Hugo Riemann and the birth of modern musical thought:
Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849–1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, howe...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
[2009]
|
| Schriftenreihe: | New perspectives in music history and criticism
11 |
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9780511481369 https://doi.org/10.1017/CBO9780511481369 https://doi.org/10.1017/CBO9780511481369 |
| Zusammenfassung: | Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849–1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Umfang: | 1 online resource (x, 218 pages) |
| ISBN: | 9780511481369 |
| DOI: | 10.1017/CBO9780511481369 |
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| 520 | |a Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849–1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed | ||
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Datensatz im Suchindex
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| author | Rehding, Alexander ca. 20. Jh |
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| author_role | aut |
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| author_variant | a r ar |
| building | Verbundindex |
| bvnumber | BV043921084 |
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| contents | Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations |
| ctrlnum | (ZDB-20-CBO)CR9780511481369 (OCoLC)850226777 (DE-599)BVBBV043921084 |
| dewey-full | 780/.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.92 |
| dewey-search | 780/.92 |
| dewey-sort | 3780 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481369 |
| format | Electronic eBook |
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| id | DE-604.BV043921084 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:48:38Z |
| institution | BVB |
| isbn | 9780511481369 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029330167 |
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| publishDate | 2009 |
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| publisher | Cambridge University Press |
| record_format | marc |
| series2 | New perspectives in music history and criticism |
| spelling | Rehding, Alexander ca. 20. Jh. Verfasser (DE-588)14018516X aut Hugo Riemann and the birth of modern musical thought Alexander Rehding Hugo Riemann & the Birth of Modern Musical Thought Cambridge Cambridge University Press [2009] ©2009 1 online resource (x, 218 pages) txt rdacontent c rdamedia cr rdacarrier New perspectives in music history and criticism 11 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849–1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed Riemann, Hugo / 1849-1919 / Criticism and interpretation Riemann, Hugo 1849-1919 (DE-588)118600877 gnd rswk-swf Geschichte Music theory / History Musicology / History Musiktheorie (DE-588)4040876-0 gnd rswk-swf Riemann, Hugo 1849-1919 (DE-588)118600877 p Musiktheorie (DE-588)4040876-0 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-09636-2 Erscheint auch als Druckausgabe 978-0-521-82073-8 https://doi.org/10.1017/CBO9780511481369 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rehding, Alexander ca. 20. Jh Hugo Riemann and the birth of modern musical thought Riemann's moonshine experiment -- The responsibilities of nineteenth-century music theory -- Riemann's musical logic and the 'as if' -- Musical syntax, nationhood and universality -- Beethoven's deafness and tone imaginations Riemann, Hugo / 1849-1919 / Criticism and interpretation Riemann, Hugo 1849-1919 (DE-588)118600877 gnd Geschichte Music theory / History Musicology / History Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)118600877 (DE-588)4040876-0 |
| title | Hugo Riemann and the birth of modern musical thought |
| title_alt | Hugo Riemann & the Birth of Modern Musical Thought |
| title_auth | Hugo Riemann and the birth of modern musical thought |
| title_exact_search | Hugo Riemann and the birth of modern musical thought |
| title_full | Hugo Riemann and the birth of modern musical thought Alexander Rehding |
| title_fullStr | Hugo Riemann and the birth of modern musical thought Alexander Rehding |
| title_full_unstemmed | Hugo Riemann and the birth of modern musical thought Alexander Rehding |
| title_short | Hugo Riemann and the birth of modern musical thought |
| title_sort | hugo riemann and the birth of modern musical thought |
| topic | Riemann, Hugo / 1849-1919 / Criticism and interpretation Riemann, Hugo 1849-1919 (DE-588)118600877 gnd Geschichte Music theory / History Musicology / History Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Riemann, Hugo / 1849-1919 / Criticism and interpretation Riemann, Hugo 1849-1919 Geschichte Music theory / History Musicology / History Musiktheorie |
| url | https://doi.org/10.1017/CBO9780511481369 |
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