The dastgāh concept in Persian music:
The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musi...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
1990
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| Series: | Cambridge studies in ethnomusicology
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| Subjects: | |
| Links: | https://doi.org/10.1017/CBO9780511470233 https://doi.org/10.1017/CBO9780511470233 https://doi.org/10.1017/CBO9780511470233 |
| Summary: | The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (xii, 201 pages) |
| ISBN: | 9780511470233 |
| DOI: | 10.1017/CBO9780511470233 |
Staff View
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Record in the Search Index
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| any_adam_object | |
| author | Farhat, Hormoz |
| author_facet | Farhat, Hormoz |
| author_role | aut |
| author_sort | Farhat, Hormoz |
| author_variant | h f hf |
| building | Verbundindex |
| bvnumber | BV043921887 |
| classification_rvk | LS 37040 LS 37120 |
| collection | ZDB-20-CBO |
| contents | A brief historical perspective -- Intervals and scales in contemporary Persian music -- Musical concepts and terminology -- Dastgāh-e sur -- Dastgāh-e abuata -- Dastgāh-e dasti -- Dastgāh-e bayat tork -- Dastgāh-e afsari -- Dastgāh-e segah -- Dastgāh-e cahargah -- Dastgāh-e homayun -- Dastgāh-e bayat-e esfahan -- Dastgāh-e nava -- Dastgāh-e mahur -- Dastgāh-e rast (rast-panjgah) -- Vagrant guses -- Compositional forms |
| ctrlnum | (ZDB-20-CBO)CR9780511470233 (OCoLC)849880439 (DE-599)BVBBV043921887 |
| dewey-full | 780/.955 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.955 |
| dewey-search | 780/.955 |
| dewey-sort | 3780 3955 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511470233 |
| format | Electronic eBook |
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| isbn | 9780511470233 |
| language | English |
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| spelling | Farhat, Hormoz Verfasser aut The dastgāh concept in Persian music Hormoz Farhat Cambridge Cambridge University Press 1990 1 online resource (xii, 201 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in ethnomusicology Title from publisher's bibliographic system (viewed on 05 Oct 2015) A brief historical perspective -- Intervals and scales in contemporary Persian music -- Musical concepts and terminology -- Dastgāh-e sur -- Dastgāh-e abuata -- Dastgāh-e dasti -- Dastgāh-e bayat tork -- Dastgāh-e afsari -- Dastgāh-e segah -- Dastgāh-e cahargah -- Dastgāh-e homayun -- Dastgāh-e bayat-e esfahan -- Dastgāh-e nava -- Dastgāh-e mahur -- Dastgāh-e rast (rast-panjgah) -- Vagrant guses -- Compositional forms The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times Dastgāh Music theory / Iran Kunstmusik (DE-588)4385558-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Dastgāh (DE-588)4271405-9 gnd rswk-swf Iran (DE-588)4027653-3 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Iran (DE-588)4027653-3 g Musik (DE-588)4040802-4 s 2\p DE-604 Kunstmusik (DE-588)4385558-1 s 3\p DE-604 Dastgāh (DE-588)4271405-9 s 4\p DE-604 Erscheint auch als Druckausgabe 978-0-521-30542-6 Erscheint auch als Druckausgabe 978-0-521-54206-7 https://doi.org/10.1017/CBO9780511470233 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Farhat, Hormoz The dastgāh concept in Persian music A brief historical perspective -- Intervals and scales in contemporary Persian music -- Musical concepts and terminology -- Dastgāh-e sur -- Dastgāh-e abuata -- Dastgāh-e dasti -- Dastgāh-e bayat tork -- Dastgāh-e afsari -- Dastgāh-e segah -- Dastgāh-e cahargah -- Dastgāh-e homayun -- Dastgāh-e bayat-e esfahan -- Dastgāh-e nava -- Dastgāh-e mahur -- Dastgāh-e rast (rast-panjgah) -- Vagrant guses -- Compositional forms Dastgāh Music theory / Iran Kunstmusik (DE-588)4385558-1 gnd Musik (DE-588)4040802-4 gnd Dastgāh (DE-588)4271405-9 gnd |
| subject_GND | (DE-588)4385558-1 (DE-588)4040802-4 (DE-588)4271405-9 (DE-588)4027653-3 (DE-588)4113937-9 |
| title | The dastgāh concept in Persian music |
| title_auth | The dastgāh concept in Persian music |
| title_exact_search | The dastgāh concept in Persian music |
| title_full | The dastgāh concept in Persian music Hormoz Farhat |
| title_fullStr | The dastgāh concept in Persian music Hormoz Farhat |
| title_full_unstemmed | The dastgāh concept in Persian music Hormoz Farhat |
| title_short | The dastgāh concept in Persian music |
| title_sort | the dastgah concept in persian music |
| topic | Dastgāh Music theory / Iran Kunstmusik (DE-588)4385558-1 gnd Musik (DE-588)4040802-4 gnd Dastgāh (DE-588)4271405-9 gnd |
| topic_facet | Dastgāh Music theory / Iran Kunstmusik Musik Iran Hochschulschrift |
| url | https://doi.org/10.1017/CBO9780511470233 |
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