Translating jazz into poetry: from mimesis to metaphor
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin
de Gruyter
2017
|
| Schriftenreihe: | Buchreihe der Anglia / Anglia book series
Volume 42 |
| Schlagwörter: | |
| Links: | http://deposit.dnb.de/cgi-bin/dokserv?id=4384045&prov=M&dok_var=1&dok_ext=htm http://d-nb.info/1037220226/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029608608&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | IX, 308 Seiten Illustrationen |
| ISBN: | 9783110326543 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments-----v
1 Introduction---1
2 Mimesis: Intermediary and Reductive Interpretations
of Jazz Poems---7
2.1 Mimesis and Intermediary: Werner Wolf’s Typology
of Intermediai Forms--9
2.2 Mimesis and Jazz Poetry: Three Contemporary Studies
on Jazz Poetry---18
2.2.1 Sascha Feinstein’s and T.J. Anderson’s Restricted Interpretations
of “Jazz-Informed” Poetry-19
2.2.2 David Yaffe’s Worship of Jazz and Dismissal of Jazz Poetry-27
3 Metaphor: Intermediai Translation as a Metaphorical Process----31
3.1 The Domain conceptual metaphor theory:
The Basic Tenets---33
3.2 text is theory: Understanding Paul Blackburn’s Jazz Poem in Terms
of Conceptual Metaphor Theory---38
3.3 theory is text: Understanding the Conceptual Metaphor Theory
in Terms of Paul Blackburn’s Jazz Poem-41
3.4 The Translation Metaphor: A Communication Model
of Conceptual Metaphor----46
3.4.1 theory is theory: Understanding Lakoff’s and Johnson’s
Conceptual Metaphor Theory in Terms of Ovid’s Model
of Transformation--50
3.4.2 theory is theory: Understanding Saussure’s Theory
of the Linguistic Sign in Terms of Ovid’s Theory
of Transmitting Meaning---52
3.4.3 text is theory: Understanding the Medieval Text
in Terms of Conceptual Metaphor Theory-54
3.4.4 text is text: Understanding the Medieval Text Ovide Moralise
in Terms of Blackburn’s Jazz Poem-57
3.4.5 theory is theory: Understanding iser’s Reader-Response Theory
in Terms of Ovid’s Model of Understanding
a Metaphorical Expression---58
3.4.6 theory is text: Understanding Baudelaire’s Theory of Synesthesia
in Terms of Blackburn’s Jazz Poem-61
Contents
4 “Oh Play that Thing you Jazz Mad Fools!” Exploring the Creatively
Inspired Metaphor jazz music is writing in Jazz Poetry---------65
4.1 TIME IS space: a sequence of notes is a line--68
4.1.1 a sequence of notes is a line I: Translating Melodies
into Lines--69
4.1.2 A sequence of notes is a line ii: Snake Patterns
in Jazz Poetry--83
4.1.3 a sequence of notes is a line ill: improvisation on a Theme-90
4.2 sound is motion: Translations of fast and slow jazz
in Jazz Poetry--101
4.2.1 fast tempo of jazz is a vertical column---102
4.2.2 SLOW tempo is a horizontal line----125
4.3 tempo is rhythm------133
4.3.1 tempo is rhythm i: Free Verse---137
4.3.2 tempo is rhythm ii: Syncopation and Typographical
Techniques----143
4.3.3 tempo is rhythm hi: Literal Descriptions of Rhythms-151
4.3.4 tempo is rhythm iv: Additional Rhythmic Features
of Jazz Poems---158
4.3.5 tempo is rhythm v: Swing------164
4.3.6 tempo is rhythm vi: African Drum Poems----168
4.4 hot and cool Jazz----175
4.4.1 hot jazz: The Adjective “Hot”---177
4.4.2 hot jazz is fire and hot jazz is sex-178
4.4.3 hot jazz is cooking----182
4.4.4 “Hot” Poems------193
4.4.5 cool jazz: The Adjective “Cool”-199
4.4.6 Thelonious Monk: Translating Monk’s Cool Compositions---200
4.4.7 “Cool” Poems-----203
4.5 “TONE-COLORS” ARE COLORS------206
4.5.1 Blue and Red-----206
4.5.2 Black and Brown------213
4.5.3 A Palette of Colors--224
4.6 MUSICAL KEY IS A MOOD-----235
4.6.1 MINOR KEY IS A SAD MOOD-------236
4.6.2 MAJOR KEY IS A HAPPY MOOD-----246
4.7 Dynamics: Forte and Piano, Crescendo and Decrescendo----248
4.7.1 Forte and Piano----249
4.7.2 Crescendo and Decrescendo-----258
Contents
4.8 ACOUSTICAL PITCH IS A VERTICAL SCALE
4.9 “Voices” of Instruments-268
5 Conclusion-282
Works Cited 1-287
1 Primary Sources-287
1.1 Paintings and Photographs-287
1.2 Film-287
1.3 Sound Recordings and Lyrics-287
1.4 Poetry and Prose-289
2 Secondary Sources-295
Poetry Index-300
Credit Lines -304
Name Index -307
Subject Index----309
|
| any_adam_object | 1 |
| author | Redling, Erik |
| author_GND | (DE-588)1095684353 |
| author_facet | Redling, Erik |
| author_role | aut |
| author_sort | Redling, Erik |
| author_variant | e r er |
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| bvnumber | BV044202077 |
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| dewey-full | 820 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820 |
| dewey-search | 820 |
| dewey-sort | 3820 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik Musikwissenschaft |
| format | Thesis Book |
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| id | DE-604.BV044202077 |
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| indexdate | 2024-12-20T17:56:40Z |
| institution | BVB |
| isbn | 9783110326543 |
| language | English |
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| spellingShingle | Redling, Erik Translating jazz into poetry from mimesis to metaphor Intermedialität (DE-588)4605581-2 gnd Kognitive Poetik (DE-588)7663434-6 gnd Jazz poetry (DE-588)4530403-8 gnd Jazz (DE-588)4028532-7 gnd |
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| title | Translating jazz into poetry from mimesis to metaphor |
| title_auth | Translating jazz into poetry from mimesis to metaphor |
| title_exact_search | Translating jazz into poetry from mimesis to metaphor |
| title_full | Translating jazz into poetry from mimesis to metaphor Erik Redling |
| title_fullStr | Translating jazz into poetry from mimesis to metaphor Erik Redling |
| title_full_unstemmed | Translating jazz into poetry from mimesis to metaphor Erik Redling |
| title_short | Translating jazz into poetry |
| title_sort | translating jazz into poetry from mimesis to metaphor |
| title_sub | from mimesis to metaphor |
| topic | Intermedialität (DE-588)4605581-2 gnd Kognitive Poetik (DE-588)7663434-6 gnd Jazz poetry (DE-588)4530403-8 gnd Jazz (DE-588)4028532-7 gnd |
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