Women modernists and fascism:
Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how pho...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City
Cambridge University Press
2011
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9780511844089 https://doi.org/10.1017/CBO9780511844089 https://doi.org/10.1017/CBO9780511844089 https://doi.org/10.1017/CBO9780511844089 |
| Zusammenfassung: | Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Göring and Pétain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation |
| Umfang: | 1 Online-Ressource (x, 236 Seiten) Illustrationen |
| ISBN: | 9780511844089 |
| DOI: | 10.1017/CBO9780511844089 |
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| 505 | 8 | |a Introduction: occupations -- 1. In her image: Leni Riefenstahl's cinematic Hitler -- 2. Stein's secret sharers: great men and modernist authority -- 3. 'A face inappropriate to fame': Janet Flanner, the 'Fuhrer' profiles, and the image of the fascist leader -- 4. Berchtesgaden is burning: Lee Miller, iconicity, and the demise of the Nazi leader -- Conclusion: from monster to muse -- Bibliography -- Index | |
| 520 | |a Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Göring and Pétain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation | ||
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| contents | Introduction: occupations -- 1. In her image: Leni Riefenstahl's cinematic Hitler -- 2. Stein's secret sharers: great men and modernist authority -- 3. 'A face inappropriate to fame': Janet Flanner, the 'Fuhrer' profiles, and the image of the fascist leader -- 4. Berchtesgaden is burning: Lee Miller, iconicity, and the demise of the Nazi leader -- Conclusion: from monster to muse -- Bibliography -- Index |
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| dewey-ones | 700 - The arts |
| dewey-raw | 700.1/03 |
| dewey-search | 700.1/03 |
| dewey-sort | 3700.1 13 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1017/CBO9780511844089 |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
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| indexdate | 2025-01-11T14:59:54Z |
| institution | BVB |
| isbn | 9780511844089 |
| language | English |
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| spelling | Zox-Weaver, Annalisa Verfasser aut Women modernists and fascism Annalisa Zox-Weaver Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City Cambridge University Press 2011 1 Online-Ressource (x, 236 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Introduction: occupations -- 1. In her image: Leni Riefenstahl's cinematic Hitler -- 2. Stein's secret sharers: great men and modernist authority -- 3. 'A face inappropriate to fame': Janet Flanner, the 'Fuhrer' profiles, and the image of the fascist leader -- 4. Berchtesgaden is burning: Lee Miller, iconicity, and the demise of the Nazi leader -- Conclusion: from monster to muse -- Bibliography -- Index Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Göring and Pétain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation Flanner, Janet 1892-1978 (DE-588)119224356 gnd rswk-swf Stein, Gertrude 1874-1946 (DE-588)118617257 gnd rswk-swf Riefenstahl, Leni 1902-2003 (DE-588)118600761 gnd rswk-swf Hitler, Adolf 1889-1945 (DE-588)118551655 gnd rswk-swf Miller, Lee 1907-1977 (DE-588)118910256 gnd rswk-swf Geschichte 1900-2000 Fascism and art Dictators in art Modernism (Art) / Themes, motives Arts, Modern / 20th century / Themes, motives Künste (DE-588)4033422-3 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Künstlerin (DE-588)4033430-2 gnd rswk-swf Nationalsozialismus (DE-588)4041316-0 gnd rswk-swf Hitler, Adolf 1889-1945 (DE-588)118551655 p Künstlerin (DE-588)4033430-2 s Moderne (DE-588)4039827-4 s Künste (DE-588)4033422-3 s Nationalsozialismus (DE-588)4041316-0 s DE-604 Riefenstahl, Leni 1902-2003 (DE-588)118600761 p Stein, Gertrude 1874-1946 (DE-588)118617257 p Flanner, Janet 1892-1978 (DE-588)119224356 p Miller, Lee 1907-1977 (DE-588)118910256 p Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-00852-6 (DE-604)BV039623546 Erscheint auch als Druck-Ausgabe 978-1-107-53479-7 https://doi.org/10.1017/CBO9780511844089 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Zox-Weaver, Annalisa Women modernists and fascism Introduction: occupations -- 1. In her image: Leni Riefenstahl's cinematic Hitler -- 2. Stein's secret sharers: great men and modernist authority -- 3. 'A face inappropriate to fame': Janet Flanner, the 'Fuhrer' profiles, and the image of the fascist leader -- 4. Berchtesgaden is burning: Lee Miller, iconicity, and the demise of the Nazi leader -- Conclusion: from monster to muse -- Bibliography -- Index Flanner, Janet 1892-1978 (DE-588)119224356 gnd Stein, Gertrude 1874-1946 (DE-588)118617257 gnd Riefenstahl, Leni 1902-2003 (DE-588)118600761 gnd Hitler, Adolf 1889-1945 (DE-588)118551655 gnd Miller, Lee 1907-1977 (DE-588)118910256 gnd Fascism and art Dictators in art Modernism (Art) / Themes, motives Arts, Modern / 20th century / Themes, motives Künste (DE-588)4033422-3 gnd Moderne (DE-588)4039827-4 gnd Künstlerin (DE-588)4033430-2 gnd Nationalsozialismus (DE-588)4041316-0 gnd |
| subject_GND | (DE-588)119224356 (DE-588)118617257 (DE-588)118600761 (DE-588)118551655 (DE-588)118910256 (DE-588)4033422-3 (DE-588)4039827-4 (DE-588)4033430-2 (DE-588)4041316-0 |
| title | Women modernists and fascism |
| title_auth | Women modernists and fascism |
| title_exact_search | Women modernists and fascism |
| title_full | Women modernists and fascism Annalisa Zox-Weaver |
| title_fullStr | Women modernists and fascism Annalisa Zox-Weaver |
| title_full_unstemmed | Women modernists and fascism Annalisa Zox-Weaver |
| title_short | Women modernists and fascism |
| title_sort | women modernists and fascism |
| topic | Flanner, Janet 1892-1978 (DE-588)119224356 gnd Stein, Gertrude 1874-1946 (DE-588)118617257 gnd Riefenstahl, Leni 1902-2003 (DE-588)118600761 gnd Hitler, Adolf 1889-1945 (DE-588)118551655 gnd Miller, Lee 1907-1977 (DE-588)118910256 gnd Fascism and art Dictators in art Modernism (Art) / Themes, motives Arts, Modern / 20th century / Themes, motives Künste (DE-588)4033422-3 gnd Moderne (DE-588)4039827-4 gnd Künstlerin (DE-588)4033430-2 gnd Nationalsozialismus (DE-588)4041316-0 gnd |
| topic_facet | Flanner, Janet 1892-1978 Stein, Gertrude 1874-1946 Riefenstahl, Leni 1902-2003 Hitler, Adolf 1889-1945 Miller, Lee 1907-1977 Fascism and art Dictators in art Modernism (Art) / Themes, motives Arts, Modern / 20th century / Themes, motives Künste Moderne Künstlerin Nationalsozialismus |
| url | https://doi.org/10.1017/CBO9780511844089 |
| work_keys_str_mv | AT zoxweaverannalisa womenmodernistsandfascism |