Music and literature in German romanticism:
The interrelationship between music and literature reached its zenith during the Romantic era, and nowhere was this relationship more pronounced than in Germany. Many representatives of literary and philosophical German Romanticism held music to be the highest and most expressive, quintessentially R...
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
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Suffolk
Boydell & Brewer
2004
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| Links: | http://www.cambridge.org/core/product/identifier/9781571136459/type/BOOK http://www.cambridge.org/core/product/identifier/9781571136459/type/BOOK |
| Zusammenfassung: | The interrelationship between music and literature reached its zenith during the Romantic era, and nowhere was this relationship more pronounced than in Germany. Many representatives of literary and philosophical German Romanticism held music to be the highest and most expressive, quintessentially Romantic art form, able to convey what cannot be expressed in words: the ineffable and metaphysical. The influence was reciprocal, with literature providing a rich source of inspiration for German composers of both instrumental and vocal music, giving rise to a wealth of new forms and styles. The essays in this volume are selected from papers presented at an international, interdisciplinary conference held at University College Dublin in December 2000, and include contributions from Germanists, musicologists, comparatists, and performance artists. This interdisciplinarity makes for informed and complementary approaches and arguments. The essays cover not only the 'Romantic' nineteenth century (commencing with the early Romanticism of the Jena circle), but also look ahead to the legacy, reception, and continuation of German Romanticism in the modern and postmodern ages. Alongside new readings of familiar and established writers and composers such as Goethe, Hoffmann, Wagner, and Schubert, a case is made for other figures such as Wackenroder, Novalis, Schlegel, Schumann, Brahms, Liszt, and Berlioz, as well as less-known figures such as Ritter, Schneider, and Termen, and for a reconsideration of questions of categorization. The essays will appeal to readers with a wide variety of academic, musical, and literary interests. Siobhán Donovan is a Lecturer in the Department of German at University College Dublin. Robin Elliott is Jean A. Chalmers Chair in Canadian Music at the University of Toronto |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Umfang: | 1 online resource (xxix, 233 pages) |
| ISBN: | 9781571136459 |
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| 520 | |a The interrelationship between music and literature reached its zenith during the Romantic era, and nowhere was this relationship more pronounced than in Germany. Many representatives of literary and philosophical German Romanticism held music to be the highest and most expressive, quintessentially Romantic art form, able to convey what cannot be expressed in words: the ineffable and metaphysical. The influence was reciprocal, with literature providing a rich source of inspiration for German composers of both instrumental and vocal music, giving rise to a wealth of new forms and styles. The essays in this volume are selected from papers presented at an international, interdisciplinary conference held at University College Dublin in December 2000, and include contributions from Germanists, musicologists, comparatists, and performance artists. This interdisciplinarity makes for informed and complementary approaches and arguments. The essays cover not only the 'Romantic' nineteenth century (commencing with the early Romanticism of the Jena circle), but also look ahead to the legacy, reception, and continuation of German Romanticism in the modern and postmodern ages. Alongside new readings of familiar and established writers and composers such as Goethe, Hoffmann, Wagner, and Schubert, a case is made for other figures such as Wackenroder, Novalis, Schlegel, Schumann, Brahms, Liszt, and Berlioz, as well as less-known figures such as Ritter, Schneider, and Termen, and for a reconsideration of questions of categorization. The essays will appeal to readers with a wide variety of academic, musical, and literary interests. Siobhán Donovan is a Lecturer in the Department of German at University College Dublin. Robin Elliott is Jean A. Chalmers Chair in Canadian Music at the University of Toronto | ||
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| contents | German romantic music aesthetics. Iniquitous innocence : the ambiguity of music in the Phantasien über die Kunst (1799) / Richard Littlejohns -- The cosmic-symphonic : Novalis, music, and universal discourse / James Hodkinson -- "Das Hören ist ein Sehen von und durch innen" : Johann Wilhelm Ritter and the aesthetics of music / Thomas Strässle -- Music and non-verbal reason in E.T.A. Hoffmann / Jeanne Riou |
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| dewey-search | 830.9/357 |
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| discipline | Germanistik / Niederlandistik / Skandinavistik Musikwissenschaft |
| era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1790-1850 gnd |
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| spelling | Music and literature in German romanticism edited by Siobhán Donovan and Robin Elliott Music & Literature in German Romanticism Suffolk Boydell & Brewer 2004 1 online resource (xxix, 233 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) German romantic music aesthetics. Iniquitous innocence : the ambiguity of music in the Phantasien über die Kunst (1799) / Richard Littlejohns -- The cosmic-symphonic : Novalis, music, and universal discourse / James Hodkinson -- "Das Hören ist ein Sehen von und durch innen" : Johann Wilhelm Ritter and the aesthetics of music / Thomas Strässle -- Music and non-verbal reason in E.T.A. Hoffmann / Jeanne Riou The interrelationship between music and literature reached its zenith during the Romantic era, and nowhere was this relationship more pronounced than in Germany. Many representatives of literary and philosophical German Romanticism held music to be the highest and most expressive, quintessentially Romantic art form, able to convey what cannot be expressed in words: the ineffable and metaphysical. The influence was reciprocal, with literature providing a rich source of inspiration for German composers of both instrumental and vocal music, giving rise to a wealth of new forms and styles. The essays in this volume are selected from papers presented at an international, interdisciplinary conference held at University College Dublin in December 2000, and include contributions from Germanists, musicologists, comparatists, and performance artists. This interdisciplinarity makes for informed and complementary approaches and arguments. The essays cover not only the 'Romantic' nineteenth century (commencing with the early Romanticism of the Jena circle), but also look ahead to the legacy, reception, and continuation of German Romanticism in the modern and postmodern ages. Alongside new readings of familiar and established writers and composers such as Goethe, Hoffmann, Wagner, and Schubert, a case is made for other figures such as Wackenroder, Novalis, Schlegel, Schumann, Brahms, Liszt, and Berlioz, as well as less-known figures such as Ritter, Schneider, and Termen, and for a reconsideration of questions of categorization. The essays will appeal to readers with a wide variety of academic, musical, and literary interests. Siobhán Donovan is a Lecturer in the Department of German at University College Dublin. Robin Elliott is Jean A. Chalmers Chair in Canadian Music at the University of Toronto Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1790-1850 gnd rswk-swf German literature / 18th century / History and criticism / Congresses German literature / 19th century / History and criticism / Congresses Music and literature / Congresses Romanticism / Germany / Congresses Musik (DE-588)4040802-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Romantik (DE-588)4050491-8 s Deutschland (DE-588)4011882-4 g Musik (DE-588)4040802-4 s Literatur (DE-588)4035964-5 s 1\p DE-604 Geschichte 1790-1850 z 2\p DE-604 Donovan, Siobhán 1966- edt Elliott, Robin 1956- edt Erscheint auch als Druckausgabe 978-1-57113-258-1 http://www.cambridge.org/core/product/identifier/9781571136459/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Music and literature in German romanticism German romantic music aesthetics. Iniquitous innocence : the ambiguity of music in the Phantasien über die Kunst (1799) / Richard Littlejohns -- The cosmic-symphonic : Novalis, music, and universal discourse / James Hodkinson -- "Das Hören ist ein Sehen von und durch innen" : Johann Wilhelm Ritter and the aesthetics of music / Thomas Strässle -- Music and non-verbal reason in E.T.A. Hoffmann / Jeanne Riou German literature / 18th century / History and criticism / Congresses German literature / 19th century / History and criticism / Congresses Music and literature / Congresses Romanticism / Germany / Congresses Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd Romantik (DE-588)4050491-8 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4035964-5 (DE-588)4050491-8 (DE-588)4011882-4 (DE-588)1071861417 |
| title | Music and literature in German romanticism |
| title_alt | Music & Literature in German Romanticism |
| title_auth | Music and literature in German romanticism |
| title_exact_search | Music and literature in German romanticism |
| title_full | Music and literature in German romanticism edited by Siobhán Donovan and Robin Elliott |
| title_fullStr | Music and literature in German romanticism edited by Siobhán Donovan and Robin Elliott |
| title_full_unstemmed | Music and literature in German romanticism edited by Siobhán Donovan and Robin Elliott |
| title_short | Music and literature in German romanticism |
| title_sort | music and literature in german romanticism |
| topic | German literature / 18th century / History and criticism / Congresses German literature / 19th century / History and criticism / Congresses Music and literature / Congresses Romanticism / Germany / Congresses Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd Romantik (DE-588)4050491-8 gnd |
| topic_facet | German literature / 18th century / History and criticism / Congresses German literature / 19th century / History and criticism / Congresses Music and literature / Congresses Romanticism / Germany / Congresses Musik Literatur Romantik Deutschland Konferenzschrift |
| url | http://www.cambridge.org/core/product/identifier/9781571136459/type/BOOK |
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