Ex-centric cinema: Giorgio Agamben and film archaeology
"In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into vi...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc.
2016
|
| Schriftenreihe: | Thinking cinema
10 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028943468&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | "In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema. "... |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | xii, 259 Seiten Illustrationen |
| ISBN: | 9781628922424 9781628922417 |
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Datensatz im Suchindex
| _version_ | 1819341538289778688 |
|---|---|
| adam_text | EX-CENTRIC CINEMA
/ HARBORD, JANETYYEAUTHOR
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
1 EX-CENTRIC CINEMA: AN ARCHAEOLOGICAL METHOD
2 MUTE CINEMA: GESTURE AND THE IMPRESSION OF CHARACTER
3 ANIMAL: CINEMA AS AN ANTHROPOLOGICAL MACHINE
4 PROFANING THE CINEMATIC: CHILDREN, ASSISTANTS, GHOSTS
5 CONDITIONS OF CINEMATIC POSSIBILITY: REPETITION AND STOPPAGE
6 THE COMING COMMUNITY
BIBLIOGRAPHY
INDEX
DIESES SCHRIFTSTCK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Harbord, Janet |
| author_GND | (DE-588)139147705 |
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| author_role | aut |
| author_sort | Harbord, Janet |
| author_variant | j h jh |
| building | Verbundindex |
| bvnumber | BV043527693 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.5 |
| callnumber-search | PN1995.5 |
| callnumber-sort | PN 41995.5 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45100 |
| ctrlnum | (OCoLC)973547022 (DE-599)BVBBV043527693 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV043527693 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:38:42Z |
| institution | BVB |
| isbn | 9781628922424 9781628922417 |
| language | English |
| lccn | 016009710 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028943468 |
| oclc_num | 973547022 |
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| owner_facet | DE-703 DE-188 DE-M472 DE-29 DE-355 DE-BY-UBR DE-B170 |
| physical | xii, 259 Seiten Illustrationen |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc. |
| record_format | marc |
| series | Thinking cinema |
| series2 | Thinking cinema |
| spellingShingle | Harbord, Janet Ex-centric cinema Giorgio Agamben and film archaeology Thinking cinema Agamben, Giorgio 1942- Criticism and interpretation Agamben, Giorgio 1942- (DE-588)119293439 gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh PHILOSOPHY / General bisacsh Ethik Film Philosophie Ästhetik Motion pictures Moral and ethical aspects Motion pictures Philosophy Motion pictures Aesthetics PERFORMING ARTS / Film & Video / History & Criticism PHILOSOPHY / General Film (DE-588)4017102-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)119293439 (DE-588)4017102-4 (DE-588)4000626-8 |
| title | Ex-centric cinema Giorgio Agamben and film archaeology |
| title_alt | Excentric cinema |
| title_auth | Ex-centric cinema Giorgio Agamben and film archaeology |
| title_exact_search | Ex-centric cinema Giorgio Agamben and film archaeology |
| title_full | Ex-centric cinema Giorgio Agamben and film archaeology Janet Harbord |
| title_fullStr | Ex-centric cinema Giorgio Agamben and film archaeology Janet Harbord |
| title_full_unstemmed | Ex-centric cinema Giorgio Agamben and film archaeology Janet Harbord |
| title_short | Ex-centric cinema |
| title_sort | ex centric cinema giorgio agamben and film archaeology |
| title_sub | Giorgio Agamben and film archaeology |
| topic | Agamben, Giorgio 1942- Criticism and interpretation Agamben, Giorgio 1942- (DE-588)119293439 gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh PHILOSOPHY / General bisacsh Ethik Film Philosophie Ästhetik Motion pictures Moral and ethical aspects Motion pictures Philosophy Motion pictures Aesthetics PERFORMING ARTS / Film & Video / History & Criticism PHILOSOPHY / General Film (DE-588)4017102-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Agamben, Giorgio 1942- Criticism and interpretation Agamben, Giorgio 1942- PERFORMING ARTS / Film & Video / History & Criticism PHILOSOPHY / General Ethik Film Philosophie Ästhetik Motion pictures Moral and ethical aspects Motion pictures Philosophy Motion pictures Aesthetics |
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