The digital evolution of live music:
The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology....
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Waltham, MA
Chandos Publishing an imprint of Elsevier
[2015]
|
| Schriftenreihe: | Chandos information professional series
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028680788&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. -- Back cover |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | vii, 143 Seiten |
| ISBN: | 9780081000670 |
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| 520 | |a The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. -- Back cover | ||
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents
Preface ix
Introduction xi
Section One Live that survives 1
1 Live concerts and fan identity in the age of the Internet 3
R. Bennett
1.1 Introduction 3
1.2 Identity and live music 5
1.3 Live concerts and history 6
1.4 Live concerts and community 8
1.5 Live concerts and the individual 11
1.6 Conclusion 13
References 14
2 Aura, iteration, and action: digital technology and the jouissance
of live music 17
T. Harper
2.1 The territory: arguments about the technological mediation of
cultural production 17
2.2 The expedition: experiences of jouissance through live music 22
References 27
3 What’s my scene: festival fandom and the application of the
Big Day Out stage 29
A. Jones
3.1 Introduction 29
3.2 A brief history of music festivals: 1960s-1990s 30
3.3 The 1990s to the 2000s 32
3.4 The 2000s: the app-plification of the BDO stage 33
3.5 The future of music festivals 38
References 39
Section Two Digital live 41
4 Live sound and the disappearing digital 43
J. Mulder
4.1 Introduction 43
4.2 Sound is analog 44
49
50
51
53
53
55
55
57
57
60
61
64
66
68
69
71
71
71
73
74
76
77
79
80
82
82
85
90
91
93
94
96
96
4.3 Digital processes in live sound
4.4 Global sound design
4.5 Dislocations and authenticity
4.6 Music computing and synthesis
4.7 Remote digital tools
4.8 Digital magic
4.9 Conclusion
References
Live or Memorex? Changing perceptions of music practices
S. Mallinder
5.1 Introduction
5.2 Methodology
5.3 The loss of the tangible—capturing the moment 1
5.4 Plus 9a change—capturing the moment 2
5.5 Liquid sounds—disseminating the experience
5.6 Keeping it real—live and digital
5.7 Dubstep or busted speakers? Changing auditory practices
5.8 Backward to the future
References
Live from the ether: YouThbe and live music video culture
A. Trainer
6.1 Introduction
6.2 Free-for-all: the YouTube model
6.3 It’s all here: community and access
6.4 Another promotional tool: the official model
6.5 Identifying the fanvid: the amateur-professional divide
6.6 The heart of copygrey: the user-generated model
6.7 Offsetting copygrey: YouTube services
6.8 A live-streaming case study: Coachella
6.9 Conclusion
References
Live music in a virtual world: exuberant flourishing and
disability at Wheelies nightclub in Second Life
M. Kent, K. EUis
7.1 Second Life: looking forward, looking back
7.2 Identity avatars and disability
7.3 Second Life, live music, and disability
7.4 Wheelies, live music, and engagement
7.5 Conclusion
References
Contents
vii
8 The sounds of Skyrim: a musical journey through gaming 99
S. Gallacher
8.1 Introduction 99
8.2 The music of Skyrim 101
8.3 Music and live-gaming experiences: a moment in time,
a moment in mind 103
References 105
Section Three Live after death 107
9 Dead music in live music culture 109
F.Cull
9.1 Deadness in liveness 111
9.2 Retro-canonization and archivists 112
9.3 Collector interviews 115
9.4 Frank Fairfield---time traveler 118
Acknowledgments 120
References 120
10 Keepin’ it real? Life, death, and holograms on the live music stage 123
A. Jones; R. Bennett and S. Cross
10.1 Introduction 123
10.2 Presence 124
10.3 Genre 125
10.4 Ontology 128
10.5 Ethics 133
10.6 Conclusion 136
References 137
Coda 139
Index 141 |
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| spelling | Cresswell-Jones, Angela edt The digital evolution of live music editors, Angela Cresswell Jones and Rebecca Jane Bennett Waltham, MA Chandos Publishing an imprint of Elsevier [2015] vii, 143 Seiten txt rdacontent n rdamedia nc rdacarrier Chandos information professional series Includes bibliographical references and index The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. -- Back cover Music / Performance Concerts Popular music fans Live sound recordings Sound / Recording and reproducing / Digital techniques Musik Audiotechnik (DE-588)4140445-2 gnd rswk-swf Rockkonzert (DE-588)4315367-7 gnd rswk-swf Digitaltechnik (DE-588)4012303-0 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Live-Auftritt (DE-588)4570116-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Rockkonzert (DE-588)4315367-7 s Live-Auftritt (DE-588)4570116-7 s Audiotechnik (DE-588)4140445-2 s Schallaufzeichnung (DE-588)4052020-1 s Digitaltechnik (DE-588)4012303-0 s DE-604 Bennett, Rebecca Jane edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028680788&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The digital evolution of live music Music / Performance Concerts Popular music fans Live sound recordings Sound / Recording and reproducing / Digital techniques Musik Audiotechnik (DE-588)4140445-2 gnd Rockkonzert (DE-588)4315367-7 gnd Digitaltechnik (DE-588)4012303-0 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Live-Auftritt (DE-588)4570116-7 gnd |
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| title | The digital evolution of live music |
| title_auth | The digital evolution of live music |
| title_exact_search | The digital evolution of live music |
| title_full | The digital evolution of live music editors, Angela Cresswell Jones and Rebecca Jane Bennett |
| title_fullStr | The digital evolution of live music editors, Angela Cresswell Jones and Rebecca Jane Bennett |
| title_full_unstemmed | The digital evolution of live music editors, Angela Cresswell Jones and Rebecca Jane Bennett |
| title_short | The digital evolution of live music |
| title_sort | the digital evolution of live music |
| topic | Music / Performance Concerts Popular music fans Live sound recordings Sound / Recording and reproducing / Digital techniques Musik Audiotechnik (DE-588)4140445-2 gnd Rockkonzert (DE-588)4315367-7 gnd Digitaltechnik (DE-588)4012303-0 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Live-Auftritt (DE-588)4570116-7 gnd |
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