Rethinking Hanslick: music, formalism, and expression
Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to...
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| Other Authors: | , , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Suffolk
Boydell & Brewer
2013
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| Subjects: | |
| Links: | http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK |
| Summary: | Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD. |
| Item Description: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Physical Description: | 1 online resource (xv, 360 pages) |
| ISBN: | 9781580467957 |
Staff View
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| 505 | 8 | 0 | |t Negotiating the "absolute" : Hanslick's path through musical history |r James Deaville |t Hanslick's composers |r Fred Everett Maus |t Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music |r Anthony Pryer |t Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk |r Felix Wörner |t Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna |r Dana Gooley |t Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception |r Chantal Frankenbach |t "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark |r David Brodbeck |t German humanism, liberalism, and elegy in Hanslick's writings on Brahms |r Nicole Grimes |t The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity |r Lauren Freede |t "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century |r Marion Gerards |t Body and soul, content and form : on Hanslick's use of the organism metaphor |r Nina Noeske |t Hanslick and Hugo Wolf |r Timothy R. McKinney |t Battle rejoined : Hanslick and the symphonic poem in the 1890s |r David Larkin |t On "Jewishness" and genre : Hanslick's reception of Gustav Mahler |r David Kasunic |
| 520 | |a Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD. | ||
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Record in the Search Index
| _version_ | 1818982561438760960 |
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| any_adam_object | |
| author2 | Grimes, Nicole Donovan, Siobhán 1966- Marx, Wolfgang 1967- |
| author2_role | edt edt edt |
| author2_variant | n g ng s d sd w m wm |
| author_GND | (DE-588)124074251 |
| author_additional | James Deaville Fred Everett Maus Anthony Pryer Felix Wörner Dana Gooley Chantal Frankenbach David Brodbeck Nicole Grimes Lauren Freede Marion Gerards Nina Noeske Timothy R. McKinney David Larkin David Kasunic |
| author_facet | Grimes, Nicole Donovan, Siobhán 1966- Marx, Wolfgang 1967- |
| building | Verbundindex |
| bvnumber | BV043938140 |
| classification_rvk | LP 64040 |
| collection | ZDB-20-CBO |
| contents | Negotiating the "absolute" : Hanslick's path through musical history Hanslick's composers Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark German humanism, liberalism, and elegy in Hanslick's writings on Brahms The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century Body and soul, content and form : on Hanslick's use of the organism metaphor Hanslick and Hugo Wolf Battle rejoined : Hanslick and the symphonic poem in the 1890s On "Jewishness" and genre : Hanslick's reception of Gustav Mahler |
| ctrlnum | (ZDB-20-CBO)CR9781580467957 (OCoLC)967386839 (DE-599)BVBBV043938140 |
| dewey-full | 720.973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 720 - Architecture |
| dewey-raw | 720.973 |
| dewey-search | 720.973 |
| dewey-sort | 3720.973 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur Musikwissenschaft |
| era | Geschichte 1800-1900 Geschichte 1800-1904 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1800-1904 |
| format | Electronic eBook |
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| publisher | Boydell & Brewer |
| record_format | marc |
| spelling | Rethinking Hanslick music, formalism, and expression edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx Suffolk Boydell & Brewer 2013 1 online resource (xv, 360 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Negotiating the "absolute" : Hanslick's path through musical history James Deaville Hanslick's composers Fred Everett Maus Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music Anthony Pryer Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk Felix Wörner Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna Dana Gooley Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception Chantal Frankenbach "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark David Brodbeck German humanism, liberalism, and elegy in Hanslick's writings on Brahms Nicole Grimes The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity Lauren Freede "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century Marion Gerards Body and soul, content and form : on Hanslick's use of the organism metaphor Nina Noeske Hanslick and Hugo Wolf Timothy R. McKinney Battle rejoined : Hanslick and the symphonic poem in the 1890s David Larkin On "Jewishness" and genre : Hanslick's reception of Gustav Mahler David Kasunic Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD. Hanslick, Eduard / 1825-1904 Hanslick, Eduard 1825-1904 (DE-588)118545825 gnd rswk-swf Geschichte 1800-1900 Geschichte 1800-1904 gnd rswk-swf Geschichte Musik Music / 19th century / Philosophy and aesthetics Musical criticism / History / 19th century Musikkritik (DE-588)4139777-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Wien (DE-588)4066009-6 g Musik (DE-588)4040802-4 s Musikkritik (DE-588)4139777-0 s Geschichte 1800-1904 z 2\p DE-604 Hanslick, Eduard 1825-1904 (DE-588)118545825 p 3\p DE-604 Grimes, Nicole edt Donovan, Siobhán 1966- edt Marx, Wolfgang 1967- (DE-588)124074251 edt Erscheint auch als Druckausgabe 978-1-58046-432-1 http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rethinking Hanslick music, formalism, and expression Negotiating the "absolute" : Hanslick's path through musical history Hanslick's composers Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark German humanism, liberalism, and elegy in Hanslick's writings on Brahms The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century Body and soul, content and form : on Hanslick's use of the organism metaphor Hanslick and Hugo Wolf Battle rejoined : Hanslick and the symphonic poem in the 1890s On "Jewishness" and genre : Hanslick's reception of Gustav Mahler Hanslick, Eduard / 1825-1904 Hanslick, Eduard 1825-1904 (DE-588)118545825 gnd Geschichte Musik Music / 19th century / Philosophy and aesthetics Musical criticism / History / 19th century Musikkritik (DE-588)4139777-0 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)118545825 (DE-588)4139777-0 (DE-588)4040802-4 (DE-588)4066009-6 (DE-588)4143413-4 |
| title | Rethinking Hanslick music, formalism, and expression |
| title_alt | Negotiating the "absolute" : Hanslick's path through musical history Hanslick's composers Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark German humanism, liberalism, and elegy in Hanslick's writings on Brahms The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century Body and soul, content and form : on Hanslick's use of the organism metaphor Hanslick and Hugo Wolf Battle rejoined : Hanslick and the symphonic poem in the 1890s On "Jewishness" and genre : Hanslick's reception of Gustav Mahler |
| title_auth | Rethinking Hanslick music, formalism, and expression |
| title_exact_search | Rethinking Hanslick music, formalism, and expression |
| title_full | Rethinking Hanslick music, formalism, and expression edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx |
| title_fullStr | Rethinking Hanslick music, formalism, and expression edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx |
| title_full_unstemmed | Rethinking Hanslick music, formalism, and expression edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx |
| title_short | Rethinking Hanslick |
| title_sort | rethinking hanslick music formalism and expression |
| title_sub | music, formalism, and expression |
| topic | Hanslick, Eduard / 1825-1904 Hanslick, Eduard 1825-1904 (DE-588)118545825 gnd Geschichte Musik Music / 19th century / Philosophy and aesthetics Musical criticism / History / 19th century Musikkritik (DE-588)4139777-0 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Hanslick, Eduard / 1825-1904 Hanslick, Eduard 1825-1904 Geschichte Musik Music / 19th century / Philosophy and aesthetics Musical criticism / History / 19th century Musikkritik Wien Aufsatzsammlung |
| url | http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK |
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