Shakespeare and Chekhov in production and reception theatrical events and their audiences - Tulloch, John (University of Iowa Press, 2005)
Defining theatrical event and audience research -- Spectatorship social audiences, and risk: Shakespeare and the Q theatre -- Imagining audiences: the Eyre-Griffiths productions of The cherry orchard -- The "reading Chekhov" project: social audiences and reading formations -- The theatrical event: inner and outer audience frames -- Contextual theatricality: the theatrical event as occasion and place -- Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard -- Playing culture: pleasurable play in The free state and The cherry orchard -- Theatrical playing: Much Ado, mediatization and "liveness."
Includes bibliographical references (pages 301-304) and index
Keywords: Shakespeare, William / 1564-1616 / Dramatic production / Dramatic production / Stage history / Stage history; Chekhov, Anton Pavlovich / 1860-1904 / Dramatic production / Dramatic production / Stage history / Stage history; Shakespeare, William -- 1564-1616 -- Dramatic production; Chekhov, Anton Pavlovich -- 1860-1904 -- Dramatic production; Chekhov, Anton Pavlovich -- 1860-1904 -- Stage history; Shakespeare, William -- 1564-1616 -- Stage history; Čechov, Anton Pavlovič -- 1860-1904; Shakespeare, William -- 1564-1616; Geschichte; PERFORMING ARTS / Theater / History & Criticism; Toneelvoorstellingen; Publiek; Receptie; Rezeption; Theater audiences; Inszenierung; Drama