The chamber cantatas of Antonio Vivaldi:
Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2006
|
| Schlagwörter: | |
| Links: | http://www.cambridge.org/core/product/identifier/9781846154546/type/BOOK http://www.cambridge.org/core/product/identifier/9781846154546/type/BOOK |
| Zusammenfassung: | Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Umfang: | 1 online resource (xiii, 234 pages) |
| ISBN: | 9781846154546 |
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| 505 | 8 | |a Rediscovery of Vivaldi's cantatas -- Cantata genre -- Vivaldi and the voice -- Mantuan cantatas -- Cantatas of the middle years -- Dresden cantatas -- Vivaldi's cantatas in perspective | |
| 520 | |a Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool | ||
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Datensatz im Suchindex
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| author | Talbot, Michael 1943- |
| author_facet | Talbot, Michael 1943- |
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| author_sort | Talbot, Michael 1943- |
| author_variant | m t mt |
| building | Verbundindex |
| bvnumber | BV043939811 |
| classification_rvk | LP 42582 |
| collection | ZDB-20-CBO |
| contents | Rediscovery of Vivaldi's cantatas -- Cantata genre -- Vivaldi and the voice -- Mantuan cantatas -- Cantatas of the middle years -- Dresden cantatas -- Vivaldi's cantatas in perspective |
| ctrlnum | (ZDB-20-CBO)CR9781846154546 (OCoLC)967412316 (DE-599)BVBBV043939811 |
| dewey-full | 782.2/4092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.2/4092 |
| dewey-search | 782.2/4092 |
| dewey-sort | 3782.2 44092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043939811 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:49:13Z |
| institution | BVB |
| isbn | 9781846154546 |
| language | English |
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| spelling | Talbot, Michael 1943- Verfasser aut The chamber cantatas of Antonio Vivaldi Michael Talbot Suffolk Boydell & Brewer 2006 1 online resource (xiii, 234 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Rediscovery of Vivaldi's cantatas -- Cantata genre -- Vivaldi and the voice -- Mantuan cantatas -- Cantatas of the middle years -- Dresden cantatas -- Vivaldi's cantatas in perspective Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool Vivaldi, Antonio / 1678-1741 / Cantatas Vivaldi, Antonio 1678-1741 (DE-588)118627287 gnd rswk-swf Solo cantatas, Secular / Italy / History and criticism Kammerkantate (DE-588)4264569-4 gnd rswk-swf Italien Vivaldi, Antonio 1678-1741 (DE-588)118627287 p Kammerkantate (DE-588)4264569-4 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-84383-201-0 http://www.cambridge.org/core/product/identifier/9781846154546/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Talbot, Michael 1943- The chamber cantatas of Antonio Vivaldi Rediscovery of Vivaldi's cantatas -- Cantata genre -- Vivaldi and the voice -- Mantuan cantatas -- Cantatas of the middle years -- Dresden cantatas -- Vivaldi's cantatas in perspective Vivaldi, Antonio / 1678-1741 / Cantatas Vivaldi, Antonio 1678-1741 (DE-588)118627287 gnd Solo cantatas, Secular / Italy / History and criticism Kammerkantate (DE-588)4264569-4 gnd |
| subject_GND | (DE-588)118627287 (DE-588)4264569-4 |
| title | The chamber cantatas of Antonio Vivaldi |
| title_auth | The chamber cantatas of Antonio Vivaldi |
| title_exact_search | The chamber cantatas of Antonio Vivaldi |
| title_full | The chamber cantatas of Antonio Vivaldi Michael Talbot |
| title_fullStr | The chamber cantatas of Antonio Vivaldi Michael Talbot |
| title_full_unstemmed | The chamber cantatas of Antonio Vivaldi Michael Talbot |
| title_short | The chamber cantatas of Antonio Vivaldi |
| title_sort | the chamber cantatas of antonio vivaldi |
| topic | Vivaldi, Antonio / 1678-1741 / Cantatas Vivaldi, Antonio 1678-1741 (DE-588)118627287 gnd Solo cantatas, Secular / Italy / History and criticism Kammerkantate (DE-588)4264569-4 gnd |
| topic_facet | Vivaldi, Antonio / 1678-1741 / Cantatas Vivaldi, Antonio 1678-1741 Solo cantatas, Secular / Italy / History and criticism Kammerkantate Italien |
| url | http://www.cambridge.org/core/product/identifier/9781846154546/type/BOOK |
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