Availability: Imagining spectatorship | Technische Universität München

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Bibliographic Details
Main Authors:	McGavin, John J. (Author), Walker, Greg 1959- (Author)
Format:	Book
Language:	English
Published:	Oxford, United Kingdom Oxford University Press [2016]
Edition:	First edition
Series:	Oxford textual perspectives
Subjects:	Geschichte 1200-1600 Englisch Drama Zuschauer
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028947307&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028947307&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	viii, 208 Seiten
ISBN:	9780198768616 9780198768623

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Record in the Search Index

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adam_text	CONTENTS i. The Spectatorial Turn: Witnessing Early English Drama from the York Cycle to Shakespeare i a. Tudor Household Drama: Beyond the Cognitive Turn 43 Case Studies 3. Figuring the Spectator: The Entertainments at Carew Castle and Wisdom 67 4. Staging Revelation: Virtuous and Godly Susanna, John Bale, and the Chester Antichrist 105 5. Watching The Three Estates 144 Afterword: Cueing Spectators 167 Bibliography 185 Index 199 Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (.conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh ifrterpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality cf the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works. Imagining Spectatorship offers a new discussion of how spectators witnessed early drama in the various spaces and places in which those works were performed. It combines broad historical and theoretical reflection with closely analysed case studies to produce a comprehensive account of the ways in which individuals encountered early drama, how they were cued to respond to it, and how we might think about those issues today. The book resists the conventional divide between ‘medieval’ and ‘early-modern drama, using its focus on the spectators’ experience to point to connections and continuities across a diverse range of genres, such as processions and tourneys as well as scripted plays, pageants, and interludes; a variety of different venues, such as city streets, great halls, and playhouses, and a period of about 150 years to the Shakespearean stage of the 1590s and 1600s. It seeks to offer routes by which inferences about early spectatorship can be made despite the relative absence of personal testimony from the period.
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spellingShingle	McGavin, John J. Walker, Greg 1959- Imagining spectatorship from the mysteries to the Shakespearean stage Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Zuschauer (DE-588)4127324-2 gnd
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title	Imagining spectatorship from the mysteries to the Shakespearean stage
title_auth	Imagining spectatorship from the mysteries to the Shakespearean stage
title_exact_search	Imagining spectatorship from the mysteries to the Shakespearean stage
title_full	Imagining spectatorship from the mysteries to the Shakespearean stage John J. McGavin and Greg Walker
title_fullStr	Imagining spectatorship from the mysteries to the Shakespearean stage John J. McGavin and Greg Walker
title_full_unstemmed	Imagining spectatorship from the mysteries to the Shakespearean stage John J. McGavin and Greg Walker
title_short	Imagining spectatorship
title_sort	imagining spectatorship from the mysteries to the shakespearean stage
title_sub	from the mysteries to the Shakespearean stage
topic	Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Zuschauer (DE-588)4127324-2 gnd
topic_facet	Englisch Drama Zuschauer
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