What ever happened to new institutionalism?:
New Institutionalism, a mode of curating that originated in Europe in the 1990s, evolved from the legacy of international curator Harald Szeemann, the relational art advanced by French critic and theorist Nicolas Bourriaud, and other influential factors of the time. New Institutionalism’s dispersed...
Gespeichert in:
| Weitere beteiligte Personen: | |
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| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin
Sternberg Press
[2016]
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029068520&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | New Institutionalism, a mode of curating that originated in Europe in the 1990s, evolved from the legacy of international curator Harald Szeemann, the relational art advanced by French critic and theorist Nicolas Bourriaud, and other influential factors of the time. New Institutionalism’s dispersed and varied approaches to curating sought to reconfigure the art institution from within, reshaping it into an active, democratic, open, and egalitarian public sphere. These approaches posed other possibilities and futures for institutions and exhibitions, challenging the consensual conception, production, and distribution of art. Practitioners engaged the art institution with renewed confidence by imbuing it with the potential for new aesthetic experiences and different relationships among artists, institutions, and spectators beyond engrained modernist ideologies. Working in these new modes, the art institution could become a site of fluidity, unpredictability, and risk.<br>What Ever Happened to New Institutionalism? reflects upon the aspirations of these curatorial strategies and assesses their critical efficacy today within the landscape of contemporary art and globalized culture. The first in a series of readers examining changing characteristics of art institutions, this publication thinks through New Institutionalism by bringing together facsimiles of seminal texts, new critical essays, a history of trends and practices, and commissioned artist projects and contributions. These are complemented by documentation from the inaugural year of programming at the Carpenter Center for the Visual Arts at Harvard University focused on reimagining CCVA as a twenty-first-century institution. |
| Umfang: | 192 Seiten Illustrationen 17 x 24 cm |
| ISBN: | 9783956792342 |
Internformat
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| 520 | |a New Institutionalism, a mode of curating that originated in Europe in the 1990s, evolved from the legacy of international curator Harald Szeemann, the relational art advanced by French critic and theorist Nicolas Bourriaud, and other influential factors of the time. New Institutionalism’s dispersed and varied approaches to curating sought to reconfigure the art institution from within, reshaping it into an active, democratic, open, and egalitarian public sphere. These approaches posed other possibilities and futures for institutions and exhibitions, challenging the consensual conception, production, and distribution of art. Practitioners engaged the art institution with renewed confidence by imbuing it with the potential for new aesthetic experiences and different relationships among artists, institutions, and spectators beyond engrained modernist ideologies. Working in these new modes, the art institution could become a site of fluidity, unpredictability, and risk.<br>What Ever Happened to New Institutionalism? reflects upon the aspirations of these curatorial strategies and assesses their critical efficacy today within the landscape of contemporary art and globalized culture. The first in a series of readers examining changing characteristics of art institutions, this publication thinks through New Institutionalism by bringing together facsimiles of seminal texts, new critical essays, a history of trends and practices, and commissioned artist projects and contributions. These are complemented by documentation from the inaugural year of programming at the Carpenter Center for the Visual Arts at Harvard University focused on reimagining CCVA as a twenty-first-century institution. | ||
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Datensatz im Suchindex
| _version_ | 1819245150539350016 |
|---|---|
| adam_text | 4 PROLOGUE:
TO A BEAUTIFUL PROBLEM
JAMES VOORHIES
12 NEW NORDIC CRITIQUE
TONE HANSEN
20 NEW INSTITUTIONALISM:
INTRODUCTION
JONAS EKEBERG
62 NOTHING TOO GOOD?
THE POLITICS OF
NEW BUILDINGS FOR
FINE ART IN
POSTWAR BRITAIN
OWEN HATHERLEY
68 THE WAY WE LIVE NOW,
MODERNIST IDEOLOGIES
AT WORK
84 BRAND NEW
INSTITUTIONALISM
JAMES GOGGIN
126 SCHOOL OF LIFE:
AN INTERVIEW
JAMES VOORHIES AND SIMON FUJIWARA
134 SIMON FUJIWARA:
THREE EASY PIECES
144 IN-BETWEEN
THINGS AND TIMES
HENRIETTE HULDISCH
148 ALBUM
*NE MUGAAS AND ELISE STORSVEEN
158 CCVA PROGRAM TIMELINE
28 FROM RELATIONAL
AESTHETICS TO
NEW INSTITUTIONALISM,
AND NOW?
JAMES VOORHIES
34 PROGRAM
MARTIN BECK
52 INSTITUTIONAL CROSS-
BENCHING AS A FORM
OF CRITICAL PRODUCTION
MARKUS MIESSEN
90 PRACTICE
FERNANDA FRAGATEIRO
100 INTEGRATIVE
INSTITUTIONALISM:
A RECONSIDERATION
MARIA LIND AND
ALEX FARQUHARSON
118 FROM THE
CCVA
ARNHIV/P
160 CCVA IN SITU
166 9X9
NINA BEIER, SILVIA BENEDITO,
ULLAVON BRANDENBURG, KATARINA BURIN,
SIMON DYBBROE MOELLER,
DAMON KRUKOWSKI, GLORIA SUTTON,
NAOMI YANG, AMY YOES
186 BIBLIOGRAPHY
190 CONTRIBUTORS
192 ACKNOWLEDGMENTS
CREDITS
|
| any_adam_object | 1 |
| author2 | Voorhies, James Timothy |
| author2_role | edt |
| author2_variant | j t v jt jtv |
| author_GND | (DE-588)188396225 |
| author_facet | Voorhies, James Timothy |
| building | Verbundindex |
| bvnumber | BV043655004 |
| ctrlnum | (OCoLC)953850743 (DE-599)BVBBV043655004 |
| dewey-full | 701.03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.03 |
| dewey-search | 701.03 |
| dewey-sort | 3701.03 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| isbn | 9783956792342 |
| language | English |
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| spellingShingle | What ever happened to new institutionalism? Kurator Museumskunde (DE-588)4688848-2 gnd Kunstausstellung (DE-588)4033628-1 gnd Kulturelle Einrichtung (DE-588)4136812-5 gnd Rezeption (DE-588)4049716-1 gnd Neoinstitutionalismus (DE-588)4585406-3 gnd |
| subject_GND | (DE-588)4688848-2 (DE-588)4033628-1 (DE-588)4136812-5 (DE-588)4049716-1 (DE-588)4585406-3 |
| title | What ever happened to new institutionalism? |
| title_auth | What ever happened to new institutionalism? |
| title_exact_search | What ever happened to new institutionalism? |
| title_full | What ever happened to new institutionalism? editor: James Voorhies ; contributiors: Martin Beck, Nina Beier, Silvia Benedito, Ulla von Brandenburg, Katarina Burin, Simon Dybbroe Møller, Jonas Ekeberg, Alex Farquharson, Fernanda Fragateiro, Simon Fujiwara, James Goggin, Tone Hansen, Owen Hatherley, Henriette Huldisch, Damon Krukowski, Le Corbusier, Maria Lind, Markus Miessen, Eline Mugaas, Elise Storsveen, Gloria Sutton, James Voorhies, Naomi Yang, Amy Yoes |
| title_fullStr | What ever happened to new institutionalism? editor: James Voorhies ; contributiors: Martin Beck, Nina Beier, Silvia Benedito, Ulla von Brandenburg, Katarina Burin, Simon Dybbroe Møller, Jonas Ekeberg, Alex Farquharson, Fernanda Fragateiro, Simon Fujiwara, James Goggin, Tone Hansen, Owen Hatherley, Henriette Huldisch, Damon Krukowski, Le Corbusier, Maria Lind, Markus Miessen, Eline Mugaas, Elise Storsveen, Gloria Sutton, James Voorhies, Naomi Yang, Amy Yoes |
| title_full_unstemmed | What ever happened to new institutionalism? editor: James Voorhies ; contributiors: Martin Beck, Nina Beier, Silvia Benedito, Ulla von Brandenburg, Katarina Burin, Simon Dybbroe Møller, Jonas Ekeberg, Alex Farquharson, Fernanda Fragateiro, Simon Fujiwara, James Goggin, Tone Hansen, Owen Hatherley, Henriette Huldisch, Damon Krukowski, Le Corbusier, Maria Lind, Markus Miessen, Eline Mugaas, Elise Storsveen, Gloria Sutton, James Voorhies, Naomi Yang, Amy Yoes |
| title_short | What ever happened to new institutionalism? |
| title_sort | what ever happened to new institutionalism |
| topic | Kurator Museumskunde (DE-588)4688848-2 gnd Kunstausstellung (DE-588)4033628-1 gnd Kulturelle Einrichtung (DE-588)4136812-5 gnd Rezeption (DE-588)4049716-1 gnd Neoinstitutionalismus (DE-588)4585406-3 gnd |
| topic_facet | Kurator Museumskunde Kunstausstellung Kulturelle Einrichtung Rezeption Neoinstitutionalismus |
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