The Spanish prisoner:
Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2009
|
| Schlagwörter: | |
| Links: | http://www.cambridge.org/core/product/identifier/9780748633708/type/BOOK http://www.cambridge.org/core/product/identifier/9780748633708/type/BOOK |
| Zusammenfassung: | Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the 'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking with personal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques. This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry. Key Features oDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures Classics oAssesses the position of David Mamet within American cinema oIntroduces the genre categories of the 'con artist' and the 'con game' filmand discusses The Spanish Prisoner as a key example of the latter oExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aesthetic |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Umfang: | 1 online resource (xi, 154 pages) |
| ISBN: | 9780748633708 |
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| 520 | |a Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the 'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking with personal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques. This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry. Key Features oDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures Classics oAssesses the position of David Mamet within American cinema oIntroduces the genre categories of the 'con artist' and the 'con game' filmand discusses The Spanish Prisoner as a key example of the latter oExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aesthetic | ||
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| author | Tzioumakis, Yannis |
| author_facet | Tzioumakis, Yannis |
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| contents | Introduction : "You don't know who anyone is" -- From independent to "indie" cinema -- David Mamet and "indie" cinema -- "Indie" film at work : producing and distributing The Spanish prisoner -- "That's what you just think you saw!" : narrative and film style in The Spanish prisoner -- Playing with cinema : the master of the con game film -- Conclusion -- Filmography : David Mamet in American cinema and television |
| ctrlnum | (ZDB-20-CBO)CR9780748633708 (OCoLC)948771635 (DE-599)BVBBV043937465 |
| dewey-full | 791.43/72 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/72 |
| dewey-search | 791.43/72 |
| dewey-sort | 3791.43 272 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| format | Electronic eBook |
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| spelling | Tzioumakis, Yannis Verfasser aut The Spanish prisoner Yannis Tzioumakis Edinburgh Edinburgh University Press 2009 1 online resource (xi, 154 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction : "You don't know who anyone is" -- From independent to "indie" cinema -- David Mamet and "indie" cinema -- "Indie" film at work : producing and distributing The Spanish prisoner -- "That's what you just think you saw!" : narrative and film style in The Spanish prisoner -- Playing with cinema : the master of the con game film -- Conclusion -- Filmography : David Mamet in American cinema and television Despite more than a passing nod to such crowdpleasing classics as Hitchcock's North by Northwest, playwright-turned-independent filmmaker David Mamet's The Spanish Prisoner is a particularly idiosyncratic film that betrays its origin outside the Hollywood mainstream. Featuring a convoluted narrative, an excessive, often anti-classical, visual style, and belonging to the generic category of the 'con game film' which often challenges the spectator's cognitive skills, The Spanish Prisoner is a film that bridges genre filmmaking with personal visual style, independent film production with niche distribution,and mainstream subject matter with unconventional filmic techniques. This book discusses The Spanish Prisoner as an example of contemporary American independent cinema while also using the film as a vehicle to explore several key ideas in film studies, especially in terms of aesthetics, narrative, style, spectatorship, genre and industry. Key Features oDistinguishes between independent and 'indie' cinema through anexamination of the 'classics divisions,' especially Sony Pictures Classics oAssesses the position of David Mamet within American cinema oIntroduces the genre categories of the 'con artist' and the 'con game' filmand discusses The Spanish Prisoner as a key example of the latter oExamines the ways in which narrative, narration and visual style deviate from the mainstream/classical aesthetic Mamet, David / Criticism and interpretation Spanish prisoner (Motion picture) The Spanish Prisoner (DE-588)7660413-5 gnd rswk-swf Independent films / United States / History and criticism Independent filmmakers / United States USA The Spanish Prisoner (DE-588)7660413-5 u 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-3368-5 Erscheint auch als Druckausgabe 978-0-7486-3369-2 http://www.cambridge.org/core/product/identifier/9780748633708/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Tzioumakis, Yannis The Spanish prisoner Introduction : "You don't know who anyone is" -- From independent to "indie" cinema -- David Mamet and "indie" cinema -- "Indie" film at work : producing and distributing The Spanish prisoner -- "That's what you just think you saw!" : narrative and film style in The Spanish prisoner -- Playing with cinema : the master of the con game film -- Conclusion -- Filmography : David Mamet in American cinema and television Mamet, David / Criticism and interpretation Spanish prisoner (Motion picture) The Spanish Prisoner (DE-588)7660413-5 gnd Independent films / United States / History and criticism Independent filmmakers / United States |
| subject_GND | (DE-588)7660413-5 |
| title | The Spanish prisoner |
| title_auth | The Spanish prisoner |
| title_exact_search | The Spanish prisoner |
| title_full | The Spanish prisoner Yannis Tzioumakis |
| title_fullStr | The Spanish prisoner Yannis Tzioumakis |
| title_full_unstemmed | The Spanish prisoner Yannis Tzioumakis |
| title_short | The Spanish prisoner |
| title_sort | the spanish prisoner |
| topic | Mamet, David / Criticism and interpretation Spanish prisoner (Motion picture) The Spanish Prisoner (DE-588)7660413-5 gnd Independent films / United States / History and criticism Independent filmmakers / United States |
| topic_facet | Mamet, David / Criticism and interpretation Spanish prisoner (Motion picture) The Spanish Prisoner Independent films / United States / History and criticism Independent filmmakers / United States USA |
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