Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Berkeley
University of California Press
2010
|
| Schlagwörter: | |
| Links: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=547423 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=547423 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=547423 |
| Beschreibung: | Print version record |
| Umfang: | 1 online resource (339 pages) |
| ISBN: | 052094559X 9780520945593 |
Internformat
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| 505 | 8 | |a Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index | |
| 505 | 8 | |a "Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor | |
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Datensatz im Suchindex
| _version_ | 1818981116896346112 |
|---|---|
| any_adam_object | |
| author | Gerow, Aaron |
| author_facet | Gerow, Aaron |
| author_role | aut |
| author_sort | Gerow, Aaron |
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| building | Verbundindex |
| bvnumber | BV043035735 |
| collection | ZDB-4-EBA |
| contents | Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index "Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor |
| ctrlnum | (OCoLC)646788639 (DE-599)BVBBV043035735 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430952 |
| dewey-search | 791.430952 |
| dewey-sort | 3791.430952 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1895-1925 gnd |
| era_facet | 1800 - 1999 Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1895-1925 |
| format | Electronic eBook |
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| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV043035735 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:26:13Z |
| institution | BVB |
| isbn | 052094559X 9780520945593 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028460385 |
| oclc_num | 646788639 |
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| physical | 1 online resource (339 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | University of California Press |
| record_format | marc |
| spelling | Gerow, Aaron Verfasser aut Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925 Berkeley University of California Press 2010 1 online resource (339 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index "Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1895-1925 gnd rswk-swf Fine Arts ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures fast Film Geschichte Motion pictures Japan History 19th century Motion pictures Japan History 20th century Film (DE-588)4017102-4 gnd rswk-swf Filmkritik (DE-588)4154367-1 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Japan (DE-588)4028495-5 g Film (DE-588)4017102-4 s Filmkritik (DE-588)4154367-1 s Geschichte 1895-1925 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Gerow, Aaron Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=547423 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gerow, Aaron Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925 Visions of Japanese Modernity; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Motion Pictures as a Problem; 2. Gonda Yasunosuke and the Promise of Film Study; 3. Studying the Pure Film; 4. The Subject of the Text: Benshi, Authors, and Industry; 5. Managing the Internal; Conclusion: Mixture, Hegemony, and Resistance; Notes; Selected Bibliography; Index "Visions of Japanese Modernity is the single best account of the formation of Japanese cinema. Deftly drawing on film discourses, regulations, and exhibition practices, it brilliantly brings into focus one of the most exuberant and contested moments in the history of cinema. It not only sets new standards for film history but also plants the seeds for a counterhistory to cinema as such."Thomas LaMarre, author of The Anime Machine: A Media Theory of Animation "In this landmark study, Aaron Gerow richly demonstrates the vibrancy of Japanese film culture as no book has done befor Fine Arts ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures fast Film Geschichte Motion pictures Japan History 19th century Motion pictures Japan History 20th century Film (DE-588)4017102-4 gnd Filmkritik (DE-588)4154367-1 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4154367-1 (DE-588)4028495-5 |
| title | Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925 |
| title_auth | Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925 |
| title_exact_search | Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925 |
| title_full | Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925 |
| title_fullStr | Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925 |
| title_full_unstemmed | Visions of Japanese Modernity Articulations of Cinema, Nation, and Spectatorship, 1895-1925 |
| title_short | Visions of Japanese Modernity |
| title_sort | visions of japanese modernity articulations of cinema nation and spectatorship 1895 1925 |
| title_sub | Articulations of Cinema, Nation, and Spectatorship, 1895-1925 |
| topic | Fine Arts ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Motion pictures fast Film Geschichte Motion pictures Japan History 19th century Motion pictures Japan History 20th century Film (DE-588)4017102-4 gnd Filmkritik (DE-588)4154367-1 gnd |
| topic_facet | Fine Arts ART / Film & Video PERFORMING ARTS / Film & Video / Reference PERFORMING ARTS / Film & Video / General Motion pictures Film Geschichte Motion pictures Japan History 19th century Motion pictures Japan History 20th century Filmkritik Japan |
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| work_keys_str_mv | AT gerowaaron visionsofjapanesemodernityarticulationsofcinemanationandspectatorship18951925 |