Paradise reframed: Milton, Dryden, and the politics of literary adaptation, 1658–1679
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Heidelberg
Universitätsverlag Winter
[2016]
|
| Schriftenreihe: | Britannica et Americana. Dritte Folge
Band 32 |
| Schlagwörter: | |
| Links: | http://deposit.dnb.de/cgi-bin/dokserv?id=1e4d334fe5fc4c2aac9b4ceda2b23db0&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029055494&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | VI, 204 Seiten Illustrationen |
| ISBN: | 9783825366360 |
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Datensatz im Suchindex
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| adam_text | Contents
List of Illustrations..........................................................vii
Acknowledgements .............................................................. ix
1 Points of Departure......................................................... 1
1.1 A Prologue in the Puppet Theatre............................................ 1
1.2 Dryden’s The State of Innocence in Literary History..........................8
1.3 Literature and Historiography.............................................. 15
1.4 Context as Method and Hypothesis..........................................18
2 Restoration as Process, 1658-1679 ........................................ 25
2.1 “Drifting into Anarchy”: The Dissolution of the Protectorate................26
2.2 “Past all Humane Policy”: The Return of Charles II..........................28
2.3 Acts of Oblivion and Remembrance........................................... 30
2.4 Religion Restored: Resurgence and Repression in the Restoration Church......32
2.5 War, Plague, Fire, Fear: The First Restoration Crisis..................... 34
2.6 The ‘Absolutism’ of King Charles II.........................................37
2.7 England, France, and the Third Anglo-Dutch War..............................38
2.8 The ‘Modenese Marriage,’ Religion, and the Politics of Succession...........43
2.9 Toward Exclusion: Shaftesbury’s Fall from Grace and Drift into Opposition.48
2.10 Crisis Abounding ........................................................ 53
3 Writing and Reading the Restoration:
Parameters of Literary Production and Reception...........................55
3.1 Restoration of the Theatre: Politics, Love, Heroism ........................55
3.2 Printing, Licensing, and Censorship.........................................58
3.3 Who Were the Readers?.......................................................61
3.4 Modes of Reading, Modes of Understanding....................................62
3.5 Types of Typology...........................................................63
3.6 Reading for Precepts........................................................66
3.7 Political Typology and Literary Royalism....................................69
3.8 Dryden’s Use of Typology....................................................70
3.9 Royalism, Allegory, and Censorship..........................................74
3.10 17th-Century Reading and 21st-Century Interpretation ................... 76
4 Books Unbound: Milton and Dryden in the Marketplace.........................85
4.1 Titles.................................................................... 87
4.2 Designations of Genre.......................................................91
4.3 Dryden’s The State of Innocence as Libretto............................... 98
4.4 Authors’ Names, Licensing, Epigraph, and Dedication....................... 108
4.5 Printers and Booksellers.................................................. 113
vi Contents
5 Authors: Seers, Servants, Fellow Writers................................. 119
5.1 Dryden’s Subtle Poetic Licensing and Theory of Inspiration............... 120
5.2 “Unpremeditated Verse”? Milton’s Inspired Authority...................... 127
5.3 Priest and Tempter: Dryden’s Ambiguous Panegyric..........................133
6 Audiences: Readers Ideal, Real, and Productive........................... 149
6.1 Dryden’s Ideal Audience...................................................149
6.2 Milton’s Orphic Sense of Audience........................................150
6.3 Milton’s Real Readers.................................................... 152
6.4 Contemporary Reactions to The State of Innocence.........................156
6.5 Edward Ecclestone’s Noah s Flood (1679).................................. 158
7 Applications: Dryden’s Political Pandaemonium............................ 165
7.1 Dryden’s Devils, Dryden’s Hell............................................165
7.2 Dryden’s Parliament of Hell...............................................171
7.3 Batavian Infamy: Dryden’s States-General of Hell......................... 173
7.4 Shaftesburian Characters: The State of Innocence as Royalist Slander.....183
8 Milton, Dryden, and the Politics of Literary Adaptation.................. 187
Bibliography ................................................................ 191
Index...................................................................... 199
|
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| spellingShingle | Gabel, Tobias 1985- Paradise reframed Milton, Dryden, and the politics of literary adaptation, 1658–1679 Britannica et Americana. Dritte Folge Dryden, John 1631-1700 The state of innocence (DE-588)110476556X gnd Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 gnd |
| subject_GND | (DE-588)110476556X (DE-588)4114602-5 (DE-588)4113937-9 |
| title | Paradise reframed Milton, Dryden, and the politics of literary adaptation, 1658–1679 |
| title_auth | Paradise reframed Milton, Dryden, and the politics of literary adaptation, 1658–1679 |
| title_exact_search | Paradise reframed Milton, Dryden, and the politics of literary adaptation, 1658–1679 |
| title_full | Paradise reframed Milton, Dryden, and the politics of literary adaptation, 1658–1679 Tobias Gabel |
| title_fullStr | Paradise reframed Milton, Dryden, and the politics of literary adaptation, 1658–1679 Tobias Gabel |
| title_full_unstemmed | Paradise reframed Milton, Dryden, and the politics of literary adaptation, 1658–1679 Tobias Gabel |
| title_short | Paradise reframed |
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| title_sub | Milton, Dryden, and the politics of literary adaptation, 1658–1679 |
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