Memory, subjectivity and independent Chinese cinema:
Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2014
|
| Schriftenreihe: | Edinburgh studies in East Asian film
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| Schlagwörter: | |
| Links: | http://www.cambridge.org/core/product/identifier/9780748692347/type/BOOK http://www.cambridge.org/core/product/identifier/9780748692347/type/BOOK |
| Zusammenfassung: | Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covers the following directorsZhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 09 Sep 2016) |
| Umfang: | 1 online resource (xii, 252 pages) |
| ISBN: | 9780748692347 |
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| 520 | |a Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covers the following directorsZhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film | ||
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Datensatz im Suchindex
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| author | Wang, Qi 1973- |
| author_facet | Wang, Qi 1973- |
| author_role | aut |
| author_sort | Wang, Qi 1973- |
| author_variant | q w qw |
| building | Verbundindex |
| bvnumber | BV043937395 |
| classification_rvk | AP 59462 |
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| contents | Part 1. From the past: subjectivity, memory and narrative -- Toward the figuration of a postsocialist subject -- For a narration of one's own -- Part 2. In the present: camera, documentary and performance -- Surface and edge: the cinema of Jia Zhangke and Lou Ye -- Personal documentary -- Performing bodies in experimental and digital media -- Conclusion: China's luckless but hopeful angels of history |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430951 |
| dewey-search | 791.430951 |
| dewey-sort | 3791.430951 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1990-2010 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1990-2010 |
| format | Electronic eBook |
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| geographic_facet | China |
| id | DE-604.BV043937395 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:49:09Z |
| institution | BVB |
| isbn | 9780748692347 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029346365 |
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| physical | 1 online resource (xii, 252 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
| publishDate | 2014 |
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| publisher | Edinburgh University Press |
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| series2 | Edinburgh studies in East Asian film |
| spelling | Wang, Qi 1973- Verfasser aut Memory, subjectivity and independent Chinese cinema Qi Wang Edinburgh Edinburgh University Press 2014 1 online resource (xii, 252 pages) txt rdacontent c rdamedia cr rdacarrier Edinburgh studies in East Asian film Title from publisher's bibliographic system (viewed on 09 Sep 2016) Part 1. From the past: subjectivity, memory and narrative -- Toward the figuration of a postsocialist subject -- For a narration of one's own -- Part 2. In the present: camera, documentary and performance -- Surface and edge: the cinema of Jia Zhangke and Lou Ye -- Personal documentary -- Performing bodies in experimental and digital media -- Conclusion: China's luckless but hopeful angels of history Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covers the following directorsZhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film Geschichte 1900-2000 Geschichte 1990-2010 gnd rswk-swf Film Geschichte Gesellschaft Politik Motion pictures / China / History / 20th century Motion pictures / China / History / 21st century Motion pictures / Political aspects / China Motion pictures / Social aspects / China Unabhängiger Film (DE-588)4485045-1 gnd rswk-swf Geschichtsbewusstsein (DE-588)4020526-5 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf China (DE-588)4009937-4 g Unabhängiger Film (DE-588)4485045-1 s Geschichtsbewusstsein (DE-588)4020526-5 s Geschichte 1990-2010 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-9233-0 http://www.cambridge.org/core/product/identifier/9780748692347/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wang, Qi 1973- Memory, subjectivity and independent Chinese cinema Part 1. From the past: subjectivity, memory and narrative -- Toward the figuration of a postsocialist subject -- For a narration of one's own -- Part 2. In the present: camera, documentary and performance -- Surface and edge: the cinema of Jia Zhangke and Lou Ye -- Personal documentary -- Performing bodies in experimental and digital media -- Conclusion: China's luckless but hopeful angels of history Film Geschichte Gesellschaft Politik Motion pictures / China / History / 20th century Motion pictures / China / History / 21st century Motion pictures / Political aspects / China Motion pictures / Social aspects / China Unabhängiger Film (DE-588)4485045-1 gnd Geschichtsbewusstsein (DE-588)4020526-5 gnd |
| subject_GND | (DE-588)4485045-1 (DE-588)4020526-5 (DE-588)4009937-4 |
| title | Memory, subjectivity and independent Chinese cinema |
| title_auth | Memory, subjectivity and independent Chinese cinema |
| title_exact_search | Memory, subjectivity and independent Chinese cinema |
| title_full | Memory, subjectivity and independent Chinese cinema Qi Wang |
| title_fullStr | Memory, subjectivity and independent Chinese cinema Qi Wang |
| title_full_unstemmed | Memory, subjectivity and independent Chinese cinema Qi Wang |
| title_short | Memory, subjectivity and independent Chinese cinema |
| title_sort | memory subjectivity and independent chinese cinema |
| topic | Film Geschichte Gesellschaft Politik Motion pictures / China / History / 20th century Motion pictures / China / History / 21st century Motion pictures / Political aspects / China Motion pictures / Social aspects / China Unabhängiger Film (DE-588)4485045-1 gnd Geschichtsbewusstsein (DE-588)4020526-5 gnd |
| topic_facet | Film Geschichte Gesellschaft Politik Motion pictures / China / History / 20th century Motion pictures / China / History / 21st century Motion pictures / Political aspects / China Motion pictures / Social aspects / China Unabhängiger Film Geschichtsbewusstsein China |
| url | http://www.cambridge.org/core/product/identifier/9780748692347/type/BOOK |
| work_keys_str_mv | AT wangqi memorysubjectivityandindependentchinesecinema |