Umberto Eco and the open text: semiotics, fiction, popular culture
Umberto Eco is Italy's most famous living intellectual, known among academics for his literary and cultural theories, and to an enormous international audience through his novels, The Name of the Rose, Foucault's Pendulum and The Island of the Day Before. Umberto Eco and the Open Text is t...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1997
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9780511581755 https://doi.org/10.1017/CBO9780511581755 https://doi.org/10.1017/CBO9780511581755 |
| Zusammenfassung: | Umberto Eco is Italy's most famous living intellectual, known among academics for his literary and cultural theories, and to an enormous international audience through his novels, The Name of the Rose, Foucault's Pendulum and The Island of the Day Before. Umberto Eco and the Open Text is the first comprehensive study in English of Eco's work. In clear and accessible language, Peter Bondanella considers not only Eco's most famous texts, but also many occasional essays not yet translated into English. Tracing Eco's intellectual development from early studies in medieval aesthetics to seminal works on popular culture, postmodern fiction, and semiotic theory, he shows how Eco's own fiction grows out of his literary and cultural theories. Bondanella cites all texts in English, and provides a full bibliography of works by and about Eco |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Umfang: | 1 online resource (xvi, 218 pages) |
| ISBN: | 9780511581755 |
| DOI: | 10.1017/CBO9780511581755 |
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| 520 | |a Umberto Eco is Italy's most famous living intellectual, known among academics for his literary and cultural theories, and to an enormous international audience through his novels, The Name of the Rose, Foucault's Pendulum and The Island of the Day Before. Umberto Eco and the Open Text is the first comprehensive study in English of Eco's work. In clear and accessible language, Peter Bondanella considers not only Eco's most famous texts, but also many occasional essays not yet translated into English. Tracing Eco's intellectual development from early studies in medieval aesthetics to seminal works on popular culture, postmodern fiction, and semiotic theory, he shows how Eco's own fiction grows out of his literary and cultural theories. Bondanella cites all texts in English, and provides a full bibliography of works by and about Eco | ||
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| contents | 1. Umberto Eco's intellectual origins: medieval aesthetics, publishing, and mass media -- 2. The Open Work, Misreadings, and modernist aesthetics -- 3. Cultural theory and popular culture: from structuralism to semiotics -- 4. From semiotics to narrative theory in a decade of radical social change -- 5. "To make truth laugh": postmodern theory and practice in The Name of the Rose -- 6. Interpretation, overinterpretation, paranoid interpretation, and Foucault's Pendulum -- 7. Inferential strolls and narrative shipwrecks: Six Walks and The Island of the Day Before -- 8. Conclusion |
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| dewey-ones | 853 - Italian fiction |
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| dewey-tens | 850 - Italian, Romanian & related literatures |
| discipline | Romanistik |
| doi_str_mv | 10.1017/CBO9780511581755 |
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| spelling | Bondanella, Peter E. 1943- Verfasser aut Umberto Eco and the open text semiotics, fiction, popular culture Peter Bondanella Umberto Eco & the Open Text Cambridge Cambridge University Press 1997 1 online resource (xvi, 218 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1. Umberto Eco's intellectual origins: medieval aesthetics, publishing, and mass media -- 2. The Open Work, Misreadings, and modernist aesthetics -- 3. Cultural theory and popular culture: from structuralism to semiotics -- 4. From semiotics to narrative theory in a decade of radical social change -- 5. "To make truth laugh": postmodern theory and practice in The Name of the Rose -- 6. Interpretation, overinterpretation, paranoid interpretation, and Foucault's Pendulum -- 7. Inferential strolls and narrative shipwrecks: Six Walks and The Island of the Day Before -- 8. Conclusion Umberto Eco is Italy's most famous living intellectual, known among academics for his literary and cultural theories, and to an enormous international audience through his novels, The Name of the Rose, Foucault's Pendulum and The Island of the Day Before. Umberto Eco and the Open Text is the first comprehensive study in English of Eco's work. In clear and accessible language, Peter Bondanella considers not only Eco's most famous texts, but also many occasional essays not yet translated into English. Tracing Eco's intellectual development from early studies in medieval aesthetics to seminal works on popular culture, postmodern fiction, and semiotic theory, he shows how Eco's own fiction grows out of his literary and cultural theories. Bondanella cites all texts in English, and provides a full bibliography of works by and about Eco Eco, Umberto / Criticism and interpretation Eco, Umberto 1932-2016 (DE-588)11852884X gnd rswk-swf Semiotics and literature / Italy Italien Eco, Umberto 1932-2016 (DE-588)11852884X p 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02087-9 Erscheint auch als Druckausgabe 978-0-521-44200-8 https://doi.org/10.1017/CBO9780511581755 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bondanella, Peter E. 1943- Umberto Eco and the open text semiotics, fiction, popular culture 1. Umberto Eco's intellectual origins: medieval aesthetics, publishing, and mass media -- 2. The Open Work, Misreadings, and modernist aesthetics -- 3. Cultural theory and popular culture: from structuralism to semiotics -- 4. From semiotics to narrative theory in a decade of radical social change -- 5. "To make truth laugh": postmodern theory and practice in The Name of the Rose -- 6. Interpretation, overinterpretation, paranoid interpretation, and Foucault's Pendulum -- 7. Inferential strolls and narrative shipwrecks: Six Walks and The Island of the Day Before -- 8. Conclusion Eco, Umberto / Criticism and interpretation Eco, Umberto 1932-2016 (DE-588)11852884X gnd Semiotics and literature / Italy |
| subject_GND | (DE-588)11852884X |
| title | Umberto Eco and the open text semiotics, fiction, popular culture |
| title_alt | Umberto Eco & the Open Text |
| title_auth | Umberto Eco and the open text semiotics, fiction, popular culture |
| title_exact_search | Umberto Eco and the open text semiotics, fiction, popular culture |
| title_full | Umberto Eco and the open text semiotics, fiction, popular culture Peter Bondanella |
| title_fullStr | Umberto Eco and the open text semiotics, fiction, popular culture Peter Bondanella |
| title_full_unstemmed | Umberto Eco and the open text semiotics, fiction, popular culture Peter Bondanella |
| title_short | Umberto Eco and the open text |
| title_sort | umberto eco and the open text semiotics fiction popular culture |
| title_sub | semiotics, fiction, popular culture |
| topic | Eco, Umberto / Criticism and interpretation Eco, Umberto 1932-2016 (DE-588)11852884X gnd Semiotics and literature / Italy |
| topic_facet | Eco, Umberto / Criticism and interpretation Eco, Umberto 1932-2016 Semiotics and literature / Italy Italien |
| url | https://doi.org/10.1017/CBO9780511581755 |
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