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Bibliographic Details
Main Author:	Weber, Johannes 1981- (Author)
Format:	Thesis/Dissertation Book
Language:	English
Published:	Bamberg University of Bamberg Press 2015
Series:	Bamberger Studien zu Literatur, Kultur und Medien Band 14
Subjects:	Stevenson, Robert Louis > 1850-1894 > The strange case of Dr. Jekyll and Mr. Hyde Wilde, Oscar > 1854-1900 > The picture of Dorian Gray Stoker, Bram > 1847-1912 > Dracula Geschichte 1880-1901 Horrorfilm Verfilmung Englisch Körper > Motiv Literatur Das Monströse Literarische Gestalt Hochschulschrift
Links:	https://fis.uni-bamberg.de/handle/uniba/21900 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028437292&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	477 Seiten Illustrationen 21 cm
ISBN:	9783863093488

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Record in the Search Index

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adam_text	. 9 .9 11 19 24 24 24 25 27 28 30 37 40 43 47 53 55 59 62 71 75 78 81 81 86 89 94 97 List of Contents Introduction.......................................... Observations: three remarkable careers in film........ Hypothesis: a shared proto-filmic monstrosity......... Approach corpus: deducing proto-filmic aspects of the literary figures and assessing their filmic realization Aspects of a proto-filmic condition................... Bodies in the emotion machine......................... Victorian monsters in front of the movie camera ...... Monstrous flaneurs - focalizers and prime movers in the city........................................... State of research contexts.......................... Studies of literature and film........................ Adaptation studies and the relapse into storytelling.. Vampires and adaptation............................... Literary careers in re-writes ........................ Pré Cinéma............................................ Research on Wilde and Dorian Gray..................... Dorian Gray adaptations............................... Research on Stevenson and Jekyll sf Hyde.............. fekyll Hyde adaptations............................. Research on Stoker and Dracula........................ Dracula adaptations and vampire films................. The special case of Nosferatu (1922).................. Neo-Victorian studies and steampunk aesthetics........ The Gothic............................................ Recent research and increased interest................ The Victorian Gothic.................................. Monstrosity and monster studies....................... Shapeshifters......................................... The body in film theory............................... 5 3. Aspects of a proto-filmic condition......................103 3.1 Bodies in the emotion machine............................103 3.1.1 Bodily reactions to Hyde..........................*..... 3 1.1.1 “At the horror of these sights and sounds, the maid fainted — The Carew murder case.................................. 3 112 “і never saw a circle of such hateful faces. — The proto-filmic encounter with Hyde.................................... 3.1.2 Bodily reactions to Dorian Gray..........................113 3.1.3 Bodily reactions to film.................................116 3.1.3.1 Linda Williams: reactions to images of the body.........116 3.1.3.2 Steven Shaviro’s theory of cinematic affect.............118 3.1.3.3 “Mr. Enfield’s tale went by before his mind in a scroll of lighted pictures.”......................123 3.1.3.4 Vivian Sobchack’s film phenomenology.....................125 3.1.4 “That vague feeling of uneasiness” — Dracula and the passivity of the body..................126 3.1.4.1 Excursus: the film viewer’s passivity vis-à-vis the vampire in Thirst (2009)..................131 3.1.5 Research on the body.....................................133 3.1.5.1 The corporeal turn’.....................................133 3.1.5.2 Foucaulf view(s) of the body: between subjection and subversion.......................138 3.1.6 Representing the body in Jekyll Hyde filmings and other horror films......................................146 3.1.7 “[S]in, or [...] what the world calls sin” - Dorian’s docile body....................................152 3.1.8 Summary: the figures’ bodies as Kracauer’s “Naturrest”..159 3.1.9 Crossover: the vampirism in/of Vampyr (1932).............165 3.2 Victorian monsters in front of the movie camera..........173 3.2.1 Late-nineteenth-century physiognomy and the visualization of deviance............................................ 74 3.2.2 Early film acting theory.................................177 3.2.2.1 Herbert Tannenbaum........................................ 3.2.2.2 Béla Balàzs.................................. 3.2.2.3 Walter Benjamin................................... 6 3.2.3 The emergence of the proto-cinematic vampire: Dracula’s movement from page and stage to screen........188 3.2.4 “He’s a Stanislavsky lunatic, that’s the matter with him!” - Vampirism and/as film acting in Shadow of the Vampire (2000)............................ 199 3.2.5 The film actor as the theatre actor’s doppelgánger in Der Januskopf (1920).................................... 209 3.2.6 Strange cases of literature and television...............216 3.2.6.1 “J’étais devenu un être libre”: Opale - Jean Renoir’s opaque Hyde (1959)...................................... 216 3.2.6.2 “Live from Television City, Hollywood!” - Gore Vidal’s American Jekyll e[ Hyde (1955).......................... 227 3.2.6.3 “You’re a movie star, you know that?” - Steven Moffat’s postmodern Jekyll ( Hyde) (2007)....................... 232 3.2.7 Dorian the film star.....................................235 3.2.7.1 Dorian’s visual ‘personality’............................235 3.2.7.2 Dorian’s body as commodity: The Secret of Dorian Gray (1970)........................ 238 3.2.7.3 Dorian the mannequin: Sins of Dorian Gray (1983) ....... 246 3.2.7.4 Tabloid Dorian: Dorian Gray im Spiegel der Boulevardpresse (1984).................................. 248 3.2.8 Summary: Of film stars, revenants and zombies............252 3.3 Monstrous flâneurs: focalizers and prime movers in the city..............................................257 3.3.1 Monstrous city dwellers..................................257 3.3.2 Arrival of the urban Gothic..............................259 3.3.3 Degeneration in the city.................................262 3.3.4 Hyde’s and Dorian’s urban delights.......................271 3.3.4.1 “I shall never recover.” - Hyde as urban shock...........274 3.3.4.2 “There was an exquisite poison in the air.” - Dorian and Oscar at Piccadilly......................................279 3.3.5 The flaneur: city walker, voyeur, predator...............284 3.3.5.1 Flânerie and consumption.................................291 3.3.5.2 The London flaneur.......................................293 3.3.5.3 The monstrosity of London................................297 3.3.6 Urban business folk meet Dracula.........................301 7 3.3.7 The time- and space-defying powers of the vampire.......305 3.3.7.1 Nosferatu: vampirising film space.......................307 3.3.7.2 The vampire’s hypnotic powers...........................310 3.3.7.3 Dracula: inspired by phantasmagoria, anticipating film.316 3.3.8 Coppola’s and Stoker’s vampire flaneurs ................322 3.3.8.1 “See me now!” - The vampire as director in the streets of London...............................................325 3.3.8.2 “The greatest attraction of the century!” ֊ Mina and Dracula at the cinematograph..................330 3.3.9 The dissolution of time and space in Altered States (1980)... 337 3.3.10 Dorian (and) the moving picture.........................349 3.3.10.1 The theatre actress’s death for the sake of urban sensations..............................................355 3.3.10.2 Steampunk and the city in Dorian Gray (2009)...........360 3.3.11 Summary: the defiance of order through shocking shifts ... 364 4. Conclusion .............................................369 4.1 Transformative powers and proto-filmic conditions.......370 4.2 The collision of past and present.......................376 4.3 Figureheads of adaptation...............................382 5. Works Cited.............................................389 5.1 Bibliography............................................389 5.2 Filmography.............................................437 6. Illustrations............................................ 8
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genre	(DE-588)4113937-9 Hochschulschrift gnd-content
genre_facet	Hochschulschrift
id	DE-604.BV043012371
illustrated	Illustrated
indexdate	2024-12-20T17:25:37Z
institution	BVB
institution_GND	(DE-588)1068114681
isbn	9783863093488
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-028437292
oclc_num	1186053380
open_access_boolean	1
owner	DE-473 DE-BY-UBG DE-12 DE-384 DE-22 DE-BY-UBG DE-824 DE-29 DE-20 DE-703 DE-1051 DE-91 DE-BY-TUM DE-19 DE-BY-UBM DE-1049 DE-92 DE-739 DE-898 DE-BY-UBR DE-355 DE-BY-UBR DE-706 DE-1102
owner_facet	DE-473 DE-BY-UBG DE-12 DE-384 DE-22 DE-BY-UBG DE-824 DE-29 DE-20 DE-703 DE-1051 DE-91 DE-BY-TUM DE-19 DE-BY-UBM DE-1049 DE-92 DE-739 DE-898 DE-BY-UBR DE-355 DE-BY-UBR DE-706 DE-1102
physical	477 Seiten Illustrationen 21 cm
psigel	ebook
publishDate	2015
publishDateSearch	2015
publishDateSort	2015
publisher	University of Bamberg Press
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series	Bamberger Studien zu Literatur, Kultur und Medien
series2	Bamberger Studien zu Literatur, Kultur und Medien
spellingShingle	Weber, Johannes 1981- "Like some damned Juggernaut" the proto-filmic monstrosity of late Victorian literary figures Bamberger Studien zu Literatur, Kultur und Medien Stevenson, Robert Louis 1850-1894 The strange case of Dr. Jekyll and Mr. Hyde (DE-588)4390920-6 gnd Wilde, Oscar 1854-1900 The picture of Dorian Gray (DE-588)4130762-8 gnd Stoker, Bram 1847-1912 Dracula (DE-588)4304823-7 gnd Horrorfilm (DE-588)4127415-5 gnd Verfilmung (DE-588)4062809-7 gnd Englisch (DE-588)4014777-0 gnd Körper Motiv (DE-588)4164424-4 gnd Literatur (DE-588)4035964-5 gnd Das Monströse (DE-588)7707447-6 gnd Literarische Gestalt (DE-588)4140220-0 gnd
subject_GND	(DE-588)4390920-6 (DE-588)4130762-8 (DE-588)4304823-7 (DE-588)4127415-5 (DE-588)4062809-7 (DE-588)4014777-0 (DE-588)4164424-4 (DE-588)4035964-5 (DE-588)7707447-6 (DE-588)4140220-0 (DE-588)4113937-9
title	"Like some damned Juggernaut" the proto-filmic monstrosity of late Victorian literary figures
title_auth	"Like some damned Juggernaut" the proto-filmic monstrosity of late Victorian literary figures
title_exact_search	"Like some damned Juggernaut" the proto-filmic monstrosity of late Victorian literary figures
title_full	"Like some damned Juggernaut" the proto-filmic monstrosity of late Victorian literary figures Johannes Weber
title_fullStr	"Like some damned Juggernaut" the proto-filmic monstrosity of late Victorian literary figures Johannes Weber
title_full_unstemmed	"Like some damned Juggernaut" the proto-filmic monstrosity of late Victorian literary figures Johannes Weber
title_short	"Like some damned Juggernaut"
title_sort	like some damned juggernaut the proto filmic monstrosity of late victorian literary figures
title_sub	the proto-filmic monstrosity of late Victorian literary figures
topic	Stevenson, Robert Louis 1850-1894 The strange case of Dr. Jekyll and Mr. Hyde (DE-588)4390920-6 gnd Wilde, Oscar 1854-1900 The picture of Dorian Gray (DE-588)4130762-8 gnd Stoker, Bram 1847-1912 Dracula (DE-588)4304823-7 gnd Horrorfilm (DE-588)4127415-5 gnd Verfilmung (DE-588)4062809-7 gnd Englisch (DE-588)4014777-0 gnd Körper Motiv (DE-588)4164424-4 gnd Literatur (DE-588)4035964-5 gnd Das Monströse (DE-588)7707447-6 gnd Literarische Gestalt (DE-588)4140220-0 gnd
topic_facet	Stevenson, Robert Louis 1850-1894 The strange case of Dr. Jekyll and Mr. Hyde Wilde, Oscar 1854-1900 The picture of Dorian Gray Stoker, Bram 1847-1912 Dracula Horrorfilm Verfilmung Englisch Körper Motiv Literatur Das Monströse Literarische Gestalt Hochschulschrift
url	https://fis.uni-bamberg.de/handle/uniba/21900 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028437292&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV039630152
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