The emergence of Irish gothic fiction: history, origins, theories
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2014]
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| Subjects: | |
| Links: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696586 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=696586 |
| Item Description: | Print version record |
| Physical Description: | 1 online resource (vii, 240 pages) |
| ISBN: | 9780748690817 0748690816 9780748690800 0748690808 |
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| 505 | 8 | |a Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features * Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword * Provides a rigorous and robust theory of the Irish Gothic * Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland | |
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Record in the Search Index
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| contents | Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features * Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword * Provides a rigorous and robust theory of the Irish Gothic * Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland Zombieland: From Gothic Ireland to Irish Gothic -- Braindead: Locating the Gothic -- The Creeping Unknown: Re-Making Meaning in the Gothic Novel -- Mad Love: The Adventures of Miss Sophia Berkley and the Politics of Consent -- The Monster Club: Monstrosity, Catholicism and Revising the (1641) Rising -- Undead: Unmaking Monsters in Longsword -- Land of the Dead |
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| dewey-full | 23 823.0 |
| dewey-hundreds | 000 - Computer science, information, general works 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 023 - Personnel management 823 - English fiction |
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| dewey-sort | 223 |
| dewey-tens | 020 - Library and information sciences 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik Theologie / Religionswissenschaften |
| era | Geschichte 1750-1800 gnd |
| era_facet | Geschichte 1750-1800 |
| format | Electronic eBook |
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| spelling | Killeen, Jarlath 1976- Verfasser aut The emergence of Irish gothic fiction history, origins, theories Jarlath Killeen Edinburgh Edinburgh University Press [2014] © 2014 1 online resource (vii, 240 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features * Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword * Provides a rigorous and robust theory of the Irish Gothic * Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland Zombieland: From Gothic Ireland to Irish Gothic -- Braindead: Locating the Gothic -- The Creeping Unknown: Re-Making Meaning in the Gothic Novel -- Mad Love: The Adventures of Miss Sophia Berkley and the Politics of Consent -- The Monster Club: Monstrosity, Catholicism and Revising the (1641) Rising -- Undead: Unmaking Monsters in Longsword -- Land of the Dead Geschichte 1750-1800 gnd rswk-swf LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / Gothic & Romance bisacsh Gothic fiction (Literary genre), English fast Irish fiction fast Monsters in literature fast Literature ukslc Literatur Gothic fiction (Literary genre), English Ireland History and criticism Irish fiction Monsters in literature Gothic novel (DE-588)4157930-6 gnd rswk-swf Irland Irland (DE-588)4027667-3 gnd rswk-swf Irland (DE-588)4027667-3 g Gothic novel (DE-588)4157930-6 s Geschichte 1750-1800 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Killeen, Jarlath, 1976- Emergence of Irish gothic fiction 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Killeen, Jarlath 1976- The emergence of Irish gothic fiction history, origins, theories Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features * Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword * Provides a rigorous and robust theory of the Irish Gothic * Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland Zombieland: From Gothic Ireland to Irish Gothic -- Braindead: Locating the Gothic -- The Creeping Unknown: Re-Making Meaning in the Gothic Novel -- Mad Love: The Adventures of Miss Sophia Berkley and the Politics of Consent -- The Monster Club: Monstrosity, Catholicism and Revising the (1641) Rising -- Undead: Unmaking Monsters in Longsword -- Land of the Dead LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / Gothic & Romance bisacsh Gothic fiction (Literary genre), English fast Irish fiction fast Monsters in literature fast Literature ukslc Literatur Gothic fiction (Literary genre), English Ireland History and criticism Irish fiction Monsters in literature Gothic novel (DE-588)4157930-6 gnd |
| subject_GND | (DE-588)4157930-6 (DE-588)4027667-3 |
| title | The emergence of Irish gothic fiction history, origins, theories |
| title_alt | Zombieland: From Gothic Ireland to Irish Gothic -- Braindead: Locating the Gothic -- The Creeping Unknown: Re-Making Meaning in the Gothic Novel -- Mad Love: The Adventures of Miss Sophia Berkley and the Politics of Consent -- The Monster Club: Monstrosity, Catholicism and Revising the (1641) Rising -- Undead: Unmaking Monsters in Longsword -- Land of the Dead |
| title_auth | The emergence of Irish gothic fiction history, origins, theories |
| title_exact_search | The emergence of Irish gothic fiction history, origins, theories |
| title_full | The emergence of Irish gothic fiction history, origins, theories Jarlath Killeen |
| title_fullStr | The emergence of Irish gothic fiction history, origins, theories Jarlath Killeen |
| title_full_unstemmed | The emergence of Irish gothic fiction history, origins, theories Jarlath Killeen |
| title_short | The emergence of Irish gothic fiction |
| title_sort | the emergence of irish gothic fiction history origins theories |
| title_sub | history, origins, theories |
| topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / Gothic & Romance bisacsh Gothic fiction (Literary genre), English fast Irish fiction fast Monsters in literature fast Literature ukslc Literatur Gothic fiction (Literary genre), English Ireland History and criticism Irish fiction Monsters in literature Gothic novel (DE-588)4157930-6 gnd |
| topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh LITERARY CRITICISM / Gothic & Romance Gothic fiction (Literary genre), English Irish fiction Monsters in literature Literature Literatur Gothic fiction (Literary genre), English Ireland History and criticism Irish fiction Monsters in literature Gothic novel Irland |
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