Translating Jazz Into Poetry: From Mimesis to Metaphor
The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Berlin ;Boston
De Gruyter Mouton
[2017]
|
| Series: | Buchreihe der Anglia / Anglia Book Series
42 |
| Subjects: | |
| Links: | https://doi.org/10.1515/9783110339017 https://doi.org/10.1515/9783110339017 https://doi.org/10.1515/9783110339017 https://doi.org/10.1515/9783110339017 https://doi.org/10.1515/9783110339017 https://doi.org/10.1515/9783110339017 https://doi.org/10.1515/9783110339017 https://doi.org/10.1515/9783110339017 https://doi.org/10.1515/9783110339017 |
| Summary: | The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate "melody," "dynamics," "tempo," "mood," and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear) |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Physical Description: | 1 online resource (318pages) |
| ISBN: | 9783110339017 9783110344592 9783110395280 9783110326543 |
| DOI: | 10.1515/9783110339017 |
Staff View
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| record_format | marc |
| series2 | Buchreihe der Anglia / Anglia Book Series |
| spelling | Redling, Erik Verfasser aut Translating Jazz Into Poetry From Mimesis to Metaphor Erik Redling Berlin ;Boston De Gruyter Mouton [2017] © 2017 1 online resource (318pages) txt rdacontent c rdamedia cr rdacarrier Buchreihe der Anglia / Anglia Book Series 42 Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate "melody," "dynamics," "tempo," "mood," and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear) In English Amerikanische Literatur Intermedialität Jazz-Musik Kognitive Poetik Jazz (DE-588)4028532-7 gnd rswk-swf Kognitive Poetik (DE-588)7663434-6 gnd rswk-swf Jazz poetry (DE-588)4530403-8 gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Jazz poetry (DE-588)4530403-8 s Intermedialität (DE-588)4605581-2 s Jazz (DE-588)4028532-7 s Kognitive Poetik (DE-588)7663434-6 s 2\p DE-604 Erscheint auch als Druck-Ausgabe 978-3-11-032654-3 https://doi.org/10.1515/9783110339017 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Redling, Erik Translating Jazz Into Poetry From Mimesis to Metaphor Amerikanische Literatur Intermedialität Jazz-Musik Kognitive Poetik Jazz (DE-588)4028532-7 gnd Kognitive Poetik (DE-588)7663434-6 gnd Jazz poetry (DE-588)4530403-8 gnd Intermedialität (DE-588)4605581-2 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)7663434-6 (DE-588)4530403-8 (DE-588)4605581-2 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Translating Jazz Into Poetry From Mimesis to Metaphor |
| title_auth | Translating Jazz Into Poetry From Mimesis to Metaphor |
| title_exact_search | Translating Jazz Into Poetry From Mimesis to Metaphor |
| title_full | Translating Jazz Into Poetry From Mimesis to Metaphor Erik Redling |
| title_fullStr | Translating Jazz Into Poetry From Mimesis to Metaphor Erik Redling |
| title_full_unstemmed | Translating Jazz Into Poetry From Mimesis to Metaphor Erik Redling |
| title_short | Translating Jazz Into Poetry |
| title_sort | translating jazz into poetry from mimesis to metaphor |
| title_sub | From Mimesis to Metaphor |
| topic | Amerikanische Literatur Intermedialität Jazz-Musik Kognitive Poetik Jazz (DE-588)4028532-7 gnd Kognitive Poetik (DE-588)7663434-6 gnd Jazz poetry (DE-588)4530403-8 gnd Intermedialität (DE-588)4605581-2 gnd |
| topic_facet | Amerikanische Literatur Intermedialität Jazz-Musik Kognitive Poetik Jazz Jazz poetry USA Hochschulschrift |
| url | https://doi.org/10.1515/9783110339017 |
| work_keys_str_mv | AT redlingerik translatingjazzintopoetryfrommimesistometaphor |