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Cover Image
Voices of Negritude in Modernist Print: Aesthetic Subjectivity, Diaspora, and the Lyric Regime
Saved in:
Bibliographic Details
Main Author: Noland, Carrie (Author)
Format: Electronic eBook
Language:English
Published: New York, NY Columbia University Press [2015]
Series:Modernist Latitudes
Subjects:
Césaire, Aimé > 1913-2008
Damas, Léon-Gontran > 1912-1978
African diaspora in literature
Französische Literatur
Negritude (Literary movement)
LITERARY COLLECTIONS / Caribbean & Latin American
LITERARY CRITICISM / European / French
French poetry > Black authors > History and criticism
French poetry > Foreign countries > History and criticism
Négritude
Postkolonialismus
Französisch
Literatur
Links:http://www.degruyter.com/doi/book/10.7312/nola16704
http://www.degruyter.com/doi/book/10.7312/nola16704
http://www.degruyter.com/doi/book/10.7312/nola16704
http://www.degruyter.com/doi/book/10.7312/nola16704
http://www.degruyter.com/doi/book/10.7312/nola16704
http://www.degruyter.com/doi/book/10.7312/nola16704
http://www.degruyter.com/doi/book/10.7312/nola16704
http://www.degruyter.com/doi/book/10.7312/nola16704
Item Description:Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)
Physical Description:1 online resource (344 pages) illustrations
ISBN:9780231538640
Staff View

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Record in the Search Index

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author Noland, Carrie
author_facet Noland, Carrie
author_role aut
author_sort Noland, Carrie
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contents Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized--performed, reiterated, and created anew--by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal--and not merely thematic--elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person
ctrlnum (OCoLC)1165492138
(DE-599)BVBBV043016266
dewey-full 840.9896
dewey-hundreds 800 - Literature (Belles-lettres) and rhetoric
dewey-ones 840 - Literatures of Romance languages
dewey-raw 840.9896
dewey-search 840.9896
dewey-sort 3840.9896
dewey-tens 840 - Literatures of Romance languages
discipline Romanistik
format Electronic
eBook
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Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland
New York, NY Columbia University Press [2015]
© 2015
1 online resource (344 pages) illustrations
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Modernist Latitudes
Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)
Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized--performed, reiterated, and created anew--by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal--and not merely thematic--elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person
In English
Césaire, Aimé 1913-2008 (DE-588)118519948 gnd rswk-swf
Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd rswk-swf
African diaspora in literature
Französische Literatur
Negritude (Literary movement)
LITERARY COLLECTIONS / Caribbean & Latin American bisacsh
LITERARY CRITICISM / European / French bisacsh
French poetry Black authors History and criticism
French poetry Foreign countries History and criticism
Négritude (DE-588)4171411-8 gnd rswk-swf
Postkolonialismus (DE-588)4566658-1 gnd rswk-swf
Französisch (DE-588)4113615-9 gnd rswk-swf
Literatur (DE-588)4035964-5 gnd rswk-swf
Französisch (DE-588)4113615-9 s
Literatur (DE-588)4035964-5 s
Postkolonialismus (DE-588)4566658-1 s
Négritude (DE-588)4171411-8 s
1\p DE-604
Césaire, Aimé 1913-2008 (DE-588)118519948 p
Damas, Léon-Gontran 1912-1978 (DE-588)118670948 p
2\p DE-604
http://www.degruyter.com/doi/book/10.7312/nola16704 Verlag Volltext
1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle Noland, Carrie
Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime
Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized--performed, reiterated, and created anew--by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal--and not merely thematic--elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person
Césaire, Aimé 1913-2008 (DE-588)118519948 gnd
Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd
African diaspora in literature
Französische Literatur
Negritude (Literary movement)
LITERARY COLLECTIONS / Caribbean & Latin American bisacsh
LITERARY CRITICISM / European / French bisacsh
French poetry Black authors History and criticism
French poetry Foreign countries History and criticism
Négritude (DE-588)4171411-8 gnd
Postkolonialismus (DE-588)4566658-1 gnd
Französisch (DE-588)4113615-9 gnd
Literatur (DE-588)4035964-5 gnd
subject_GND (DE-588)118519948
(DE-588)118670948
(DE-588)4171411-8
(DE-588)4566658-1
(DE-588)4113615-9
(DE-588)4035964-5
title Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime
title_auth Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime
title_exact_search Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime
title_full Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland
title_fullStr Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland
title_full_unstemmed Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland
title_short Voices of Negritude in Modernist Print
title_sort voices of negritude in modernist print aesthetic subjectivity diaspora and the lyric regime
title_sub Aesthetic Subjectivity, Diaspora, and the Lyric Regime
topic Césaire, Aimé 1913-2008 (DE-588)118519948 gnd
Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd
African diaspora in literature
Französische Literatur
Negritude (Literary movement)
LITERARY COLLECTIONS / Caribbean & Latin American bisacsh
LITERARY CRITICISM / European / French bisacsh
French poetry Black authors History and criticism
French poetry Foreign countries History and criticism
Négritude (DE-588)4171411-8 gnd
Postkolonialismus (DE-588)4566658-1 gnd
Französisch (DE-588)4113615-9 gnd
Literatur (DE-588)4035964-5 gnd
topic_facet Césaire, Aimé 1913-2008
Damas, Léon-Gontran 1912-1978
African diaspora in literature
Französische Literatur
Negritude (Literary movement)
LITERARY COLLECTIONS / Caribbean & Latin American
LITERARY CRITICISM / European / French
French poetry Black authors History and criticism
French poetry Foreign countries History and criticism
Négritude
Postkolonialismus
Französisch
Literatur
url http://www.degruyter.com/doi/book/10.7312/nola16704
work_keys_str_mv AT nolandcarrie voicesofnegritudeinmodernistprintaestheticsubjectivitydiasporaandthelyricregime
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