Affective passions: the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001)
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Paper |
| Language: | English |
| Published: |
2012
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| ISBN: | 978-0-415-68783-6 |
Staff View
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Record in the Search Index
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| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:43:19Z |
| institution | BVB |
| isbn | 978-0-415-68783-6 |
| language | English |
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| spelling | Bâ, Saër Maty (DE-588)102626331X aut Affective passions the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) Saër Maty Bâ and Kate E. Taylor-Jones 2012 txt rdacontent n rdamedia nc rdacarrier Taylor-Jones, Kate (DE-588)1081648465 aut pages:53-66 De-westernizing film studies / ed. by Saër Maty Bâ and Will Higbee 1. publ. London [u.a.], 2012 Seiten 53-66 (DE-604)BV040361466 978-0-415-68783-6 |
| spellingShingle | Bâ, Saër Maty Taylor-Jones, Kate Affective passions the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) |
| title | Affective passions the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) |
| title_auth | Affective passions the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) |
| title_exact_search | Affective passions the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) |
| title_full | Affective passions the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) Saër Maty Bâ and Kate E. Taylor-Jones |
| title_fullStr | Affective passions the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) Saër Maty Bâ and Kate E. Taylor-Jones |
| title_full_unstemmed | Affective passions the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) Saër Maty Bâ and Kate E. Taylor-Jones |
| title_short | Affective passions |
| title_sort | affective passions the dancing female body and colonial rupture in zouzou 1934 and karmen gei 2001 |
| title_sub | the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001) |
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