The making of the West End stage: marriage, management and the mapping of gender in London, 1830-1870

All roads lead to London - and to the West End theatre. This book presents a new history of the beginnings of the modern world of London entertainment. Putting female-centred, gender-challenging managements and styles at the centre, it redraws the map of performance history in the Victorian capital...

Ausführliche Beschreibung

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Bibliographische Detailangaben
Beteilige Person: Bratton, Jacky 1945- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:Englisch
Veröffentlicht: Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City Cambridge University Press 2011
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Links:https://doi.org/10.1017/CBO9781139031967
https://doi.org/10.1017/CBO9781139031967
https://doi.org/10.1017/CBO9781139031967
https://doi.org/10.1017/CBO9781139031967
Zusammenfassung:All roads lead to London - and to the West End theatre. This book presents a new history of the beginnings of the modern world of London entertainment. Putting female-centred, gender-challenging managements and styles at the centre, it redraws the map of performance history in the Victorian capital of the world. Bratton argues for the importance in Victorian culture of venues like the little Strand Theatre and the Gallery of Illustration in Regent Street in the experience of mid-century London, and of plays drawn from the work of Charles Dickens as well as burlesques by the early writers of Punch. Discovering a much more dynamic and often woman-led entertainment industry at the heart of the British Empire, this book seeks a new understanding of the work of women including Eliza Vestris, Mary Ann Keeley and Marie Wilton in creating the template for a magical new theatre of music, feeling and spectacle
Umfang:1 Online-Ressource (viii, 222 Seiten) Illustrationen, Karten
ISBN:9781139031967
DOI:10.1017/CBO9781139031967