The French Revolution and the London stage, 1789-1805:
During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. New and popular genres like pantomime, gothic drama, history plays, musical and spectacular entertainment, and, above all, melodrama provided metaphors for th...
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Main Author: | |
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Format: | Electronic eBook |
Language: | English |
Published: |
Cambridge
Cambridge University Press
2000
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Subjects: | |
Links: | https://doi.org/10.1017/CBO9781139175968 https://doi.org/10.1017/CBO9781139175968 https://doi.org/10.1017/CBO9781139175968 |
Summary: | During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. New and popular genres like pantomime, gothic drama, history plays, musical and spectacular entertainment, and, above all, melodrama provided metaphors for the hopes and fears inspired by the conflict in France and subsequent European wars. This 2001 book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. He argues that melodrama had its origins in this period, with certain gothic villains displaying qualities attributed to Robespierre and Napoleon, and that recurrent images of incarceration and dispossession reflected fears of arbitrary persecution, from the tyranny of the Bastille to the Jacobin's Reign of Terror. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries Taylor reveals issues of ideological conflict and psychological stress |
Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Physical Description: | 1 online resource (x, 263 pages) |
ISBN: | 9781139175968 |
DOI: | 10.1017/CBO9781139175968 |
Staff View
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Record in the Search Index
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any_adam_object | |
author | Taylor, George 1940- |
author_facet | Taylor, George 1940- |
author_role | aut |
author_sort | Taylor, George 1940- |
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building | Verbundindex |
bvnumber | BV043924862 |
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discipline | Allgemeines Anglistik / Amerikanistik Geschichte Musikwissenschaft |
doi_str_mv | 10.1017/CBO9781139175968 |
era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1789-1805 gnd |
era_facet | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1789-1805 |
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geographic | Frankreich France / History / Revolution, 1789-1799 / Influence France / History / Revolution, 1789-1799 / Foreign public opinion, British France / History / Revolution, 1789-1799 / Literature and the revolution London (DE-588)4074335-4 gnd |
geographic_facet | Frankreich France / History / Revolution, 1789-1799 / Influence France / History / Revolution, 1789-1799 / Foreign public opinion, British France / History / Revolution, 1789-1799 / Literature and the revolution London |
id | DE-604.BV043924862 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T17:48:45Z |
institution | BVB |
isbn | 9781139175968 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029333940 |
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physical | 1 online resource (x, 263 pages) |
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publishDate | 2000 |
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publisher | Cambridge University Press |
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spelling | Taylor, George 1940- Verfasser aut The French Revolution and the London stage, 1789-1805 George Taylor The French Revolution & the London Stage, 1789–1805 Cambridge Cambridge University Press 2000 1 online resource (x, 263 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. New and popular genres like pantomime, gothic drama, history plays, musical and spectacular entertainment, and, above all, melodrama provided metaphors for the hopes and fears inspired by the conflict in France and subsequent European wars. This 2001 book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. He argues that melodrama had its origins in this period, with certain gothic villains displaying qualities attributed to Robespierre and Napoleon, and that recurrent images of incarceration and dispossession reflected fears of arbitrary persecution, from the tyranny of the Bastille to the Jacobin's Reign of Terror. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries Taylor reveals issues of ideological conflict and psychological stress Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1789-1805 gnd rswk-swf Geschichte Theater / England / London / History / 18th century Theater / England / London / History / 19th century English drama / 18th century / History and criticism English drama / 19th century / History and criticism Englisch (DE-588)4014777-0 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Französische Revolution (DE-588)4018183-2 gnd rswk-swf Frankreich France / History / Revolution, 1789-1799 / Influence France / History / Revolution, 1789-1799 / Foreign public opinion, British France / History / Revolution, 1789-1799 / Literature and the revolution London (DE-588)4074335-4 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Französische Revolution (DE-588)4018183-2 s Geschichte 1789-1805 z 1\p DE-604 London (DE-588)4074335-4 g Theater (DE-588)4059702-7 s 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-03464-7 Erscheint auch als Druckausgabe 978-0-521-63052-8 https://doi.org/10.1017/CBO9781139175968 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Taylor, George 1940- The French Revolution and the London stage, 1789-1805 Geschichte Theater / England / London / History / 18th century Theater / England / London / History / 19th century English drama / 18th century / History and criticism English drama / 19th century / History and criticism Englisch (DE-588)4014777-0 gnd Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Französische Revolution (DE-588)4018183-2 gnd |
subject_GND | (DE-588)4014777-0 (DE-588)4059702-7 (DE-588)4012899-4 (DE-588)4018183-2 (DE-588)4074335-4 |
title | The French Revolution and the London stage, 1789-1805 |
title_alt | The French Revolution & the London Stage, 1789–1805 |
title_auth | The French Revolution and the London stage, 1789-1805 |
title_exact_search | The French Revolution and the London stage, 1789-1805 |
title_full | The French Revolution and the London stage, 1789-1805 George Taylor |
title_fullStr | The French Revolution and the London stage, 1789-1805 George Taylor |
title_full_unstemmed | The French Revolution and the London stage, 1789-1805 George Taylor |
title_short | The French Revolution and the London stage, 1789-1805 |
title_sort | the french revolution and the london stage 1789 1805 |
topic | Geschichte Theater / England / London / History / 18th century Theater / England / London / History / 19th century English drama / 18th century / History and criticism English drama / 19th century / History and criticism Englisch (DE-588)4014777-0 gnd Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Französische Revolution (DE-588)4018183-2 gnd |
topic_facet | Geschichte Theater / England / London / History / 18th century Theater / England / London / History / 19th century English drama / 18th century / History and criticism English drama / 19th century / History and criticism Englisch Theater Drama Französische Revolution Frankreich France / History / Revolution, 1789-1799 / Influence France / History / Revolution, 1789-1799 / Foreign public opinion, British France / History / Revolution, 1789-1799 / Literature and the revolution London |
url | https://doi.org/10.1017/CBO9781139175968 |
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