us today are
informative and user-friendly, when it
comes to the research of the recent past we
keep coming up against obstacles deriving
from the troubled events of the 20th century.
Its first half was shackled by the two world
wars which, together with all its social and
political consequences, have determined
our perception today of the work of
German-speaking visual artists, both male
and female, living in Bohemia, Moravia
and Silesia. This specific group of artists,
clearly defined in place and time, can be
characterised, among others, by activities
of several art associations. Until 1945 art
associations played an irreplaceable role in
the lives of visual artists and their audience,
and their leaders formed artistic views
which helped shape the national identity
of the so-called Czech Germans.
Metznerbund was one of them. The
association was not famous for scandals
and its members did not physically attack
each other as it was the case among certain
Czech groups, nor did its members “suffer”
from overwhelming urges to leave en masse
just to be admitted back into the same
association later on. They led “quiet”
lives, indulging in their artistic careers
at the periphery of the newly born
Czechoslovakia both in terms of art
and geography. Metznerbund was there
to help them present their work and
arrange social gatherings.
The first impulse to carry out the
research of the history of Metznerbund
was the collection of paintings, drawings,
graphic prints and sculptures made by
German-speaking visual artists, both male
and female, based in Bohemia, Moravia and
Silesia, managed by the Regional Gallery in
Liberec. It is no coincidence that one of the
best and most extensive public collections
of this art in the entire Czech Republic
can be found in this town in the north
of Bohemia. In the light of the recent
research, Liberec can be attributed the
role of “the most serious candidate for the
capital of Czech Germans”, as documented
by tradition and history. And it was not only
the staff of the Regional Gallery in Liberec
who was confident that this tradition
should live on. Despite a lot of pro-regime
and primarily anti-German efforts made
by employees of museums or, for instance,
the National Reconstruction Fund,
strongly supported by newly established
post-war art associations, memory
institutions and institutional collections
also experienced some bright moments in
the second half of the 20th century, owing to
a lot of courage and love for the visual art
regardless of nationality (starting in the late
1940’s, there were even efforts “not to sell
but ultimately destroy German works
of visual art of lesser artistic value - called
rubbish - which belonged to the seized
property and found their new homes
in Czech families, in order to shield
the Czech public from the influence
of decaying German art (especially
along the border where there is a lack
of genuine Czech visual art) ”).
The book is divided into two parts.
The first part focuses on the history of the
association and includes an introduction
describing the origins of two art groups -
immediate predecessors of Metznerbund:
the oldest Association of German Visual
Artists in Bohemia [Verein deutscher
bildender Künstler in Böhmen] and
German-Czech Union of Artists
[Deutschböhmischer Künstlerbund]. The
second part constitutes an anthology of
texts selected based on the findings of vast
searches in daily newspapers of the period.
They comprise primarily essays written
by reviewers of Prager Tagblatt, Deutsche
Zeitung Bohemia daily newspapers and
regional periodicals focusing on activities
of associations, formal appearance of
artwork, and politicization of art after 1933.
The anthology includes critical comments
providing political, cultural and
associational insights. The purpose
of the dual presentation of the book
is to provide both an interpretation
of collected facts and a possibility to use
them in further work. The research has
been based on searches of source materials
and especially newspapers and other
periodicals of the period, specifically
Prager Tagblatt, Deutsche ZätungBohemia,
Aussiger Tagblatt, Gablonzer Tagblatt,
Reichenberger Zeitung, Mährisches Tagblatt
daily newspapers, and periodicals such as
Deutsche Arbeit, Sudetendeutsches Jahrbuch
fur Volk und Heimat and a number of other
regional newspapers and magazines
preserved in both public and private
libraries and archives. The amount
and explanatory power of the gathered
information vary depending on different
correspondents of cultural columns and
contributions of reviewers. Renowned
journalists included Fritz Lehmann,
August Strocbel, Otto Kletzl, Karl Krattner
and Karl Kaschak. They were shaping the
image of the German-Czech visual art
scene of the inter-war Czechoslovakia.
Their news articles, reviews and polemics
are of a relevant explanatory value, There
are also a number of anonymous reviews,
often of no lesser importance. Thus we
learn above all about individual exhibitions
held and become acquainted with
participants thereof, about activities
of association branches and other
information. Although it is clearly defined
in terms of both territory and time, no
major archive collection relating to the
researched topic has been preserved,
and so the only method allowing the
basic research of the topic is analysing the
gathered information. The only exception
is the personal archive of Karl Krattner,
incomplete documents of the association
branch in Jablonec nad Nisou and the
scarce evidence found in the documents
of the Prague branch. In 2013, complete
findings of the research of German
speaking visual artists based in Bohemia,
Moravia and Silesia and the relevant
terminology were presented in a collective
monograph entitled Mladi Ivi v kleci.
Umélecké skupiny némecky hovofidch
vytvamych umèlcu z Cech, Moravy a Slezska
(Young Lions in a Cage. Art Groups of
German Speaking Artists from Bohemia,
Moravia and Silesia). The present text
is based on the same grounds.
Besides finding excerpts of various
written accounts, the more humane and
generally more comprehensible side of the
research constitutes the confrontation
with paintings, graphic prints, drawings,
sculptures and works of artcraft falling
within the defined area which have been
scattered nearly all over the world.
Given the vast membership base of the
association, these include hundreds of
preserved works and dozens of reproduced
prints. And yet they represent but
fragments of what had actually been
created in artists’ ateliers and presented
to the public. Some of the prints published
363
Summary
on the previous pages are already known
and have appeared in the Czech art
historical literature since 1994 when the
now legendary catalogue Gaps in History
was first published. The greatest number
of works has been reproduced in Mladi h’i
vkleci (YoungLions in a Cage). Nonetheless,
we have had the chance to visit private
collections of undiscovered potential over
the past years and managed to procure
unique copies of yet unknown works of art.
The project “Nohle Competition of the
Two Nations. The History of Metznerbund
Art Association on the Czech Territory
1920-1945” was carried out in 2012-2016,
a long-term research in European
institutional collections and memory
institutions and private collections,
primarily in the Czech Republic, Germany
and Austria, funded by the Czech Science
Foundation. Extremely demanding
searches consisted of browsing through
tens of thousands of pages of newspapers
and periodicals of the period. Hundreds
of news articles have been found giving
account of activities and character of the
German-Czech art life as well as numerous
reproductions of works of art which have
already disappeared. The outcomes of the
research have been published in the form
of essays and presented to the public. There
is only minimal level of overlap of prints
published in the present book and those
published in Young Lions in a Cage. While in
2013 each part of the publication strived to
show specific works exhibited at different
occasions during the inter-war period, the
present publication attempts to balance up
the whole picture of the work of German
speaking authors falling into the scope
of the research by including additional
works that have not been published
yet and are unknown for the most part
to both experts and the general public.
Metznerbund Art Association was
established in 1920 during the era of
tumultuous geopolitical, cultural and
economic changes which swept through
Central Europe and the whole world.
It was based on ethnic grounds as the
association of German visual artists living
in Bohemia. Activities of the association
aimed at breaking up the “old ways” of
Austria-Hungarian territorial delimitation
and administration - i.e. the restriction
to the Czech lands territory - but
its integration into Moravian and
Silesian circles was not an easy task. The
unambiguous focus on the Czech lands
ensued from the traditional division to
territories, which in the newly established
Czechoslovakia was a certainty that could
be held onto.
Before Metznerbund there were two
art associations based in Prague with a long
history of about 25 years. In 1895, Verein
deutscher bildender Künstler in Böhmen was
established on the platform of the visual
arts department of Concordia Association
constituted in the manner of the Viennese
group of the same name which started its
activities in 1871. Its founding members
included painters and sculptors, musicians
and poets, journalists and scientists as well
as many advocates of the visual art. The
purpose of the association was to support
literary, journalistic and artistic interests
and its objectives were to be achieved,
among others, by organising lectures,
social gatherings, supporting the members
and by opening a pension fund. Between
the 1870’s and 1890’s active members of
Verein included representatives of the older
generation of the German-Czech circle;
this generation was gradually replaced
by leading figures of the so-called Prague
Circle [Prager Kreis], as described in the
writings of Max Brod, and later also Hugo
Steiner-Prag. Exhibitions held in the
German House [Deutsches Haus],
Rudolfinum and other venues associated
with Germans living in Prague restricted
the association’s activity exclusively
to Prague for some time. This situation
changed with foreign activities (Vienna,
Munich, Dresden) and presentations of
the association in other Czech (German)
towns (Liberec, Üsti nad Labem). Along
with the formal changes in the area
of the visual art, the first change in the
organisation and activities of German-
Czech art associations came between
1907-1909. In the world of art, secession
meant the separation of a certain group
from an association (from Latin word
secessio), and it was usually young
members who disagreed with academic
methods of their older colleagues, had
different artistic views and favoured
modern approaches. The division of the
German-Czech art scene in 1907-1908
gave rise to a completely opposite
situation: based on previous negotiations,
a new art association was founded by
the older generation and constituted
in 1909 and incorporated in the register
of associations in July that year under the
name of Deutschböhmischer Künstlerbund.
However, parallel exhibitions did not
bring much success, and soon members
of the two associations began to mingle,
organising exhibitions together.
This fragmentation did not help
the Prague artistic circles of that time
and Kmstlerbund ceased its activities
before the First World War which hit the
lives of people with a great force.
After the end of the First World War,
it took several months for the life of the
Czech-German associations to stabilise.
In May 1919, the general meeting of Verein
appointed Artur Payer as the chairman
of the association; Karl Wagner was
appointed his deputy. The association
continued its activities, although perhaps
only to the extent necessary to preserve
its existence under applicable regulations.
In July 1919, the preliminary committee of
the new art association Deutschbohmische
Kmstlergenossenschaft “Metzner” [German-
Czech Community of Artists “Metzner”]
called upon all German artists in Bohemia
to unite. The first and foremost goal was
to prevent the establishment of “new small
groups and syndicates” because “already
in summer 1914 the representatives of both
Czech German art groups [...] agreed to
transform”. Metznerbund was established
in March 1920 in Teplice v Cechâch, at the
periphery of the art scene. “The altered
circumstances encouraged us to alter the
organisation of artistic circles in Bohemia,
too. [...] [The new organization] should
exert influence in two main respects. Firstly
upon artists themselves, and secondly,
upon the advocates of art. All the
experience of the past 25 years will be
united under new approaches.”
The choice of the name was an easy
one - over the first two decades of the
20th century, Franz Metzner achieved
what few of German-Czech or German-
Moravian visual artist did: having
established himself at the art scene
between Berlin and Vienna, he was not
afraid to present his work and notably his
designs in his homeland Bohemia. Thanks
to his work on The Monument to the Battle
of the Nations [Volkerschlachtdenkmal]
in Leipzig as well as his participation
in exhibitions primarily in Austria
and Germany, he gained renown despite
his clear-cut and distinguishable creative
approach to achieving the imaginary
summit of quality, and he caught
the attention of both experts and the
general public.
Summary
364
Unlike both its predecessors,
Metznerbund chose a different system of
organisation, focusing on activities outside
Prague, and emphasizing from the very
beginning the importance of visual artists
in areas with German majority. Great
importance was attached to activities
in border areas. This is where branches
of the association were established shortly
after its foundation, and first exhibitions
were held in summer 1920 (Teplice, Cheb,
Jablonec nad Nisou). Activities of the
Metznerbund association were governed
by statutes, providing the basis for main
objectives of the association. One of the
objectives was to support the work
of visual art and due economic care,
another one and, as the founders thought,
more important, was to emphasize the
importance of visual art with respect to
the cultural standing of Germans living in
Bohemia among other European nations.
The association strived to unite all German
visual artists who were bom and based in
Bohemia, or who belonged there although
they worked outside the state or territorial
borders. It was meant to be apolitical,
the working language was German.
Under item 3 of the statutes, activities
of the association focused on organising
exhibitions both at home and abroad,
publishing reproductions of artwork,
linking up visual artists and advocates
of art, engaging in educational and public
activities in the area of art, and promoting
art and members of the association.
The statutes did not explicitly forbid
membership in other groups, but they
expected regular participations in
collective exhibitions. Organising
collective exhibitions constituted the most
important activity of the association.
Only the Libérée branch had its own
exhibition hall, a former hotel veranda,
reconstructed and adapted to serve the
needs of art exhibitions. It served its
purpose until the mid 1930’s. It used to
be a common practise given by historical
context that school premises served for
the purposes of exhibitions. Naturally, this
limited the possible dates of exhibitions
to summers months (summer break)
and sometimes shorter periods of time
before Christmas. This situation was far
from ideal because with only one date
available per year, exhibitions held
were mostly collective ones.
Activities differed in individual
branches depending on different
approaches of members who had enough
power and energy to organise them. The
Prague branch was in the best position to
continue in the pre-war activities of both
preceding art groups because a number
of older generation artists were based
in Prague, some of the foreign members
returned to the new capital of the young
Czechoslovakia after the break-up of the
old polity. In autumn 1920, before the
Prague branch was established, the first
group separated from the so far “fully
homogeneous [...] large block” - known
as the so-called secession of DiePilger
group. Similarly, four most active
and most talented visual artists formed
an independent group, as they proclaimed,
within Metznerbund in Libérée, and first
exhibitions of Oktobergruppe were
organised. They dissociated themselves, in
the style of DiePilger group, from the overly
broad membership base of the association
and the low quality of certain artwork
presented at Metznerbund exhibitions.
However, neither of them survived the first
decade of the newly born Czechoslovakia
and they both ceased to exist in the 1920’s.
In 1930, there was an upsurge of
creativity and organisation skills in
Karlovy Vary where a local narrow group
of artists opened the 1930 Karlovy Vary
International Art Exhibition
[Internationale Kunstausstellung Karlsbad
1930] . As Fritz Lehmann describes it,
they have managed “to freeze out weak
members of the art association and exclude
“local authors”, invite Czech and French
artists, and procure a decent exhibition
venue as well as funding from the
municipal government and Prague
ministries”. Metznerbund was represented
by 22 authors. Links with Vienna were
ensured by a couple of active participants
of the local artistic life: Wilhelm Klier as
a long-term member of the Hagenbund
association and Josef Dobrowsky on behalf
of the Wiener Secession group. Among other
representatives of associations of German
artists based in Bohemia there were also
key members of Prager Secession. The
Second International Art Exhibition [2.
internationale Kunstausstellung Karlsbad
1931] was similar in nature, and besides
Metznerbund delegates, the most
numerous group represented there was the
Free Fellowship of Wroclaw Artists [Freie
Kiinstlerverinigung Breslau]. Links to these
circles can be found with North Bohemian
members of Metznerbund who, to a lesser
or greater extent, frequently participated
at exhibitions in Silesia.
The regional branch of Metznerbund
in Olomouc also took part in some of the
nationwide activities. It was Karl Krattner,
the founder and organiser of Metznerbund,
who dreamed of extending the association
activities to Moravia. In the 1920’s,
organisers of cultural life in Olomouc
included the graphic artist Rudolf
Mather, and later primarily Rudolf
Michalik, a philosopher and Steinerian
anthroposopher. As in Bohemia, the early
1930’s exhibitions in Olomouc were marked
by the greatest artistic success, with
participating artists such as Kurt Gröger,
Richard Schrötter and Paul Gebauer,
a native of Sosnovä and one of the most
prominent figures of the New Objectivity
among German speaking visual artists
from Bohemia, Moravia and Silesia. The
end of the branch in Olomouc was gradual
and came after the Munich Agreement,
in December 1938 at the latest, when the
Mährischer Kunstverein art association
based in Brno began its efforts to unite all
German art association in Moravia and
Silesia, as it was to “defer to the German
nation and serve as the assembly centre
of German art and culture effective
from 1 January”. Together with the
Metznerbund branch in Olomouc,
the Kunstring group based in Ostrava
also opted for this solution.
The economic activity may not
be quite as tangible at the first sight, yet it
constituted an important element from the
very beginning of Metznerbund’s existence,
and, at the end of its days, it was the
economic activity that turned the
association into a tool of political
propaganda. Even if we do come across
articles about German-Czech art linked to
Metznerbund activities in one of the inter-
war period newspapers and magazines,
they belong for the most part to revivalist
rhetoric described by Sofia Mikulovä
as “the fighting spirit of empty and
propagandist phrases”. The economic
activity of Metznerbund materialised
mainly in efforts to ensure social security
for its members, following the lead of
Syndicate of Czechoslovak Visual Artists
founded in November 1920. Although the
merger with this syndicate was reftised
already in 1921, it served as an example
when it came to protection of legal, social
and economic issues of German-Czech
visual artists. However, hopes arising from
365
Summary
the democratic development of the
inter-war Czechoslovakia, when German
minority in Czechoslovakia finally enjoyed
more favourable position as in October
1926, after months of negotiations,
representatives of two German democratic
parties - ministers Franz Spina and Robert
Mayr-Harting - joined the ruling coalition,
were defeated by the world economic crisis
which hit especially export industry - the
business focus of many entrepreneurs
living alongside the border, an area
populated by a German majority. A special
meeting was called by Metznerbund to
Prague on 11 October 1930 and attended by
representatives of “larger art associations”.
The outcome of the meeting was
a resolution to set up the Reich Union of
German Visual Artists in Czechoslovakia
[Reichsverband deutscher bildender
Kiinstler in der Tschechoslowakei].
The objectives were the same as ten years
before. The Reich Union was effectively
constituted a year later. This initiative was
probably perceived very seriously as visual
artists of all generations engaged in it, e.g.
Maxim Kopf, Lilli Godl-Brandhubcr, Karl
Wagner or Ludwig Puschel. They sought to
include visual artists who “suffered from
poverty, and lack of income” among eligible
recipients of state unemployment benefits.
This rhetoric suggests that, modelled
on cultural politics in Germany, it was
one of the means of propaganda, and
it did not take long before it turned into
a propaganda tool altogether. It was 1933
and Franz Haiti managed what no-one
else had before: he united the majority of
German visual artists in Czechoslovakia
under a single umbrella organisation.
Then in spring 1934 „having given the
matter due consideration, three
associations - Prager Secession, German
Graphics Union [Verband deutscher
Grafiker] and Metznerbund branches
in Jablonec and Liberec - came to the
conclusion to part with the Reich Union
because all its actions violated the purpose
of these association as [...] they were going
beyond their powers and included activities
leading to the unification under the single
Nazi politics”. It was also due to interfering
with the artistic program of collective
exhibitions: the Imperial Union had a say
in the selection of works to be exhibited
and authors to participate in exhibitions.
Metznerbund was unable to resist
it in the long-term. In 1937, the 1937
Sudetenland German Art Exhibition
[Sudetendeutsche Kunstausstellung 1937]
was organised by the German Union [Bund
der Deutschen) and held at several venues
between June 1937 and April 1938 in the
spirit of pro-Hitler aesthetics and using
well-tried means of propaganda. The five
following exhibitions organised under the
Metznerbund umbrella in Liberec during
the war had one common denominator:
nationalism and social consciousness.
Presented works were characterized by
similar formal manifestations of trivial
realisms, consisting mainly of drawings
and graphic prints. Following the
assumption that the “Zeitgeist produces
the content of the work”, the art production
followed the path towards “the ideal of
national community”. Exiled in France,
Paul Westheim characterised it in 1937 as
“the art that not only suppresses the truth,
the art that simply has to falsify and
suppress the truth under higher orders.
This makes the truth very true in one
respect: a true Third Reich”.
The end of the Second World War
brought the end of Metznerbund, too.
At the end of its existence, only four
regional groups were still active: Northern
Bohemian one based in Liberec; Chebsko
based in Karlovy Vary; Polabi in Üsti nad
Labem and Moravia-Silesia based in Opava
led by the painter Otto Schweigl. The
property of the association was confiscated
under Decree 108/1945 of 25 October
on Confiscation of Enemy Property
and National Reconstruction Funds.
At that time, Metznerbund
headquarters were based in Liberec, and
the association was chaired by the graphic
artist Josef Jäger. From May to June 1945,
historic monuments in the Liberec region
were being secured (seized) and property
confiscated by the independent Security
Committee of the Czech National Council.
The association offices in Liberec were
located just around the corner from
the museum and were secured (seized)
on 11 July 1945. The confiscated items
included mainly furniture and personal
belongings of Josef Jäger who let the
association use it to furnish the exhibition
hall then located on the first floor of the
Dunaj Palace where a purchase exhibition
of members of various groups across
the region was held at the end of the war.
There is no more evidence of what became
of the paintings thereafter.
On 30 May 1945, the Security
Commission seized historical items at the
Lemberk Castle. The castle kitchen and
two maiden rooms contained “sculptures
belonging to the Liberec Metznerbund
branch, 21 boxes signed G. S. belonging to
the Liberec county administration and the
professor Hofmann from Prague (signed
0. H.)”. The inventory list suggests that they
consisted of several dozens of paintings,
drawings, and 170 sculptures mistakenly
taken for the work of Franz Metzner
as it also appears from the record of the
sculpture inspection in April i960: “They
are the legacy of Franz Metzner, a sculptor
based in Liberec, whose collection
was brought here in about 1945. They
are now deposited in the stables and are
to be taken over from SPS [State Heritage
Administration], in liquidation, by National
Regional Committee. [...] Sculptures will be
displayed in rows so that they can be viewed
and subjected to stocktaking. [...] Once
taken over, the collection will be sorted
out (if necessary) and offered to Antikva
(state-owned antique shop). The fate of
sculptures was decided in the late 1970’s
when the entire set was handed over to
Barrandov Film Studios.
The production of Metznerbund
association has been preserved to this day
(in the rudimentary state that remained)
in depositories of institutional collections
and has been gradually finding its way
to the free art market. While the overall
influence and importance of the
association is not to be overrated as it
followed neither any formal ways nor
the development of the contemporary
European art, and exhibitions held by the
association were rather conservative ones,
belonging to the mainstream inter-war
realistic tendencies, it constituted
an integral part of the local culture
and it should be regarded as such in the
context of the overall evaluation of the
art development in the inter-war
Czechoslovakia.
Summary
366
|
| any_adam_object | 1 |
| author | Habánová, Anna ca. 20./21. Jh |
| author_GND | (DE-588)1144896215 |
| author_facet | Habánová, Anna ca. 20./21. Jh |
| author_role | aut |
| author_sort | Habánová, Anna ca. 20./21. Jh |
| author_variant | a h ah |
| building | Verbundindex |
| bvnumber | BV044265745 |
| ctrlnum | (OCoLC)992459681 (DE-599)BVBBV044265745 |
| era | Geschichte 1920-1945 gnd |
| era_facet | Geschichte 1920-1945 |
| format | Book |
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| geographic | Böhmen (DE-588)4007467-5 gnd Protektorat Böhmen und Mähren (DE-588)4076390-0 gnd Tschechoslowakei (DE-588)4078435-6 gnd |
| geographic_facet | Böhmen Protektorat Böhmen und Mähren Tschechoslowakei |
| id | DE-604.BV044265745 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:58:20Z |
| institution | BVB |
| isbn | 9788074943225 |
| language | Czech German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029670517 |
| oclc_num | 992459681 |
| open_access_boolean | |
| owner | DE-255 DE-Re7 DE-BY-UBR DE-12 DE-11 DE-M457 DE-M497 |
| owner_facet | DE-255 DE-Re7 DE-BY-UBR DE-12 DE-11 DE-M457 DE-M497 |
| physical | 366 Seiten Portäts, Faksimiles |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Technická univerzita v Liberci |
| record_format | marc |
| spellingShingle | Habánová, Anna ca. 20./21. Jh Dějiny uměleckého spolku Metznerbund 1920-1945 = Die Geschichte des Kunstvereins Metznerbund 1920-1945 Metznerbund (DE-588)1130664856 gnd Künstler (DE-588)4033423-5 gnd |
| subject_GND | (DE-588)1130664856 (DE-588)4033423-5 (DE-588)4007467-5 (DE-588)4076390-0 (DE-588)4078435-6 |
| title | Dějiny uměleckého spolku Metznerbund 1920-1945 = Die Geschichte des Kunstvereins Metznerbund 1920-1945 |
| title_alt | Metznerbund Die Geschichte des Kunstvereins Metznerbund 1920-1945 |
| title_auth | Dějiny uměleckého spolku Metznerbund 1920-1945 = Die Geschichte des Kunstvereins Metznerbund 1920-1945 |
| title_exact_search | Dějiny uměleckého spolku Metznerbund 1920-1945 = Die Geschichte des Kunstvereins Metznerbund 1920-1945 |
| title_full | Dějiny uměleckého spolku Metznerbund 1920-1945 = Die Geschichte des Kunstvereins Metznerbund 1920-1945 Anna Habánová |
| title_fullStr | Dějiny uměleckého spolku Metznerbund 1920-1945 = Die Geschichte des Kunstvereins Metznerbund 1920-1945 Anna Habánová |
| title_full_unstemmed | Dějiny uměleckého spolku Metznerbund 1920-1945 = Die Geschichte des Kunstvereins Metznerbund 1920-1945 Anna Habánová |
| title_short | Dějiny uměleckého spolku Metznerbund 1920-1945 |
| title_sort | dejiny umeleckeho spolku metznerbund 1920 1945 die geschichte des kunstvereins metznerbund 1920 1945 |
| title_sub | = Die Geschichte des Kunstvereins Metznerbund 1920-1945 |
| topic | Metznerbund (DE-588)1130664856 gnd Künstler (DE-588)4033423-5 gnd |
| topic_facet | Metznerbund Künstler Böhmen Protektorat Böhmen und Mähren Tschechoslowakei |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029670517&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029670517&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029670517&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029670517&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
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