Wagner's melodies: aesthetics and materialism in German musical identity
Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispens...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9781139013703 https://doi.org/10.1017/CBO9781139013703 https://doi.org/10.1017/CBO9781139013703 |
| Zusammenfassung: | Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Umfang: | 1 online resource (xiv, 448 pages) |
| ISBN: | 9781139013703 |
| DOI: | 10.1017/CBO9781139013703 |
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| 520 | |a Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics | ||
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Datensatz im Suchindex
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| author | Trippett, David 1980- |
| author_GND | (DE-588)1026130743 |
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| author_sort | Trippett, David 1980- |
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| bvnumber | BV043928232 |
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| contents | German melody -- Melodielehre? -- Wagner in the melodic workshop -- Excursus : Bellini's Sinnlichkeit, Wagner's Italy -- Hearing voices : Wilhelmine Schroder-Devrient and the Lohengrin recitatives -- Vowels, voices, and "original truth" -- Wagner's material expression |
| ctrlnum | (ZDB-20-CBO)CR9781139013703 (OCoLC)972382176 (DE-599)BVBBV043928232 |
| dewey-full | 782.1092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1092 |
| dewey-search | 782.1092 |
| dewey-sort | 3782.1092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139013703 |
| era | Geschichte 1800-1900 |
| era_facet | Geschichte 1800-1900 |
| format | Electronic eBook |
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| id | DE-604.BV043928232 |
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| isbn | 9781139013703 |
| language | English |
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| spelling | Trippett, David 1980- Verfasser (DE-588)1026130743 aut Wagner's melodies aesthetics and materialism in German musical identity David Trippett Cambridge Cambridge University Press 2013 1 online resource (xiv, 448 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) German melody -- Melodielehre? -- Wagner in the melodic workshop -- Excursus : Bellini's Sinnlichkeit, Wagner's Italy -- Hearing voices : Wilhelmine Schroder-Devrient and the Lohengrin recitatives -- Vowels, voices, and "original truth" -- Wagner's material expression Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics Wagner, Richard / 1813-1883 / Criticism and interpretation Wagner, Richard 1813-1883 (DE-588)118594117 gnd rswk-swf Geschichte 1800-1900 Musik Music / 19th century / Philosophy and aesthetics Melody Musikästhetik (DE-588)4040808-5 gnd rswk-swf Melodie (DE-588)4139233-4 gnd rswk-swf Wagner, Richard 1813-1883 (DE-588)118594117 p Melodie (DE-588)4139233-4 s Musikästhetik (DE-588)4040808-5 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-01430-5 https://doi.org/10.1017/CBO9781139013703 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Trippett, David 1980- Wagner's melodies aesthetics and materialism in German musical identity German melody -- Melodielehre? -- Wagner in the melodic workshop -- Excursus : Bellini's Sinnlichkeit, Wagner's Italy -- Hearing voices : Wilhelmine Schroder-Devrient and the Lohengrin recitatives -- Vowels, voices, and "original truth" -- Wagner's material expression Wagner, Richard / 1813-1883 / Criticism and interpretation Wagner, Richard 1813-1883 (DE-588)118594117 gnd Musik Music / 19th century / Philosophy and aesthetics Melody Musikästhetik (DE-588)4040808-5 gnd Melodie (DE-588)4139233-4 gnd |
| subject_GND | (DE-588)118594117 (DE-588)4040808-5 (DE-588)4139233-4 |
| title | Wagner's melodies aesthetics and materialism in German musical identity |
| title_auth | Wagner's melodies aesthetics and materialism in German musical identity |
| title_exact_search | Wagner's melodies aesthetics and materialism in German musical identity |
| title_full | Wagner's melodies aesthetics and materialism in German musical identity David Trippett |
| title_fullStr | Wagner's melodies aesthetics and materialism in German musical identity David Trippett |
| title_full_unstemmed | Wagner's melodies aesthetics and materialism in German musical identity David Trippett |
| title_short | Wagner's melodies |
| title_sort | wagner s melodies aesthetics and materialism in german musical identity |
| title_sub | aesthetics and materialism in German musical identity |
| topic | Wagner, Richard / 1813-1883 / Criticism and interpretation Wagner, Richard 1813-1883 (DE-588)118594117 gnd Musik Music / 19th century / Philosophy and aesthetics Melody Musikästhetik (DE-588)4040808-5 gnd Melodie (DE-588)4139233-4 gnd |
| topic_facet | Wagner, Richard / 1813-1883 / Criticism and interpretation Wagner, Richard 1813-1883 Musik Music / 19th century / Philosophy and aesthetics Melody Musikästhetik Melodie |
| url | https://doi.org/10.1017/CBO9781139013703 |
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