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Confronting the Machine: an enquiry into the subversive drives of computer-generated art

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Bibliographic Details
Main Author:	Magrini, Boris 1975- (Author)
Format:	Book
Language:	English
Published:	Berlin ;Boston De Gruyter [2017]
Subjects:	Cohen, Harold > 1928-2016 Ihnatowicz, Edward > 1926-1988 Geschichte Medienkunst Computerkunst Technologie Zukunft Kunst Moderne Media-Art Medien Kunst
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029609610&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	276 Seiten 35 Illustrationen 19.5 cm x 13.5 cm
ISBN:	9783110521443

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MARC


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Record in the Search Index

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adam_text	CONTENTS PREFACE............................................................... 7 ACKNOWLEDGMENTS 9 INTRODUCTION BETWEEN GOOD AND EVIL............................................................................11 SUBVERSIVE DRIVES: QUESTIONS AND ORIGINS..................................M METHODOLOGICAL APPROACH.................................................................. 17 CHAPTERS AND CASE STUDIES.................................................................. 20 CHAPTER L 1.1 COMPUTER-GENERATED ART AND ITS MULTIPLES 23 1.2 AN OPEN HISTORY OF GENERATIVE ART ........................................ 1.3 RECURRING DEFINITIONS AND THE CONCEPT OF EMERGENCE..............................................................................................38 1M A COMMON NARRATIVE: BRIDGING THE ARTS AND THE SCIENCES......................................................................................... 53 1.5 THE DIGITAL DIVIDE 61 CHAPTER 2 2.1 THE PIONEERING PERIOD OF COMPUTER ART 1 9 6 8 -1 9 8 3 73 2.2 HAROLD COHEN.......................................................................................75 2.2.1 FROM PAINTING TO PROGRAMMING ......................................... 75 2.2.2 EARLY COMPUTER DRAWINGS................................................. 77 2.2.3 CREATIVITY, INTELLIGENCE AND COMPUTER SCIENCE ..... 87 2.2M ON ARTIFICIAL INTELLIGENCE AND THE EVOLUTION OF AARON....................................................................................... 96 2.2.5 RECEPTION OF COHEN S WORK AND IDEAS ........................ 102 2.3 EDWARD IHNATOW ICZ........................................................................109 2.3.1 FROM ASSEMBLAGES TO CYBERNETICS...............................109 2.3.2 THE SENSTER..............................................................................113 2.3.3 THE UNDERSTANDING OF UNDERSTANDING ....................... 122 2.3A RECEPTION OF IHNATOWICZ S WORK AND IDEAS..............129 2 M ART, COMPUTERS AND THE CONTRIBUTION TO KNOWLEDGE.......................................................................................... 135 CHAPTER Z 3.1 DIVERGENT POSITIONS AFTER THE SEVENTIES ....................... 143 3.2 OPPOSITION TO AI AND THE COMPUTING MACHINE FROM W IT H IN ........................................................................................ 145 3.3 QUESTIONING MODERN TECHNOLOGIES IN THE POST-INDUSTRIAL SOCIETY.............................................................. 150 3.4 ARTISTIC POSITIONS ON AI IN THE EIGHTIES AND NINETIES.................................................................................................159 3.5 EPISTEMOLOGICAL AND ETHICAL ARGUMENTS..........................185 CHAPTER 4 4.1 COMPUTER ART AT THE DOCUMENTA X EXHIBITION 193 4.2 WHICH CRITERIA FOR MEDIA ART?................................................195 4.3 JODI, A BOMB IN THE SOURCE CODE.............................................204 4.4 ONLINE AND OFFLINE: PROBLEMS OF PRESENTATION 210 4.5 RECEPTION OF MEDIA ART.................................................................217 4.6 THE SIGNIFICANCE OF DOCUMENTA FOR JO D I ........................... 228 4.7 SUBVERSIVE DRIVES IN MEDIA AR T ............................................... 232 CONCLUSION THE MYTH OF THE TWO CULTURES 235 ANOTHER TAKE ON THE DIGITAL DIVIDE 248 BIBLIOGRAPHY 258
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author	Magrini, Boris 1975-
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spellingShingle	Magrini, Boris 1975- Confronting the Machine an enquiry into the subversive drives of computer-generated art Cohen, Harold 1928-2016 (DE-588)122545087 gnd Ihnatowicz, Edward 1926-1988 (DE-588)1080134670 gnd Medienkunst (DE-588)4113418-7 gnd Computerkunst (DE-588)4010453-9 gnd Technologie (DE-588)4059276-5 gnd Zukunft (DE-588)4068097-6 gnd Kunst (DE-588)4114333-4 gnd Moderne (DE-588)4039827-4 gnd
subject_GND	(DE-588)122545087 (DE-588)1080134670 (DE-588)4113418-7 (DE-588)4010453-9 (DE-588)4059276-5 (DE-588)4068097-6 (DE-588)4114333-4 (DE-588)4039827-4
title	Confronting the Machine an enquiry into the subversive drives of computer-generated art
title_auth	Confronting the Machine an enquiry into the subversive drives of computer-generated art
title_exact_search	Confronting the Machine an enquiry into the subversive drives of computer-generated art
title_full	Confronting the Machine an enquiry into the subversive drives of computer-generated art Boris Magrini
title_fullStr	Confronting the Machine an enquiry into the subversive drives of computer-generated art Boris Magrini
title_full_unstemmed	Confronting the Machine an enquiry into the subversive drives of computer-generated art Boris Magrini
title_short	Confronting the Machine
title_sort	confronting the machine an enquiry into the subversive drives of computer generated art
title_sub	an enquiry into the subversive drives of computer-generated art
topic	Cohen, Harold 1928-2016 (DE-588)122545087 gnd Ihnatowicz, Edward 1926-1988 (DE-588)1080134670 gnd Medienkunst (DE-588)4113418-7 gnd Computerkunst (DE-588)4010453-9 gnd Technologie (DE-588)4059276-5 gnd Zukunft (DE-588)4068097-6 gnd Kunst (DE-588)4114333-4 gnd Moderne (DE-588)4039827-4 gnd
topic_facet	Cohen, Harold 1928-2016 Ihnatowicz, Edward 1926-1988 Medienkunst Computerkunst Technologie Zukunft Kunst Moderne
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029609610&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT magriniboris confrontingthemachineanenquiryintothesubversivedrivesofcomputergeneratedart

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