Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Lanham
Lexington Books
[2017]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029405649&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029405649&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029405649&sequence=000004&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | viii, 226 Seiten Illustrationen |
| ISBN: | 9781498524278 |
Internformat
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Datensatz im Suchindex
| DE-BY-UBR_call_number | 69/AP 55000 C692 |
|---|---|
| DE-BY-UBR_katkey | 5846416 |
| DE-BY-UBR_location | UB Lesesaal Philosophicum 1: Medienwissenschaft |
| DE-BY-UBR_media_number | 069041570993 |
| _version_ | 1835112685354614784 |
| adam_text | TRANSNATIONAL CINEMATOGRAPHY STUDIES
/
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION / BY DAISUKE MIYAO
LEVIATHAN / BY LINDSAY COLEMAN
FIVE FUNCTIONS OF CAMERA MOVEMENT IN NARRATIVE CINEMA / JAKOB ISAK
NIELSEN
AI TRAVERS: THE CINEMATOGRAPHY OF DEPTH IN JAPAN / DAISUKE MIYAO
THE EYES OF THE WORLD: CHRISTOPHER DOYLE, ANTHONY DOD MANTLE, ROGER
DEAKINS AND THE EMERGENCE OF A TRANSNATIONAL CINEMATIC LANGUAGE / EVAN
LIEBERMAN
WHAT DOES IT MEAN TO SAY THAT CINEMATOGRAPHY IS LIKE PAINTING WITH
LIGHT? / PATRICK KEATING
HOU HSIAO-HSIEN AND MARK LEE PING-BING: A TAIWANESE CREATIVE TEAM /
PETER H. RIST
THE MAKING OF HONG KONG: THE TEXTURE OF CINEMA / CARLOS ROJAS
THE TRANSNATIONAL GOTHIC VISIONS OF LUIS BUNIUEL AND GABRIEL FIGUEROA /
CERI HIGGINS
GRAVITY AND THE LIGHTING DESIGNER CONTROVERSY: CINEMATOGRAPHERS,
SPECIAL VISUAL EFFECTS ARTISTS AND THE RHETORIC OF DIGITAL CONVERGENCE /
JULIE TURNOCK
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
Preface by Roberto Schaefer vii
Introduction 1
Daisuke Miyao
1 When the Camera Is Cinematographer: The New Documentary
Aesthetics of Leviathan 11
Lindsay Coleman
2 Five Functions of Camera Movement in Narrative Cinema 25
Jakob Isak Nielsen
3 A Travers: The Cinematography of Depth in Japan 55
Daisuke Miyao
4 The Eyes of the World: Christopher Doyle,
Anthony Dod Mantle, Roger Deakins and
the Emergence of a Transnational Cinematic Language 77
Evan Lieberman
5 What Does It Mean to Say that Cinematography Is Like
Painting with Light? 97
Patrick Keating
6 Hou Hsiao-hsien and Mark Lee Ping-bing: A Taiwanese
Creative Team 117
Peter H. Rist
7 The Making of Hong Kong: The Texture of Cinema 149
Carlos Rojas
v
vi Contents
8 The Transnational Gothic Visions of Luis Bunuel
and Gabriel Figueroa 167
Cert Higgins
9 Gravity and the “Lighting Designer” Controversy:
Cinematographers, Special Visual Effects Artists and
the Rhetoric of Digital Convergence 187
Julie Turnock
Index
About the Editors and Contributors
217
223
Transnational Cinematography Studies introduces new perspectives to the discipline of film and media
studies. First, this volume focuses on a crucial yet largely unexplored area in film and media studies: the
substantial communication between critical studies of cinema and film production practices. This book will
integrate theories and practices of cinematographic technology. Second, Transnational Cinematography
Studies expands the scope of film and media studies into the arena of transnationalism. Cinema is now
discussed in terms of globalization of audio-visual cultures, with regard to such issues as Hollywood film
studios so-called runaway productions and multinational co-productions; Hollywood remakes of Asian
horror films or Hong Kong martial arts films; and the growing significance of international film festivals.
However, this volume proposes that globalization is not in itself new in the history of cinema, and that
cinema has always been at the forefront of transnational culture from the beginning of its history.
|
| any_adam_object | 1 |
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| building | Verbundindex |
| bvnumber | BV043997616 |
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| discipline | Allgemeines |
| format | Book |
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| indexdate | 2024-12-20T17:50:50Z |
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| isbn | 9781498524278 |
| language | English |
| lccn | 016041507 |
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| title | Transnational cinematography studies |
| title_auth | Transnational cinematography studies |
| title_exact_search | Transnational cinematography studies |
| title_full | Transnational cinematography studies edited by Lindsay Coleman, Daisuke Miyao, and Roberto Schaefer |
| title_fullStr | Transnational cinematography studies edited by Lindsay Coleman, Daisuke Miyao, and Roberto Schaefer |
| title_full_unstemmed | Transnational cinematography studies edited by Lindsay Coleman, Daisuke Miyao, and Roberto Schaefer |
| title_short | Transnational cinematography studies |
| title_sort | transnational cinematography studies |
| topic | Cinematography Digital cinematography Filmtechnik (DE-588)4017144-9 gnd |
| topic_facet | Cinematography Digital cinematography Filmtechnik Aufsatzsammlung |
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