Evolution, cognition, and performance:
Culture and cognition work together dynamically every time a spectator interprets meaning during a performance. In this study, Bruce McConachie examines the biocultural basis of all performance, from its origins and the cognitive processes that facilitate it, to what keeps us coming back for more. T...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9781316134122 https://doi.org/10.1017/CBO9781316134122 https://doi.org/10.1017/CBO9781316134122 https://doi.org/10.1017/CBO9781316134122 |
| Zusammenfassung: | Culture and cognition work together dynamically every time a spectator interprets meaning during a performance. In this study, Bruce McConachie examines the biocultural basis of all performance, from its origins and the cognitive processes that facilitate it, to what keeps us coming back for more. To effect this major reorientation, McConachie works within the scientific paradigm of enaction, which explains all human activities, including performances, as the interactions of mental, bodily, and ecological networks. He goes on to use our biocultural proclivity for altruism, as revealed in performance, to explore our species' gradual ethical progress on such matters as the changing norms of religious sacrifice, slavery, and LGBT rights. Along the way, the book engages with a wide range of performances, including Richard Pryor's stand-up, the film Titanic, aerialist performances, American football, and the stage and film versions of A Streetcar Named Desire |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 10 Dec 2015) |
| Umfang: | 1 online resource (viii, 219 pages) |
| ISBN: | 9781316134122 |
| DOI: | 10.1017/CBO9781316134122 |
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| 500 | |a Title from publisher's bibliographic system (viewed on 10 Dec 2015) | ||
| 505 | 8 | |a Machine generated contents note: Introduction: toward biocultural performance studies; 1. Enaction, evolution, and performance; 2. Rituals, image schemas, and cultural-cognitive ecosystems; 3. Sociality, emotions, and empathy; 4. The dynamics of making meanings; 5. A Deweyan ethics for performance studies | |
| 520 | |a Culture and cognition work together dynamically every time a spectator interprets meaning during a performance. In this study, Bruce McConachie examines the biocultural basis of all performance, from its origins and the cognitive processes that facilitate it, to what keeps us coming back for more. To effect this major reorientation, McConachie works within the scientific paradigm of enaction, which explains all human activities, including performances, as the interactions of mental, bodily, and ecological networks. He goes on to use our biocultural proclivity for altruism, as revealed in performance, to explore our species' gradual ethical progress on such matters as the changing norms of religious sacrifice, slavery, and LGBT rights. Along the way, the book engages with a wide range of performances, including Richard Pryor's stand-up, the film Titanic, aerialist performances, American football, and the stage and film versions of A Streetcar Named Desire | ||
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Theater / Philosophy | |
| 650 | 4 | |a Theater / Anthropological aspects | |
| 650 | 4 | |a Human information processing | |
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Datensatz im Suchindex
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| author | McConachie, Bruce A. 1944- |
| author_GND | (DE-588)129334995 |
| author_facet | McConachie, Bruce A. 1944- |
| author_role | aut |
| author_sort | McConachie, Bruce A. 1944- |
| author_variant | b a m ba bam |
| building | Verbundindex |
| bvnumber | BV043695185 |
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| contents | Machine generated contents note: Introduction: toward biocultural performance studies; 1. Enaction, evolution, and performance; 2. Rituals, image schemas, and cultural-cognitive ecosystems; 3. Sociality, emotions, and empathy; 4. The dynamics of making meanings; 5. A Deweyan ethics for performance studies |
| ctrlnum | (ZDB-20-CBO)CR9781316134122 (OCoLC)949925796 (DE-599)BVBBV043695185 |
| dewey-full | 792.01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.01 |
| dewey-search | 792.01 |
| dewey-sort | 3792.01 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9781316134122 |
| format | Electronic eBook |
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| id | DE-604.BV043695185 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:42:50Z |
| institution | BVB |
| isbn | 9781316134122 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029107755 |
| oclc_num | 949925796 |
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| physical | 1 online resource (viii, 219 pages) |
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| spelling | McConachie, Bruce A. 1944- Verfasser (DE-588)129334995 aut Evolution, cognition, and performance Bruce McConachie Evolution, Cognition, & Performance Cambridge Cambridge University Press 2015 1 online resource (viii, 219 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 10 Dec 2015) Machine generated contents note: Introduction: toward biocultural performance studies; 1. Enaction, evolution, and performance; 2. Rituals, image schemas, and cultural-cognitive ecosystems; 3. Sociality, emotions, and empathy; 4. The dynamics of making meanings; 5. A Deweyan ethics for performance studies Culture and cognition work together dynamically every time a spectator interprets meaning during a performance. In this study, Bruce McConachie examines the biocultural basis of all performance, from its origins and the cognitive processes that facilitate it, to what keeps us coming back for more. To effect this major reorientation, McConachie works within the scientific paradigm of enaction, which explains all human activities, including performances, as the interactions of mental, bodily, and ecological networks. He goes on to use our biocultural proclivity for altruism, as revealed in performance, to explore our species' gradual ethical progress on such matters as the changing norms of religious sacrifice, slavery, and LGBT rights. Along the way, the book engages with a wide range of performances, including Richard Pryor's stand-up, the film Titanic, aerialist performances, American football, and the stage and film versions of A Streetcar Named Desire Philosophie Theater / Philosophy Theater / Anthropological aspects Human information processing Erscheint auch als Druckausgabe 978-1-107-09139-9 Erscheint auch als Druckausgabe 978-1-107-46345-5 https://doi.org/10.1017/CBO9781316134122 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McConachie, Bruce A. 1944- Evolution, cognition, and performance Machine generated contents note: Introduction: toward biocultural performance studies; 1. Enaction, evolution, and performance; 2. Rituals, image schemas, and cultural-cognitive ecosystems; 3. Sociality, emotions, and empathy; 4. The dynamics of making meanings; 5. A Deweyan ethics for performance studies Philosophie Theater / Philosophy Theater / Anthropological aspects Human information processing |
| title | Evolution, cognition, and performance |
| title_alt | Evolution, Cognition, & Performance |
| title_auth | Evolution, cognition, and performance |
| title_exact_search | Evolution, cognition, and performance |
| title_full | Evolution, cognition, and performance Bruce McConachie |
| title_fullStr | Evolution, cognition, and performance Bruce McConachie |
| title_full_unstemmed | Evolution, cognition, and performance Bruce McConachie |
| title_short | Evolution, cognition, and performance |
| title_sort | evolution cognition and performance |
| topic | Philosophie Theater / Philosophy Theater / Anthropological aspects Human information processing |
| topic_facet | Philosophie Theater / Philosophy Theater / Anthropological aspects Human information processing |
| url | https://doi.org/10.1017/CBO9781316134122 |
| work_keys_str_mv | AT mcconachiebrucea evolutioncognitionandperformance AT mcconachiebrucea evolutioncognitionperformance |