Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Chicago ; London
The University of Chicago Press
[2016]
|
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029109638&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Summary: | In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell'arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi's lost L'Arianna, as well as his Il Ritorno d'Ulisse and L'incoronazione di Poppea; Mazzochi and Marazzoli's L'Egisto, ovvero Chi soffre speri; and Cavalli's L'Ormindo and L'Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell'arte theater specifically, the use of dialect and verbal play produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre. - Emily Wilbourne is assistant professor of musicology at Queens College and the Graduate Center of the City University of New York. |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | 229 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780226401577 |
Staff View
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Record in the Search Index
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| DE-BY-UBR_katkey | 6110503 |
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| adam_text |
SEVENTEENTH-CENTURY OPERA AND THE SOUND OF THE COMMEDIA DELL'ARTE
/ WILBOURNE, EMILYYYEAUTHOR
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION. THE TRAGEDIES AND COMEDIES RECITED BY THE ZANNI
THE COMMEDIA DELL'ARTE AS THEATER
"MA MEGLIO DI TUTTI ARIANNA COMEDIANTE"
THE SERIOUS ELEMENTS OF EARLY COMIC OPERA
PENELOPE AND POPPEA AS STOCK FIGURES OF THE COMMEDIA DELL'ARTE
CONCLUSION. SEVENTEENTH-CENTURY OPERA AND THE SOUND OF THE COMMEDIA
DELL'ARTE
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
| author | Wilbourne, Emily ca. 20./21. Jh |
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| author_role | aut |
| author_sort | Wilbourne, Emily ca. 20./21. Jh |
| author_variant | e w ew |
| building | Verbundindex |
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| dewey-search | 782.109/032 |
| dewey-sort | 3782.109 232 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1600-1700 Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Book |
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| spellingShingle | Wilbourne, Emily ca. 20./21. Jh Seventeenth-century opera and the sound of the commedia dell'arte Opera Italy 17th century Commedia dell'arte History and criticism Commedia dell'arte Influence Commedia dell'arte Characters Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd Commedia dell'arte (DE-588)4010433-3 gnd |
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| title | Seventeenth-century opera and the sound of the commedia dell'arte |
| title_alt | 17th century opera and the sound of the commedia dell'arte XVII century opera and the sound of the commedia dell'arte |
| title_auth | Seventeenth-century opera and the sound of the commedia dell'arte |
| title_exact_search | Seventeenth-century opera and the sound of the commedia dell'arte |
| title_full | Seventeenth-century opera and the sound of the commedia dell'arte Emily Wilbourne |
| title_fullStr | Seventeenth-century opera and the sound of the commedia dell'arte Emily Wilbourne |
| title_full_unstemmed | Seventeenth-century opera and the sound of the commedia dell'arte Emily Wilbourne |
| title_short | Seventeenth-century opera and the sound of the commedia dell'arte |
| title_sort | seventeenth century opera and the sound of the commedia dell arte |
| topic | Opera Italy 17th century Commedia dell'arte History and criticism Commedia dell'arte Influence Commedia dell'arte Characters Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd Commedia dell'arte (DE-588)4010433-3 gnd |
| topic_facet | Opera Italy 17th century Commedia dell'arte History and criticism Commedia dell'arte Influence Commedia dell'arte Characters Oper Rezeption Commedia dell'arte Italien |
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